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Eric and Devin rolled through the streets as small children, shredding curbs and tagging local ice cream trucks, so it was inevitable they would reconnect and jam on High Tide. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDevin Flynn is an animator, musician and teacher who\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ehas worked on projects like Gary Panter's web series Pink Donkey and the Fly and MTV2’s Wonder Showzen. He has previously released on DFA with Pixeltan, a trio—Flynn, Hisham Bharoocha of Black Dice, and singer Mika Yoneta—that recorded with The DFA at the label’s inception, creating two seminal singles. Eddie Ruscha is another DFA veteran, having remixed artists including Wolfram and Museum of Love. He has been making music for decades, as Secret Circuit and with a myriad of other aliases and collaborators, in addition to recording under his own name. 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As usual, Juan's sunny productions and Nancy's layered vocals come together, this time in collaboration with Juan MacLean live band member, Monika Heidemann, to lend a maximalist warmth to the dance floor. \u003cstrong\u003eMan Power\u003c\/strong\u003e (ESP Institute, Correspondant) gives the A-side a club rework with a dubbed out vocal arrangement that adds a touch more drama to the track, while \u003cstrong\u003eMassimiliano Pagliara\u003c\/strong\u003e (Ostgut Ton, Robert Johnson) revitalizes tropes of old-school piano house.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eJuan Maclean\u003c\/strong\u003e is a Brooklyn-based DJ and producer who has been a mainstay of the New York club scene, as well as maintaining a rigorous international touring schedule, since the release of his first records on DFA in 2002. He’s released an extensive catalogue of 12” singles and LPs for the label with vocalist \u003cstrong\u003eNancy Whang\u003c\/strong\u003e (most recently, 2014’s In A Dream LP, and 2017’s 12” single ‘The Brighter The Light’). \u003cstrong\u003eStay tuned for their fourth full-length record, coming later this year.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e________\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eBoth tracks written by \u003cstrong\u003eJuan Maclean\u003c\/strong\u003e and \u003cstrong\u003eMonika Heidemann\u003c\/strong\u003e.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eVocals by \u003cstrong\u003eNancy Whang\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eMonika Heidemann\u003c\/strong\u003e.  \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eProduced by \u003cstrong\u003eJuan Maclean\u003c\/strong\u003e.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eMastered by \u003cstrong\u003eJoe Lambert\u003c\/strong\u003e.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388940734633,"sku":"DFA2630lp","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/products\/zonecent.jpg?v=1610580701"},{"product_id":"dfa2618","title":"Edward - Underwater Jams 12\"","description":"\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA) Mental Dive (14:57)\u003cbr\u003eB The Lagoon (11:35)\u003cbr\u003e\u003cbr\u003eOn his DFA debut, German experimental techno producer \u003cstrong\u003eEdward\u003c\/strong\u003e largely departs from the 4\/4 grid he frequents and blurs the focus towards a more slippery, improvisational vibe. Fans of his \u003cstrong\u003eDesert Sky\u003c\/strong\u003e alias, as well as his work reshaping classic tracks by \u003cstrong\u003eHarmonia \u0026amp; Eno \u003c\/strong\u003eand \u003cstrong\u003eRolf Trostel\u003c\/strong\u003e of \u003cstrong\u003eTangerine Dream\u003c\/strong\u003e, will be quite pleased with \u003cem\u003eUnderwater Jams\u003c\/em\u003e. These two new songs unfold at their leisure, going off on whizzing, kosmiche-influenced tangents, all the while guided by the hand drums of percussionist \u003cstrong\u003eGeronimo Dehler\u003c\/strong\u003e. On A-side “The Lagoon,” the freedom of the long-form composition allows Edward to go deeper and more mesmeric, while the restrained stomp of B-side “Mental Dive” allows for an introspective dance floor moment.\u003c\/p\u003e\n\u003cp\u003eThough he’s been releasing music for the past decade, Edward has always been a bit enigmatic, with a majority of his discography only available on vinyl. 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Their signature throb that runs along all four tracks, influenced by their time spent in underground scenes in Bucharest, London, and Berlin, as well as an emphasis on the jagged sounds of hardware.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eHaving established themselves with previous releases on labels like \u003cstrong\u003eHivern Discs\u003c\/strong\u003e and \u003cstrong\u003eMalka Tuti\u003c\/strong\u003e, Khidja get darker, dubbier, and more twisted on\u003cem\u003e In The Middle Of The Night\u003c\/em\u003e. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. 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Geddes Gengras\u003c\/strong\u003e appears under the \u003cstrong\u003eDuppy Gun\u003c\/strong\u003e alias, chopping the vocal track into a pleasantly disorienting remix. Vancouver-based \u003cstrong\u003eD. Tiffany\u003c\/strong\u003e (Coastal Haze, Pacific Rhythm) and Melbourne up-and-comer \u003cstrong\u003eRoza Terenzi\u003c\/strong\u003e collaborate on a stripped-back, high-energy take, while\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eANY WAYS, a.k.a. Tom Marshallsay (\u003cstrong\u003eGolden Teacher\u003c\/strong\u003e, General Ludd) rounds out the EP, bringing it back to Glasgow.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e“Who Me?” and “Ladybug” were originally released in July 2017 by MIC Records (London, UK). This EP is a co-release between MIC and DFA. 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The two remixes by DFA artist Crooked Man let the track grow and build slowly with longer, lush arrangements, while his hypnotic dub doubles down on the woozy bassline and has Amy’s vocals echoing out into the ether. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough this is Douglas’ first release on the label, she is no stranger to the DFA roster. She is the voice behind “Happiness,” the epic closing track on Crooked Man’s self-titled 2016 LP, and also appears on the forthcoming Crooked Man album, due out on DFA this fall. Amy also works with \u003cstrong\u003eJuan Maclean\u003c\/strong\u003e as one half of \u003cstrong\u003ePeach Melba\u003c\/strong\u003e, who have released singles on both DFA and Defected \/ Classic. Crooked Man’s signature maximalist house sound has always been complemented by the support of strong female vocalists, and together the pair take each other’s work to a new level for an impressive\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollaboration. 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Remix by Marcus Worgull of Innervisions fame. \u003cbr\u003e\u003cbr\u003eA) The Simple Life\u003cbr\u003eB) The Simple Life (Marcus Worgull Remix)","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388948009129,"sku":"DFA2203lp","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/products\/simple_life_12.png?v=1610580781"},{"product_id":"shit-robot-simple-things-work-it-out-todd-terje-version","title":"Shit Robot - Simple Things (Work It Out) Todd Terje Version 12\"","description":"\u003cp\u003eAnother slamming version of Simple Things (Work It Out) featuring a remix from Mr. Todd Terje. The credits say \"More Cowbell by Todd Terje\", need we say more?\u003c\/p\u003e\n\u003cp\u003eA) Simple Things (Work It Out) (Main Mix)\u003cbr\u003eB) Simple Things (Work It Out) (Todd Terje Version) \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388948271273,"sku":"DFA2214lpt","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/labelDFA2214A_US_600.jpg?v=1747414361"},{"product_id":"shit-robot-simple-things-work-it-out","title":"Shit Robot - Simple Things (Work It Out) Serge Santiago Version 12\"","description":"\u003cp\u003eA driving, introspective house banger from the inimitable Shit Robot. Featuring vocals by Ian Svenonius from Nation Of Ulysses \/ The Make-Up \/ Chain \u0026amp; The Gang, and a remix by Serge Santiago! \u003cbr\u003e\u003cbr\u003eTRACKLIST: \u003cbr\u003eA) Simple Things (Work It Out) (Main Mix)\u003cbr\u003eB) Simple Things (Work It Out) (Serge Santiago Version)\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388948631721,"sku":"DFA2214lps","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/srworkkk.jpg?v=1747414184"},{"product_id":"ccfx-the-remixes","title":"CCFX - The Remixes 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1) \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThe One To Wait (Sunday of Existence Mix)\u003c\/span\u003e\u003cbr\u003e2) \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eVenetian Screens (Long Dark Tunnel Mix)\u003c\/span\u003e\u003cbr\u003e3) \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOde (Extended Comfort Anthem Mix)\u003c\/span\u003e\u003cbr\u003e4) \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e2Tru (Foreign Interior Dub Mix)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eSometimes the best remixes come direct from the artist themselves. Following the success of their debut EP, Olympia's \u003cstrong\u003eCCFX\u003c\/strong\u003e return to reimagine and reiterate all four tracks. At times turbulent, at others serene, and throughout unabashedly raffish, these instrumental versions take the liberty of exploding the originals and thrusting the fragments into deeper and more ornate sonic territory. Minimal beats as well as pumped up breaks take the forefront here, rendering nascent atmospheric jungle and dubbed out balearic new wave. \u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eDoubtless, some established fans of the EP's putative 80s tinge may be caught off guard by such disjunctive revisions. We would only invite listeners to consider this a healthy affirmation of CCFX's continuing euphonic triumph over the comfortable resolve of genre propriety. 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The Familiar Five EP, however, shows him in his individual element, an artist and performer who understands just how to make superb music for both man and machine.\u003c\/span\u003e\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388949844137,"sku":"DFA2599lp","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/products\/familiarremix1.jpg?v=1610580776"},{"product_id":"eric-copeland-mixbone-2x-12-pre-order","title":"Eric Copeland - Mixbone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e2x12\" EP on heavyweight black vinyl, limited to 300 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003cbr\u003e1) Mixer Shredder (LNS Remix)\u003cbr\u003e2) Neckbone (NHK yx Koyxen Remix)\u003cbr\u003e3) Mixer Shredder (Physical Therapy's Tegel Mix)\u003cbr\u003e4) Neckbone (Cooper Saver Remix)\u003cbr\u003e5) Mixer Shredder (Machine Woman Remix)\u003cbr\u003e6) Neckbone (Machine Woman Remix)\u003cbr\u003e7) Mixer Shredder (Physical Therapy's Gatwick Mix) \u003cbr\u003e\u003cbr\u003eOn the \u003c\/span\u003e\u003cem\u003eMixbone\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eEP, two tracks from\u003c\/span\u003e\u003cspan\u003e \u003cstrong\u003eEric Copeland’s\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e 2017 record \u003c\/span\u003e\u003cem\u003eGoofballs\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eget reworked by five of leftfield electronic music’s heaviest hitters. The \u003c\/span\u003e\u003cem\u003eGoofballs\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eLP finds the Black Dice founding member conducting hectic, dancefloor-oriented experiments; The Vinyl Factory called it a “mangled, spangled journey into the fringes of industrial disco and hallucinatory club tackle.”\u003c\/span\u003e\u003cem\u003eMixbone\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ecapitalizes on this direction with remixes that recontextualize and reshape the propulsive energy of the original songs into wholly different forms.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNew York techno powerhouse and Allergy Season boss \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePhysical Therapy\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e contributes two aptly named takes on “Mixer Shredder” – the “Tegel Mix” churns with industrial EBM low-end, and the breakbeat and wubby bassline make the “Gatwick Mix” unmistakably English. \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNHK yx Koyxen \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eremixes Eric for the second time, with a jittery and woozy electro interpretation of “Neckbone.”\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCooper Saver\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e, best known for his Far Away parties in Los Angeles, turns in one of the most unexpected remixes, keeping it 4\/4 and creating what sounds like Shep Pettibone making acid house.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComing off of her 2017 EP on Technicolour\/Ninja Tune, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eMachine Woman\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e decided to remix both tracks. With “Neckbone,” she adds a barely-discernible robotic narrative vocal, allegedly about Ryan Gosling. “Mixer Shredder,” on the other hand, travels from hissy lo-fi techno into something quite tranquil and beautiful. And with previous releases on 1080p\u003c\/span\u003e\u003cstrong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eFreakout Cult, and Wania, Vancouver’s \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eLNS\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003echannels the melodic electro tones of classic Bleep-era Warp, like a lost track from LFO or Drexciya.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Danceable” might not be the first word one thinks of when describing Eric Copeland’s solo releases. But in a manner not dissimilar to the way Black Dice shaped the parameters of experimental music, the remixes here expand the limits of what the club can and should look like.\u003c\/span\u003e\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":38388951384233,"sku":"DFA2593lp","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/products\/center-gif.gif?v=1610580798"},{"product_id":"marcus-marr-familiar-five","title":"Marcus Marr - Familiar Five 12\"","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith his Familiar Five EP, London-based producer Marcus Marr has taken his darkest and most thrillingly outré turn yet. Recorded through the long dark nights in the splendid isolation of his Brixton studio, lead single “Familiar Five” is a tale of bizarre transformation that points up the fragile boundaries between dreams and reality. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Familiar Five” feels like an outsider anthem. “It’s about being a freak and accepting it – being happy to be a freak,” notes Marr. He narrates the song with his finest deadpan lip-curl, managing to make the lyrics sound suggestive, malevolent and wildly empowering all at once. “It was sounding quite sinister as I was making it, and I thought a voice would sound good on it,” recalls Marr. “I was reading Dr Jekyll and Mr Hyde and Kafka’s Metamorphosis as well,” he remembers. Other diverse influences setting the track’s fabulously unnerving tone include Marr’s readings about “familiar spirits” – the occult animals believed to assist medieval witches in their nefarious deeds. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe other songs featured on the Familiar Five EP include “Love Release,” which taps into the energy and live power of his DJ sets; “High Times,” a track that’s influenced by his love of early 80’s dance music (“I was definitely thinking of Nile Rodgers in 1979, 1980, there... I have a bit of a thing for that period at the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ebeginning of the ‘80s before drum machines took control of dance music.”); and previous single “Rocketship.”\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMarr is no stranger to collaboration, working with Australian musician Chet Faker on 2015’s Work EP. Work yielded two hit singles, “Birthday Card” (Annie Mac’s BBC Radio 1 first play, #1 Hype Machine) and “The Trouble with Us” (#1 Hype Machine). The Familiar Five EP, however, shows him in his individual element, an artist and performer who understands just how to make superb music for both man and machine.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA regular at Berlin’s famed nightclub Berghain\/Panorama Bar since 2014, Marcus Marr recently toured in North America with The Juan Maclean. He has previously toured with the likes of Hot Chip, Floating Points, Jacques Greene and Optimo, and has performed at the highly-regarded MoMa PS1 Warm Up series, Day For Night Festival, and Art Basel Miami. Marcus has also contributed mixes to Beats in Space and Boiler Room.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eTracklist:\u003cbr\u003e\u003cbr\u003e1) Familiar Five\u003cbr\u003e2) Love Release\u003cbr\u003e3) High Times\u003cbr\u003e4) Rocketship\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":40658923454633,"sku":"DFA2562LP","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/products\/fam5cover.jpg?v=1610580814"}],"url":"https:\/\/store.dfarecords.com\/collections\/12\/artist:fernando.oembed","provider":"DFA Records","version":"1.0","type":"link"}