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Factory Floor - Digital Download
Factory Floor - Digital Download

Factory Floor - Factory Floor

$17.99 $27.99

Yellow jacket + Black vinyl edition. 

At long last, Factory Floor presents their highly anticipated self-titled debut album. A vivid snapshot of a progressive band smashing through yet another ceiling, it’s the first full-length statement from the group that earned a powerful reputation on the strength of the “Fall Back” and “Two Different Ways” singles for DFA—not to mention early releases for Optimo Music and Blast First Petite. Leading up to the release of Factory Floor, the band will play select European festival dates this summer.  

Produced and recorded by the group in their North London warehouse space on a vintage mixing desk originally used by Dave Stewart three decades ago to record all the Eurythmics’ early hits, Factory Floor is a visceral trip through the band’s repertoire. The record opens with “Turn It Up,” their most minimal track to date, mixed in astonishing detail by Timothy “Q” Wiles (VCMG, Afrika Bambaataa). “Here Again” is almost (but not quite) their pop song, replete with cascading arpeggios counterbalanced by bubbly synth melody lines and plaintive vocals. 

Factory Floor also contains the definitive version of “Two Different Ways,” followed by the muscular and sleek “Fall Back.” “How You Say” finds the band channelling New York’s dance underground—think ESG and Delta Five. “Work Out” is anything but; despite the desultory title, it is in fact sinister street-sound electro. The album closes out with “Breathe In,” a funkified acid disco classic. 

Perhaps the most unlikely aspect of Factory Floor’s rise to notoriety is their versatility. Even their most ardent of fans describe their sound as punishing, yet they are equally at home playing raves, alternative festivals, art galleries, cinemas, nightclubs and rock shows; on top of that they’re as likely to collaborate with members of Throbbing Gristle and New Order (not to mention Richard H. Kirk of Cabaret Voltaire, Simon Fisher Turner and Peter Gordon) as they are with contemporary artists such as Haroon Mirza and Hannah Sawtell.

Tracklisting:

  1. Turn It Up
  2. Here Again
  3. One
  4. Fall Back
  5. Two
  6. How You Say
  7. Two Different Ways
  8. Three
  9. Work Out
  10. Breathe In
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LCD Soundsystem - 45:33
LCD Soundsystem - 45:33

LCD Soundsystem - 45:33

$27.99



In and out of print for like 3 years, repressed once again for your listening pleasure! 3/4 of an hour of music (give or take) spread over two discs. It's great. Fill this gaping hole in your LCD collection today!
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Factory Floor - Logo Badges
Factory Floor - Logo Badges

Factory Floor - Logo Badges

$2.99

1.5" enamel badge of the rather lovely Factory Floor logo. Black logo with a yellow background. Or pink or blue. 

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Essaie pas - Demain est une autre nuit
Essaie pas - Demain est une autre nuit

Essaie pas - Demain est une autre nuit

$14.99

FIRST PRESSING ON LIMITED EDITION 'ORANGE SUNRISE' SPLATTER VINYL

Montreal-based electronic duo Essaie pas is comprised of Marie Davidson and Pierre Guerineau. Both are respected musicians in their own right - Marie having released two acclaimed solo records, with Pierre being best known for production work on underground Canadian musicians such as Dirty Beaches and Femminielli. Essaie pas was born on a hot summer night in 2010, releasing some ultra-limited singles which culminated in their debut LP, Nuit de noce (Teenage Menopause Records) in 2013. The mix of drawling guitars, français mumbles, and minimal electronics caught the ear of DFA Records, who booked the pair to open for Factory Floor on their first North American tour.

 The origin story of -Demain est une autre nuit- begins when the band returned from their first European tour to find that they had lost both their studio space and apartment. La Brique, their studio, practice space and renowned underground music institution, had fallen victim to the city’s rapid gentrification and closed permanently. Conflicts with their wacky landlord had also left them without an apartment, leading them to return to Montreal’s winter without many prospects. They lucked into a temporary practice space during the off-hours at the offices of Le Filles Electriques, an independent interdisciplinary festival producer. This space soon became Pierre’s new studio, and Marie’s new home. The many corridors of the empty industrial building also provided a way for Marie to work out in the frigid Montreal winter nights, running “everywhere possible, listening to techno, acid, and italo disco, being mutually inspired by the space and the sounds.” About eight months later, Demain est une autre nuit (“tomorrow is another night”) was born. “This environment influenced our music,” says Pierre, “The sounds are more clear and open, the production has more depth, on a full frequency range.” Their living conditions on tour were another major influence, “Staying at different people’s places around the world for a whole year accentuates the feeling of being a stranger wherever you go, even in your own town, but also creates a feeling of being part of an international community, opposed to a scene that exists only in one city.” 

Essaie pas’ music can not be tied to a specific genre It is a document of the encounter of two human beings mutually experimenting with music and sounds, and eventually falling in love while doing so. They are constantly pushing the boundaries of their comfort zone with new methods and technique, aiming to communicate that which is unspeakable.Their musical language is vibrant and varied - comparisons range from Film Soundtracks, Electronic Body Music, Disco, and Techno, with sensually-delivered lyrics exploring the themes of fantasies, obsessions, and the feeling of “The Void”. Marie explains, “The title comes from a joke we made when going to bed one morning, talking about our plans for the next evening.” Pierre adds, “Night is a place of freedom, a place where fantasies and obsessions are not tied by moral constraints. It’s also a time where the feeling of loneliness is stronger and when emotions and memories arise, whether you are facing it or running away from it. I think the tension and sense of urgency on the record comes from that dichotomy.”

Facing The Music is an excellent demonstration of this dichotomy - its throbbing electronic percussion and sawmill synths racing towards a seemingly-inevitable climax, only to disintegrate in an instant. Similar in tone, Retox begins with an air-raid siren that explodes into electronic pulses and spiralling handclaps, with Pierre’s solemnly spoken vocals countering Marie’s sensual cadence. Lead single Le port du masque is a frenetic ode to obsession, about a man being obsessed with the ghost of an impossible relationship. Pierre explains - “I already had some of the lyrics and the idea of a woman’s mantra but months later, while I was jamming a motorik beat with a TR-505 through a delay pedal, I found the perfect foundation for it.” The band’s first composition, Carcajou appears here for the third time in an entirely different incarnation - Marie’s vocals alternately yearn and taunt, diving into and out of layers of drum machines and analog synthesizers. Closing track La Chute is the band at their most Angelo Badalamenti, with mournful organ and wheezing gasps giving way to what sounds like gentle applause, but in actuality is the last frames being fed through a film projector.

 Demain est une autre nuit by Essaie pas is released on limited edition orange sunrise coloured LP, CD, and digitally on February 19, 2016.

  1. Demain est une autre nuit
  2. Depassee
  3. Retox
  4. Carcajou 3
  5. Le port du masque est de rigeur
  6. Facing The Music
  7. Lights Out
  8. La chute

 

 

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Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt
Hand Dyed Indigo Shibori Logo Shirt

Hand Dyed Indigo Shibori Logo Shirt

$20.00

Jumbo orange DFA logo pressed on sky blue tees, accented with indigo dyes. Hand dyed in upstate New York by artist Sara Guryan Galkin, and in Brooklyn by artist Bailey Elder, these extremely limited edition super soft tees were created using the Shibori indigo dyeing technique. These ship out immediately and include bolt logo stickers. 

Limited sizing available, all shirts feature a unique design, no two tees will look the same, no guarantees that your tee will look like those pictured. 

More on the technique available here via Graham Keegan.
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Holy Ghost! - Dumb Disco Ideas
Holy Ghost! - Dumb Disco Ideas

Holy Ghost! - Dumb Disco Ideas

$8.99 $9.99

Your favorite summer jam and the first taste of the new Holy Ghost! LP, Dynamics. Includes an instant download in both .wav and mp3 format. Enjoy!

Tracklisting:

  1. Dumb Disco Ideas (vocal)
  2. Dumb Disco Ideas (Instrumental)
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Eric Copeland - Joke In The Hole
Eric Copeland - Joke In The Hole

Eric Copeland - Joke In The Hole

$15.99

Eric Copeland's debut LP as a solo artist on DFA, this double vinyl is covered inside and out with collages by Eric himself. Double heavyweight vinyl with a download card.

 

Tracklisting:

  1. Rokzi
  2. Grapes
  3. Tinkerbell
  4. Flushing Meats
  5. Babes In The Woods
  6. Bobby Strong
  7. Shoo Rah
  8. Cheap Treat
  9. Kash Donation
  10. A Little Tit
  11. New Leather Boogie
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Larry Gus - Years Not Living
Larry Gus - Years Not Living

Larry Gus - Years Not Living

$9.99

Inspired by the rural environment of his hometown of Veria, Greece, multi-instrumentalist / singer / producer Panagiotis Melidis started writing music as Larry Gus (from the Greek larigas, or larynx) in 2006, soon after the early demise of his previous band Ginger (a bass and drums duo with a sound similar to the early-’00s Providence scene, paired with hip hop overtones).

Melidis initially composed production music, and later on earned a reputation for intense and chaotic live performances. He retained Ginger’s primitive aesthetics of groove based music, along with an obsession for late-’60s / early-’70s free jazz, and combined them with sample-based techniques and crystal-clear psychedelic pop melodies, all merged into infinitely dense layers and polyrhythms.

Stitches, his first proper full-length, was released in 2009 for Greek hip hop label Cast-A-Blast, and Melidis began a yearlong residency at the Music Technology Group in Barcelona as an intern and postgraduate student. He then returned back to Veria to work on his next project, Years Not Living, an album inspired by Georges Perec’s 1978 book Life: A Users Manual and Lucio Battisti’s 1974 album Anima Latina. The sessions yielded a staggering 85 songs, and the entire process, set amidst Greece’s financial crisis, was documented and will be part of the feature film My Friend Larry Gus (directed by Vasilis Katsoupis), to be released in 2013.

Pared down to ten tracks, Years Not Living incorporates a wealth of diverse styles, ranging from ’60s / ’70s psychedelia and pop to hip hop and more.

Tracklisting:

  1. With All Your Eyes Look
  2. The Night Patrols (A Man Asleep)
  3. Taxonomies
  4. The Sun Plagues
  5. The Eternal and the Ephemeral
  6. Merely Today
  7. Pericles
  8. In Violet Ink (Misprints)
  9. The Percival Seascapes
  10. Paths Laid Down
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Holy Ghost! - Prins Thomas & Andre Bratten Remixes
Holy Ghost! - Prins Thomas & Andre Bratten Remixes

Holy Ghost! - Prins Thomas & Andre Bratten Remixes

$11.99

Holy Ghost! return with 2 club-ready remixes, both sourced from the disco epicenter of Norway and taken from their acclaimed sophomore LP “Dynamics”.

This single contains another crystal clear remix (aka “Diskomiks”) from accomplished Prins Thomas. He doesn't need much introduction to you all, he's basically remixed everyone who's anyone. This time, he added his signature gloss to "Bridge & Tunnel", stretching it into a 7 minute celebration. 

On the flip is a remix from the next generation of Norwegian producers, Andre Bratten, who is signed to Prins Thomas’ label. 


A. Changing Of The Guard (Andre Bratten Remix)
B. Bridge And Tunnel (Prins Thomas Diskomiks)

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Guerilla Toss - Eraser Stargazer LP
Guerilla Toss - Eraser Stargazer LP

Guerilla Toss - Eraser Stargazer LP

$18.00

Ecstatic, vital, and brilliantly unhinged, Guerilla Toss promotes positive energy and twisted spirituality through the less-traveled path of brutal, intelligent, live rock and roll dance music. Like a hurricane of healing bliss, a Guerilla Toss concert is more of a ritual than a performance. It is the unique pairing of musical voices and backgrounds that makes Guerilla Toss such a special party band. But they are more than that – GT gets real when you pay close attention. Their music is inspired by both tragedy and beauty, drug addiction/mental illness and the re-birth of the soul through spiritual practice and psychedelic drug healing - helping the listener overcome these mind-fuck hardships.

GT had a productive 2015, releasing their acclaimed DFA debut Flood Dosed, which cemented support from folks ranging from punk icon Henry Rollins to Busy P of Justice’s Ed Banger Records. The band also relocated from Boston to NYC. “We felt like it was time to move closer to our favorite active bands and artists and they all just so happen to live in NYC!” This didn’t slow the pace of their live performances - between road trips to universities and DIY Festivals, they have a de-facto residency at Brooklyn’s premiere underground venue Palisades and scored opening slots for The Juan Maclean and Mission of Burma.

Eraser Stargazer was written and recorded in 6 weeks of winter isolation in upstate New York. Fans of the group will hear all of the beloved hallmarks of the Guerilla Toss sound - solid bass grooves, squealing guitars, and kitchen sink percussion. Each instrument now occupies its own part of the audio spectrum, with vocalist/poet Kassie Carlson’s spirited incantations brought into focus. Album centerpiece Grass Shack is a perfect example of this leaner, yet tougher Toss. It traverses nearly seven minutes of game- show-winner keyboard stabs, mutant funk basslines, and time signature changes - all grounded by Peter Negroponte’s virtuosic drumming. Carlson describes the themes of the song as “A deep analytical depiction of a small unit of time, with heightened senses, Ripping yourself out of bed even though it might be harsh and overwhelming. Seeing patterns in the little things that make life beautiful.” Heavy subject matter permeates the rest of the record - but that doesn’t mean it’s a downer. Lead single Diamond Girls casts Carlson as a no-wave cheerleader over instrumentation reminiscent of DFA alumni Black Dice and The Rapture, culminating in the group’s catchiest chorus yet. Album closer Doll Face On The Calico Highway is the perfect summation - angular guitars, bells, and low-end vibrations interject and decompose as quickly as they appear, until a hissing cymbal is all that remains.

Eraser Stargazer is released by DFA on March 4th, 2016. The initial pressing is limited to 1000 copies on green vinyl.

Tracklisting: 

  1. Multibeast TV
  2. Diamond Girls
  3. Grass Shack
  4. Color Picture
  5. Eraser Stargazer Forever
  6. Perfume
  7. Big Brick
  8. Doll Face On The Calico Highway

 

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Larry Gus - I Need New Eyes (Ltd. Ed. Blue Vinyl)
Larry Gus - I Need New Eyes (Ltd. Ed. Blue Vinyl)

Larry Gus - I Need New Eyes (Ltd. Ed. Blue Vinyl)

$17.99

DFA Records is pleased to announce I Need New Eyes, the new album from Larry Gus. 2013’s Years Not Living was a masterpiece of composition, pushing sampling to its limits within a conceptual framework provided by Life A User’s Manual, George Perec’s postmodern fiction masterpiece. 

I Need New Eyes treads familiar sonic ground to Larry Gus’ previous works - but his beatmaker percussion, shill falsetto vocals, and found sounds form a gestalt more concise and clear than ever. The references to literature continue -  the title is based on a supposed quote by Proust, “The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.” This record was completed amidst two life-changing events - the birth of his first child, and his participation in Red Bull Music Academy in Tokyo. (Fellow attendee NV contributes backing vocals on Belong To Love.) He explains, “When you have kids, you realize that all of the infinite branches that you were wishing to explore are starting to being cut violently with a axe (held by the baby), and all infinite choices in your life (and lifestyle) start to shrink and diminish slowly. I decided on the title the moment I got back from Tokyo, upon realising that I could never be able to live there, now that I have a baby”. 

His lyrics are brought to the forefront here - covering a wide variety of anxieties, personal and professional. “Don’t forget, the success of everyone else always includes failed attempts / but why can’t I figure it out for myself” he howls over swirling drum fills on NP-Complete, “No more polite comments / at least not from my friends” he croons in A Set Of Replies. This feeds into an alternate meaning for the title - “I need new, less jealous eyes” because envy and jealousy and bitterness are also things that recur a lot in my lyrics, always related to other musicians and things that they achieve.” 

In spite of the of the heavy conceptual themes, there is a true jubilance to the sonics of the record. Twinkling synths and orchestral stabs mingle with handclaps and a thundering kick drum on All Graphs Explored, while funk guitars and endless layers of percussion and brass build around Larry’s bilingual vocals, climaxing in a double-timed drum solo. This is a record for fans of Caribou, Can, Panda Bear, and self-reflection.

I Need New Eyes is released by DFA Records and [PIAS] Cooperative on October 2, 2015.

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Guerilla Toss - Flood Dosed Vinyl EP
Guerilla Toss - Flood Dosed Vinyl EP

Guerilla Toss - Flood Dosed Vinyl EP

$13.99

Long-awaited vinyl version of Guerilla Toss' FLOOD DOSED, now on wax instead of magnetic tape. 

Cut incredibly loud at 45RPM, Featuring a new (bonus track) from the same recording session, "Teacher Speaks".

Ships in early March. 

  1. Realistic Rabbit
  2. Polly's Crystal
  3. Ritual In Light
  4. Teacher Speaks

 

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Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes)
Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes)

Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes)

$4.99

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2432) consists of remixes from the acclaimed Daniel Avery (Phantasy) and DFA alumni Invisible Conga People, who recorded a 12" for DFA in 2011 and have not been heard from since (until now).

Includes a digital download of the entire remix EP, because why not. 

 

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Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples)
Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples)

Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples)

$10.99

Limited editon of 1000 hand-stamped and numbered copies, assembled at DFA in NYC. 

DFA is proud to release a long-gestating 12” single of wild interprations of Eric Copeland’s 2013 album “Joke In The Hole”. The Black Dice member received universal acclaim for the record, “Fringe though Copeland may be, this album is a serious coup for DFA—he walks the line between complete nuttiness and outright accessibility, and ends up with one of his best records to date.” (XLR8R) Starting us off is Panda Bear, who adds his trademark falsetto vocals and shuffling percussion, sweetening Eric’s black coffee beats. DFA’s own sonic collagist Larry Gus blends Eric’s mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub’s Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left ‘em out in the rear window of your car on a sunny day. You know what we mean. 

Tracklisting:

  1. Cheap Treat (Panda Bear Version)
  2. Grapes (Larry Gus Remix)
  3. Cheap Treat (Fhloston Paradigm Remix)
  4. Bobby Strong (Anthony Naples Remix)

 

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Holy Ghost! - Hold On (Remixes)
Holy Ghost! - Hold On (Remixes)

Holy Ghost! - Hold On (Remixes)

$4.99 $9.99

Holy Ghost! return for a brief hello while they complete their debut album and prep a new single for DFA. Kindred spirits and label-mates Mock & Toof hold up their end of the remix trade with not one but two remixes, both quite different interpretations--a playful stab at minimal techno and a psychedelic disco funk.  

"'Hold On' [is] a hybrid of trad '70s American disco and more synth-heavy Italo shapes.... Quite delightful." --Boomkat

Tracklisting:

  1. Hold On (Mock & Toof Remix)
  2. Hold On (Mock's Mod Mix)
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Factory Floor - Album Artwork Slipmat
Factory Floor - Album Artwork Slipmat
Factory Floor - Album Artwork Slipmat
Factory Floor - Album Artwork Slipmat

Factory Floor - Album Artwork Slipmat

$6.00

Single slipmats with the artwork from the US and UK editions of the Factory Floor LP. 3 left in random colors! Grab one today.
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Factory Floor - 25 25 2xLP
Factory Floor - 25 25 2xLP

Factory Floor - 25 25 2xLP

$24.99

Factory Floor return in 2016 with 25 25, their second album and the follow up to their acclaimed 2013 self-titled debut. With their music stripped to a mesmerising dance of percussion, fragmented voice and melody, it captures the next vital stage in the evolution of one of the UK’s most restless and exploratory groups.

The dazzlingly sharp, dubbed-out acid disco of ‘Meet Me At The End’ opens 25 25 in a surge of raw momentum. Both Factory Floor’s sparsest and most overtly club-centred track to date, it sets the tone for the rest of the album. Written and recorded by Gabriel Gurnsey and Nik Colk Void in late 2015 and early 2016, it’s the product of the last three years of intensive musical activity — non-stop live performances, artistic collaborations, writing new music and reconfiguring the limits of their sound.

Inspired by playing a growing number of late night club shows, the pair’s music gradually evolved into the sound captured on their second album and in their current live incarnation: a stark, ultra-minimalist and eerily soulful dancefloor pulse, yet one that still bears Factory Floor’s unmistakable hallmarks of hypnotic repetition and jagged, punkish intensity.

That their second album is as distinct from its predecessor as their debut was from their earliest singles is unsurprising — a desire to explore, to push their own boundaries, is hardwired into Factory Floor at DNA level. Emerging in 2009 the group gained a reputation for their stunning live shows, which pummeled audiences with waves of electro-shocked rhythm. From the death-rattle of early single ‘A Wooden Box’ through their debut’s convulsive singles ‘Two Different Ways’ and ‘Fall Back’ and into 25 25’s skeletal ‘Wave’ and ‘Dial Me In’, their music has continued to forge links between industrial, post-punk and the UK’s post-acid house dance lineages.

The close friendships and collaborations they’ve established along the way attest to those connections, among them Chris Carter and Cosey Fanni Tutti of Throbbing Gristle/Chris & Cosey, Perc, Optimo, New Order and Simon Fisher Turner.

Mixed with razor precision by David Wrench (FKA twigs, Caribou), the results are all the more forceful for that newfound space. ‘Relay’ is a spooked vocal house anthem, with Void’s voice processed into a thrillingly metallic chant. ‘Wave’ and ‘Slow Listen’ are deadly, perpetual motion machine dance tracks infused with the frontier spirit of Sheffield bleep and industrial techno. And the title track itself sums up the duo in 2016; its jarring repetitions and disorienting melodic motifs are somehow classic Factory Floor, yet shot into sparse, strangely moving new spaces. “You get into your own world and use your own vision,” says Void of the process of writing 25 25. “This really is probably the most ‘me’ record that I’ve ever done.”

Tracklist:

  1. Meet Me At The End
  2. Relay
  3. Slow Listen
  4. 25 25
  5. Dial Me In
  6. Wave
  7. Ya
  8. Upper Left
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Justine + The Victorian Punks - Still You
Justine + The Victorian Punks - Still You

Justine + The Victorian Punks - Still You

$8.99 $9.99

Unearthed limited edition of the rare 12", in a full-color picture sleeve with poster.

Born in Tunisia, raised in France, based in New York City, the artist Colette has worked in various media--film, photography, paint and performance--but her greatest conceptual piece is her own life. Over the past four decades she has lived out a narrative of her own creation, one in which she has assumed various personas, guises and identities. Her first rebirth happened in 1978, when she pronounced herself dead, held her funeral at the Mudd Club, and was resurrected as Justine. Working with avant-garde pop pioneer Peter Gordon and his Love of Life Orchestra under the nom de plume Justine and the Victorian Punks, she recorded the "Beautiful Dreamer / Still You" 12-inch and dubbed the music "disco-punk." While the term seemed contradictory at the time, it serves in hindsight as proof of Colette's and Gordon's rightful place within the future-gazing avant-garde. 

"Beautiful Dreamer," the soundtrack for the installation series of the same name, opens with the soft lullaby of a music box, and transforms into a mid-tempo disco beat beneath Colette's doe-eyed utterances. Gordon's arrangement progressively heightens the track's intensity, culminating in his wailing saxophone juxtaposed against a lilting choral backing provided by vocalist Shelley Hirsch. Flipside "Still You" is a romanticized cover version of Lucio Battisti's "Ancora Tu." Front-and-center here are Colette's spoken word vocals, first in conversation with Gordon portraying a male lover and, later, dewily repeating, "Leaving you is just... impossible." The single, with its seductive bassline, fully encapsulates the sultry feeling of what might be described as "night music." 

Engineered by Jay Burnett, who would go on to record Afrika Bambaataa & the Soul Sonic Force's seminal proto-hip-hop classic "Planet Rock," these two songs were, incredibly, recorded in a single night at Electric Lady Studios. Some 30-odd years after their original release, they sound as compelling and entrancing as ever. Colette and Gordon, then as now, continue to make art ahead of its time.

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Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes)
Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes)

Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes)

$4.99

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2438) features a remix by Gunnar Haslam, who released a striking debut album last year on L.I.E.S., as well as a lean percussive house 12” single on Chicago’s Argot Records. The flip consists of a remix from Helena Hauff, who released her debut 12” single on Werkdiscs last year and quickly followed it up a new single under the alias Black Sites.

Includes a digital download of the entire remix EP, because why not. 

 

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Eric Copeland - Ms Pretzel
Eric Copeland - Ms Pretzel

Eric Copeland - Ms Pretzel

$13.99

12" Vinyl EP in a picture sleeve featuring collaged artwork by Eric Copeland himself. 

Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric’s return to DFA after the release of an acclaimed single on Ron Morelli’s underground dance juggernaut L.I.E.S., which followed his beloved 2013 album “Joke In The Hole”, his solo debut for DFA.

The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric’s outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.

“If Copeland is interested in the conventions of clubland, it’s at the point where someone’s puking on their shoes outside the venue, a distant throb of bass beating into their brain through the brickwork.” - Pitchfork

“The rhythms might be recognisably house or hip-hop, but Copeland pulls and squeezes their structures like accordions.” - Resident Advisor

“Though constantly teetering on a knife’s edge - to be expected in such mental, syncopated mashups - this is wildly colourful and knowingly absurd music.” - The Quietus

 

Tracklisting:

  1. Ms Pretzel
  2. SXIXO
  3. Scum of the Cream
  4. A1EZOK
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