Vinyl Albums

Full-lengths. That means records that last longer than a single. Well, most of these are longer than the singles. We have some really long singles. 

Museum Of Love - Museum Of Love
Museum Of Love - Museum Of Love

Museum Of Love - Museum Of Love

$10.99

Museum of Love is the musical project of Pat Mahoney (Founding member of LCD Soundsystem) and Dennis McNany (Jee Day).

Longtime friends in New York, McNany and Mahoney found a similar sensibility and a shared vocabulary for interpreting surroundings, something that began with their remix of Battles’ “My Machines feat. Gary Numan” and extended into their creation of a full length record together.

Naming their duo in ode to Daniel Johnston’s song of the same name, Mahoney divulges, “I had always loved the song, and had been thinking of what such an edifice would contain when we were trying to name the project.” McNany continues, “Pat’s a sculptor, I’m a painter, we make music and museums are sacred spaces and love is an elusive thing.”

Museum of Love is the result of a songwriting collaboration between McNany and Mahoney, with McNany writing
most of the music, and Mahoney most of the words. Together they edited and arranged the tracks in the studio. Mahoney says the process of collaboration was energizing, while McNany simply explains, “making the record was pure pleasure. Waiting for it to come out has been the hardest thing.”

“Museum of Love moves at a stately pace here, offering a slow and steady chugger that wraps itself in gauzy vocal layers and takes its sweet time reaching its climactic peak.” - Pitchfork 

 

Tracklist: 

  1. Horizontalator
  2. Down South
  3. In Infancy
  4. FATHERS
  5. The Who's Who of Who Cares
  6. Learned Helplessness In Rats (Disco Drummer)
  7. Monotronic
  8. The Large Glass
  9. And All The Winners (Fuck You Buddy)
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Perel - Hermetica

Perel - Hermetica

from $15.00

Perel - Hermetica

Perel - Hermetica

$15.00

Vinyl Tracklist:

1) Projekt 3
2) Pastarella Al Limoncello
3) Si
4) Alles
5) PMS
6) Signum Viridi
7) Myalgia
8) Crocus Vernus
9) Die Dimension
10) Die Dimension (Dub Version) 

CD Tracklist: 

1) Projekt 3
2) Pastarella Al Limoncello
3) Si
4) Alles
5) PMS
6) Signum Viridi
7) Myalgia
8) Crocus Vernus
9) Die Dimension
10) Die Dimension (Dub Version) 
11) Pastarella Al Limoncello - Massimiliano Pagliara Remix
12) Die Dimension - Jayda G Remix



Shrouded in mystery, the Hermetica are a series of Egyptian-Greek didactic texts, meant to help the willing student better understand the cosmos, divinity, and nature. On her debut LP for DFA Records, German producer Perel takes the listener into deep space and explains it all. Over the course of nine tracks, she shares a striking amalgamation of house, new wave, and kraut motifs that crystallize to form a unique sound. 

Born in Saxony, Annegret Fiedler ventured into the realm of songwriting at the age of eight, composing her first songs on her grandmother’s piano while listening to Eurythmics and 2 Unlimited cassettes in her spare time. Moving to the East German city of Halle to study in the mid-aughts, she was heavily influenced by the multifaceted alternative music scene there, and the parties people threw in post-Berlin Wall abandoned buildings. Fiedler went on to develop her craft as a formally trained singer, co-producer, and multi-instrumentalist in several bands, covering a broad palette of styles ranging from punk rock to electro pop and honing her performance skills. A move to Berlin (and the city’s club landscape) inspired her to start recording solo productions under the moniker Perel. 
  
The early 80’s sounds of that Eurythmics cassette prove influential on many tracks, where Perel combines her love of dance music with the stark vocal delivery of Annie Lennox. She delivers her lyrics in German, and her arrangements recall the starkness of Cluster, Grauzone, and Conny Plank’s work with Liaisons Dangereuses / DAF - all distinct German voices from the 1980’s. The fact that Conny Plank recorded the first LP by the Eurythmics, In The Garden, brings it all full circle. 

These days, Perel can be found playing DJ sets at internationally acclaimed venues like Berghain / Panorama Bar, De School, ://about blank, and Wilden Renate, while also forging connections with Paris’ Rex Club, Oslo’s Jæger, and Bossa Nova Civic Club in New York. She’s shared bills with Jennifer Cardini, John Talabot, and DJ Harvey, among others, and the record’s lead single “Die Dimension” was one of Dixon’s most played tracks on last year’s festival circuit. A truly captivating performer, she lets the audience’s energy guide her in rooms both big and small. 

Though her debut album is many steps removed from the dancefloor, Perel’s Hermetica purposefully draws the listener to a very different world. As she said regarding “Die Dimension”: “[the track] paraphrases an escape from physical and psychological limits, as well as linear and one dimensional models.” The LP is a focused, sonically adventurous work, where the DJ also happens to play every instrument, write every song and intone words of prophetic wisdom on every track.
 
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Prinzhorn Dance School - Clay Class
Prinzhorn Dance School - Clay Class

Prinzhorn Dance School - Clay Class

$9.99 $16.99

The return of DFA Veterans Prinzhorn Dance School. Single LP features many fine songs, including "I Want You", "Your Fire Has Gone Out", and (my personal favorite) "Crisis Team", which you may listen to below. Includes an instant digital download.

Tracklisting:

  1. Happy In Bits
  2. Usurper
  3. Seed, Crop, Harvest
  4. I Want You
  5. Your Fire Has Gone Out
  6. Crisis Team
  7. The Flora and the Fauna of Britain In Bloom
  8. Turn Up the Light
  9. Sing Orderly
  10. Right Night Kay West
  11. Shake the Jar
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Prinzhorn Dance School - Home Economics
Prinzhorn Dance School - Home Economics

Prinzhorn Dance School - Home Economics

$14.99

ALL ORDERS COME ON WINE-COLORED VINYL, AN EDITION OF 1000. 

“When our first album came out,” Tobin Prinz (guitar, voice) remembers, “we were awkward, miserable...” “Nervous, uncooperative” chips in Suzi Horn (bass, voice, drums), pausing just long enough for Tobin to supply the punchline - “and now look at us!”  

Prinzhorn Dance School are still recognisably the same spiky Brighton-based duo whose ultra-rigorous debut cut through the excess of 2008 like a scimitar through bacon fat. But with their trademark stripped-down intensity now winningly off-set by moments of unabashed tenderness, their third album Home Economics continues and even accelerates the move away from austerity and into human warmth begun by its acclaimed 2011 predecessor Clay Class. 

The starting point for the new record was the band’s “amazing” first US shows - two of their own and a triumphant showing at DFA’s 12th anniversary - in May 2013. Inspired by their American adventure, Prinzhorn Dance School brought the recording process into the heart of their everyday lives. Played and recorded on the move between different flats in Brighton and Hove, then wheeled around town on a hard-drive wrapped in a sleeping bag in a specially-adapted suitcase, Home Economics gave them an escape route from “that frustration you feel when you spend days trying to recapture the intimacy of a particular moment”, Tobin remembers. “This time we could just use the original take, so sometimes these songs are almost like field recordings”. 

All the best six-track albums - The Fall’s Slates, Orange Juice’s Texas Fever - know exactly what they want to say and how they intend to say it. Home Economics shares that infectious sense of urgency. There’s not an inch of spare meat on it - from Reign’s snatched moment of optimism, through Battlefield’s restorative meeting of minds with an urban fox on a drunken walk home in the early hours, to Let Me Go’s concluding tribute to “a love that won’t rewind and will not be deleted”. Spindly yet sensuous, together and alone, exquisitely sad but somehow full of hope, Prinzhorn Dance School knit together disparate and even opposite fragments into an utterly satisfying whole.

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Shit Robot - From The Cradle To The Rave
Shit Robot - From The Cradle To The Rave

Shit Robot - From The Cradle To The Rave

$11.99 $27.99

The debut album from DFA Veteran Shit Robot, this classic double LP comes in an adorably illustrated gatefold sleeve, and features vocal contributions by James and Nancy of LCD, Planningtorock, Alexis from Hot Chip, and Juan Maclean. Highly recommended, you can't beat this price! Comes with a bonus CD copy AND an instant digital download. You have no excuse. **Please note that all remaining copies of this 12" have jackets that are not in mint condition.  

Tracklisting:

  1. Tuff Enuff?
  2. I Found Love
  3. Losing My Patience
  4. Take 'Em Up
  5. Grim Receiver
  6. Simple Things (Work It Out)
  7. Answering Machine
  8. I Got a Feeling
  9. Triumph!!!
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Shit Robot - We Got A Love
Shit Robot - We Got A Love

Shit Robot - We Got A Love

$14.99 $27.99

Double vinyl in a matte gatefold sleeve.

DFA Records is proud to present We Got a Love, the sophomore full-length by Shit Robot a.k.a. Dublin native Marcus Lambkin. Recorded in Germany and New York, the nine-track album includes the killer recent singles, “Feels Real” and “We Got a Love.” 

Like Lambkin’s 2010 debut From the Cradle to the Rave, We Got a Love sports an array of guests that include DFA veterans Nancy Whang, Museum of Love and Luke Jenner (The Rapture), plus hip-house hero Lidell Townsell and Australian singer Holly Backler. The album’s distinctive artwork was created in collaboration with Irish graffiti artist Maser.

 Track List:

  1. The Secret (Feat. Reggie Watts)
  2. Dingbat (Feat. Museum Of Love)
  3. Do That Dance (Feat. Nancy Whang)
  4. Do It (Right) [Feat. Lidell Townsell]
  5. Feels Real (Feat. Luke Jenner)
  6. Space Race
  7. Feels Like (Feat. Holly Backler)
  8. We Got A Love (Feat. Reggie Watts)
  9. Tempest
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Sinkane - Mars
Sinkane - Mars

Sinkane - Mars

$16.99

DFA Debut of Ahmed Gallab (Of Montreal, Yeasayer, Caribou) housed in a heavy tip-on jacket with printed inner. Includes an instant digital copy.

Tracklisting:

  1. Runnin'
  2. Jeeper Creeper
  3. Lady C'mon
  4. Making Time
  5. Warm Spell
  6. Love Sick
  7. Mars
  8. Caparundi
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Sinkane - Mean Love
Sinkane - Mean Love

Sinkane - Mean Love

$17.99

It's soul music! A truly universal sound, uniting rhythm and styles from our world over to help you move, relate, and be. 

On the heels of a triumphant gig both performing and musical directing the live performances of "Atomic Bomb! The Music of William Onyeabor" in NYC, London, and LA (with guests like David Byrne, Damon Albarn, Luke from The Rapture, Dev Hynes, and Alexis from Hot Chip) we are super stoked to both announce and release the second Sinkane album on DFA. Ahmed and crew really knocked it out of the park on this one.

Tracklisting:

  1. How We Be
  2. New Name
  3. Yacha
  4. Young Trouble
  5. Moonstruck
  6. Mean Love
  7. Hold Tight
  8. Galley Boys
  9. Son
  10. Omdurman
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Slim Twig - A Hound At The Hem
Slim Twig - A Hound At The Hem

Slim Twig - A Hound At The Hem

$15.99

We have 100 copies on pink vinyl out of a total pressing of 600. Comes in a deluxe gatefold sleeve with lyrics. Totally beautiful. We'll have photos soon. 

Purchasing now gives you an instant digital download of "Maintain The Charade".

Slim Twig is the name of a man, not of a band - though he has performed in many a group, some under his
own moniker. Boasting a catalogue several underthe- radar releases deep, the Toronto native lays claim to a
tremendously original work with his orchestrallyinflected, art rock album, A Hound At The Hem. Self-produced in the fall, 2010, Hound is a suite of narrative songs thematically inspired by Vladimir Nabokov’s Lolita. DFA is privileged to reissue this album in advance of the release of Twig’s newest works.

Upon completing AHATH in 2010, Twig struggled to find wide release for it due to its uncompromising textural onslaught and disregard for genre. This course of events set the stage for the composition and release of Sof’ Sike, a somewhat more conventional set of pop songs released on Paper Bag Records, in 2012. The title of that work refers to Twig’s own conception of Hound as the hard-psych flipside to his work of that period.

Recorded on Toronto Island in collaboration with fellow Torontonian, Louis Percival, the album features string arrangements by Owen Pallett, and other collaborators including Meg Remy (U.S. Girls), Carl Didur (Zacht Automaat), and the St. Kitts Quartet.

As a conceptalbum exploring the troubling and the taboo and themes like the transformative power of lust, AHATH can be interpreted as an echolike response to Serge Gainsbourg and JeanClaude Vannier’s Histoire De Melody Nelson. Most of all, AHATH poses the question; where next for Slim Twig, this promising and original auteur?

  1. Heavy Splendour
  2. Clerical Collar
  3. Widow Were You Younger
  4. Shroud By The Sheetful
  5. All This Wanting
  6. Hover On A Sliver
  7. Maintain The Charade
  8. Blonde Ascending (Come Into The Clatter)

 

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Slim Twig - Thank You For Stickin' With Twig
Slim Twig - Thank You For Stickin' With Twig

Slim Twig - Thank You For Stickin' With Twig

$15.99

PREORDER ITEM ARRIVES AROUND AUGUST 7TH. LIMITED NUMBER OF COPIES ON METALLIC GOLD VINYL. 

Includes digital copy on release day, and instant digital downloads of new tracks Slippin' Slidin' and Cannabis. 

Thank You For Stickin’ With Twig is the latest long-playing album from the artist known to the world (or at least to his mother) as Slim Twig. Coming out August 7, 2015 on DFA, you may be surprised to know that it represents the fifth album by the Toronto based songwriter / producer. Twig has released these previous records among a swath of EP’s, singles and one-offs, displaying in the process a complete disregard for genre or consistency. The evolution from Contempt!, his sample-stained 2009 debut, through to A Hound At The Hem, his symphonic tribute album to Nabokov’s Lolita (reissued by DFA in 2014), is not entirely linear, although intriguing all the same. Like so many surf-smoothed stones lining the beach shore, briefly unburied only to be discarded once deemed un-skippable, so Twig has gone about seeking the proper rock to cast at just the right angle. One can see why he extends a gratuity to those listeners who've stuck around.

In what form then, do we now find the twenty-six-year old, self-proclaimed ‘wah wah master’? His record reissued last year was completed in 2011. So one might reasonably ask, what has Twig done since? After producing two albums for U.S. Girls (U.S. Girls on Kraak in 2011, Gem in 2012), and scoring two films (Sight Unseen & We Come As Friends (winner of a Special Jury Award at Sundance, among numerous other accolades), Twig found himself in 2013 at a creative impasse re: his own songwriting. He had been through full band incarnations live and on record. They featured a cast of Toronto heavies (members of Zacht Automaat, etc...). He briefly performed Slim Twig sets as a duo, featuring multimedia artist and musician, Meg Remy (U.S. Girls). They performed sets that combined versions of Twig’s released songs with freely structured improvisations, samples, and brightly melodic, synth textures. Something in this combination of the pop-minded and the cerebrally-produced has rubbed off on the recordings found on Twig’s latest.

Thank You For Stickin’ With Twig is to date the most sonically immersive album in Twig’s discography. Where some records have focused explicitly on sample-based songwriting, while others have been completely live-recorded, the new album arrives at a perfectly produced fusion of fidelities. It hovers, glamorously caught between a cloud of obscurant, half-speed tape hiss, and the most stoned Jeff Lynne production you’ve ever heard. Twig flirts here with a variety of vibes, most often opting for a three dimensional approach whereby a warped tape aura is overlaid with colourful, laser-cut keyboard and guitar melodies. A fetishization of analogue texture is married to a digital approach. All the while, we find Twig irreverently raiding classic rock of its symbolism, sexuality, and social ambition for ulterior subversions. In this respect, TYFSWT's closest cousin may be Royal Trux's Accelerator

Opening cut, 'Slippin Slidin’, establishes itself as a cock rock analogue to Kanye West’s similarly phallic 'On Sight', the bravura Yeezus introduction. We are welcomed by a blast of synth noise, soon followed by sexually agitated lyrics (supported by Meg Remy, whose vocals are featured prominently on much of the record) atop a deafening beat, distorted and sleazy. The immensity of the production (achieved in collaboration with co-producer Anthony Nemet and mixer Steve Chahley) represents an evolution of Twig’s approach, sustained at a fever pitch throughout the album.

'A Woman’s Touch (It’s No Coincidence)' is a song sympathizing with the perspective of the Beatles’ wives. The song production sounds like a fusion of dub and baroque pop as played by the cartoon band in the Yellow Submarine movie. Many of the songs play referential sonic games like this, discursively incorporating familiar melodies, production styles or ideas (a fuzzy ballad on wage inequality is cheekily titled ‘Textiles On Mainstreet’), only to pair them with incongruous textures or themes. 'Live In, Live On Your Era', a song encouraging an embrace of one’s own cultural circumstance, is consciously styled as the most ‘retro’ sounding cut on the album (Jimmy Page leads and all), seemingly upending the lyrical content. On and on, the jokes and meta-sonic rock commentary continue like so many Zappa-esque indulgences. 

The centrepiece of the album is composed of two songs sharing the middle of the running time. 'Roll Red Roll (Song For Steubenville)', titled after the football chant of the eponymous town’s high school team, eulogizes the tragedy of the young girl who was the tabloid subject of group sexual abuse (by said football team). Its opening - the most tranquil, dreamy instrumental passage on the record - is harshly interrupted by a mass of pitch-shifted martial drums and wildly panned, distorted fuzz lines. The disturbed atmosphere composes a sonic poem, detailing a narrative through a combination of sound and oblique lyrics (‘Everyone will love / everyone will love / the way you fold / Roll Red Roll’). Side B opens with 'Fog Of Sex (N.S.I.S)'. A cinematic fusion of plastic soul and flute score-for-horror-film, it comprises TYFSWT’s funkiest recording. With voicings from both Twig and Remy, sung from the perspective of someone unwilling to commit to a single gender identity, the song makes overt the album’s subliminal motive. Instability is addressed from a disenfranchised perspective (perhaps as a metaphor for the music itself, which refuses to stabilize or stay put). Twig himself has referred to his ambition of making “a protest album as obscured by smoke” (and what kind of smoke, we wonder?). In swift combination, these two songs make good on that claim. The lyrical voices here take on an (at times) humorously proletarian tone (‘I work a shift, just up the street / cleaning semen off of seats / it’s a way for ends to meet’) that is alien in the contemporary rock landscape, dominated as it is by reheated garage and psych leftovers. 

The album closes with a triumphantly grandiose cover of Serge Gainsbourg’s instrumental ‘Cannabis’ (released as a 7” single on 4/20, and deliberately echoing Twig’s first LP for DFA, which openly shared its Gainsbourgian debt). The aim is somewhat clearer now. Slim Twig’s latest modulation of voice is to re-contextualize an era of ambition in produced rock music, dislodging the hackneyed and clichéd in the process. Sonically and politically, his aim is to be a rock n’ roll subversive in an era where that claim should rightfully be made by luddite cave-people. Context is everything, and Twig’s gift may be in zeroing in on that. He collages his sounds together (here as eclectic as The Love Below, or any Beck album) in a continuum where pop criticism is always recycling through what it chooses to lend cultural currency, if only for an instant. As of now, he’s sized up rock n’ roll, and determined it seems as good as any other vessel to commandeer for his creative impulse. Power to him. Rock may be dumb as a stone, but even so, now and then it’s smart to be dumb.

 

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Syclops - I've Got My Eye On You
Syclops - I've Got My Eye On You

Syclops - I've Got My Eye On You

$14.99

I've Got My Eye On You is the debut full-length album from Syclops, featuring Sven Kortehisto on keyboards and electronics, Hanna Sarkari on bass, keyboards, and electronics, and Jukka Kantonen on drums, percussion, and drum programming. This album was produced by Maurice Fulton.  

Little is known about the secretive trio. It is believed that Kortehisto, Sarkari, and Kantonen aren't all Finnish, but repeated attempts to gather any kind of a credible biography for the players has been unsuccessful; they simply refuse to do interviews or reveal anything about themselves. Do they see this as rebellious? No. Do they want to be mysterious? No. Do they think this helps the music? Yes. The members like to perform live together, but only for themselves and not for audiences. The act of making music is enough for them. They want the listener to experience and enjoy it unencumbered by other things like biographical information, stories, and the like.  

Despite the mystery, I've Got My Eye On You is an engaging record that reveals the full shamanic magic of the trio--a mixture of dark intensity and subtle, crafted musicianship. It follows and expands on their brilliant January 2008 DFA single, Where's Jason's K? Soaking in the band's brooding undercurrent, the listener will now have to imagine what kind of people they are and where they find their inspiration--heavy metal riffs over acid house? Playing folkloric instruments with old school analog synthesizers in a Finnish laboratory? Only the band themselves know for certain.

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Syclops ‎– A Blink Of An Eye
Syclops ‎– A Blink Of An Eye

Syclops ‎– A Blink Of An Eye

$29.99

Syclops is trio Sven Kortehisto, Hanna Sarkari and Jukka Kantonen. First to appear on a Bubble Tease 12 in 2001, followed by two singles for Tirk and finally with the debut album 'I've Got My Eye On You' on DFA in 2008. 'A Blink Of An Eye' is the long awaited successor with 10 tracks of future funk. Ranging from the nastiness of 'Jump Bugs' to the fragile beauty 'Ray & Claire' it's classic Syclops all the way. Available double LP via Running Back and produced by Maurice Fulton. 

 Tracklist 

A1 Unmatched 6:23
A2 Jump Bugs 6:13
B1 Karo's B 6:07
B2 5 In 6:02
B3 Got To Get Up For Monday 5:58
C1 Sarah's E With Extra P 5:52
C2 Michele's H With C 6:18
D1 Raj & Claire 6:04
D2 Back When Lynn (The Classic) 5:59
D3 A Blink Of An Eye 6:19
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The Juan Maclean - In A Dream
The Juan Maclean - In A Dream
The Juan Maclean - In A Dream
The Juan Maclean - In A Dream

The Juan Maclean - In A Dream

$22.99

'In A Dream' is the third album from The Juan Maclean. If anything, this new LP is further evidence of the "undeniable creative chemistry between house music wizard Juan Maclean & vocalist / former LCD Soundsystem member Nancy Whang". (Pitchfork) The album takes its musical cues from Moroder's Munich to the Funky Nassau sounds of Compass Point and to anytime in downtown NYC.

An album of high anticipated, brand new material on the heels of The Juan Maclean's acclaimed club bangers from the last couple of years. Features singles "A Place Called Space" and "A Simple Design". Everyone that has heard the record loves the hell out of it, and I promise you will too. 

Tracklisting:

  1. A Place Called Space
  2. Here I Am
  3. Love Stops Here
  4. You Were A Runaway
  5. Running Back To You
  6. I've Waited So Long
  7. Charlotte
  8. A Simple Design
  9. The Sun Will Never Set On Our Love
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The Juan Maclean - Less Than Human
The Juan Maclean - Less Than Human

The Juan Maclean - Less Than Human

$9.99

Man, it feels like I try to sell you guys everything on here by saying it's the "debut LP". Well, it is. I mean, first albums are usually the best, anyway. Includes such jams as Give Me Every Little Thing, Tito's Way, and my personal favorite, Dance With Me. Out of print and limited stock, 2xlp in generic disco jackets. It seems like we say that a lot too but it's true. So there.

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The Juan Maclean - The Future Will Come
The Juan Maclean - The Future Will Come

The Juan Maclean - The Future Will Come

$7.99 $16.99

Double LP with a bonus CD copy. Includes One Day and Happy House. Comes with an instant digital download.

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The Rapture - In The Grace Of Your Love
The Rapture - In The Grace Of Your Love

The Rapture - In The Grace Of Your Love

$9.99

White Vinyl edition. 

  1. Sail Away
  2. Miss You
  3. Never Die Again
  4. Blue Bird
  5. In the Grace Of Your Love
  6. Roller Coaster
  7. Children
  8. How Deep Is You Love?
  9. Can You Find A Way?
  10. Come Back To Me
  11. It Takes Time To Be A Man
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We Acediasts - We Acediasts
We Acediasts - We Acediasts

We Acediasts - We Acediasts

$14.99

Justin from Invisible Conga People lived in Japan for five years and formed this group with three Japanese friends. They recorded an album in summer 2001 with DFA but the group disbanded shortly thereafter and the record was never released.
In the same way ICP seamlessly blends vintage synth and Krautrock with modern electronic elements to create its own hypnotic, psychedelic sound, We Acediasts took the angular bombast of no wave and wove in the expansive, arching elements of Sonic Youth, P.I.L. and even This Heat (and at times, even some of the casualness of the Fall) to make a very savvy and effective sound of their own. 
Hand numbered edition of 300 w/ silk screened covers and digital download coupon. Highly Recommended. 

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YACHT - See Mystery Lights
YACHT - See Mystery Lights

YACHT - See Mystery Lights

$17.99

Single LP in a beautiful, spot-glossed cover. Features Summer Song and Psychic City, among like 8 other tracks or so. Includes an instant digital download.

Tracklisting:

  1. Ring the Bell
  2. The Afterlife
  3. I'm In Love With a Ripper
  4. It's Boring / You Can Live Anywhere You Want
  5. Psychic City
  6. Summer Song
  7. We Have All We've Ever Wanted
  8. Don't Fight the Darkness
  9. I'm In Love With a Ripper (Party Mix)
  10. Psychic City (Version)
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YACHT - Shangri-La (Deluxe White Vinyl LP)
YACHT - Shangri-La (Deluxe White Vinyl LP)

YACHT - Shangri-La (Deluxe White Vinyl LP)

$19.99

Deluxe White Vinyl 2XLP with 4 slipcovers and a gatefold jacket with lyrics and spot-gloss. The CD is like a baby version of it. Yeah, it's luxurious. Features Dystopia (The Earth Is On Fire), I Walked Alone, and Shangri-La. Comes with an instant digital download. 

Shangri-La, YACHT’s second album for DFA Records and the follow-up to their critically acclaimed full-length, See Mystery Lights, is the duo’s most thematically ambitious work to date, showcasing an exponential evolution in songwriting and sharp, surreal hooks. When the darkly anthemic track, “Dystopia (The Earth Is on Fire),” was released digitally in April, YACHT offered a window onto the new album. Members Jona Bechtolt and Claire L. Evans described the track as an “apocalyptic fight song, a cautionary tale, a science-fiction story for our particular eco-sociopolitical landscape.” These themes are echoed throughout the conceptually unified Shangri-La. In contrast to the meditative, mantra-esque quality of their debut, Shangri-La is a narrative work.

The album explores mankind’s eternal pursuit of Utopia with a soundtrack comprised of compelling pop melodies, fiercely druggy grooves and an endlessly diverse canon of influences. The message here is that the future is a blank slate upon which anything can be imposed. Shangri-La is literally YACHT’s idea of Utopia: a place made of songs. Never a band to stay in one place sonically, visually or philosophically, YACHT transformed themselves, taking advantage of a proper studio for the very first time and using more live instrumentation than ever before.

Recording in the West Texas desert without an engineer, the duo employed a kaleidoscope of genres—ranging from disco to psychedelia, from krautrock to punk—all culminating in pure pop. Shangri-La was performed, mixed, and recorded by Bechtolt and Evans themselves. The Utopian illustration featured in the album’s encyclopedic cover design was painted by iconic science fiction illustrator Jim Burns, three-time Hugo Award-winner.

Tracklisting:

  1. Utopia
  2. Dystopia (The Earth Is On Fire)
  3. I Walked Alone
  4. Love in the Dark
  5. One Step
  6. Holy Roller
  7. Beam Me Up
  8. Paradise Engineering
  9. Tripped and Fell in Love
  10. Shangri-La
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