{"title":"new releases (new front page)","description":"","products":[{"product_id":"angelicascent","title":"Infinity Machine - Angelic Ascent CD","description":"\u003cp\u003eAngelic Ascent is a new collection of recordings from Infinity Machine, the \u003cspan\u003eever-wandering\u003c\/span\u003e psychedelic duo from Juan MacLean and Gee Dee. It’s not quite a proper album (their “debut” will come next year) and more of a side quest in major key new age - it really does sound like its title. We mean this completely sincerely: grab an eye mask and prepare to ascend.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"90\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2093541798\u0026amp;color=%23bbc873\u0026amp;auto_play=false\u0026amp;hide_related=true\u0026amp;show_comments=false\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=false\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/infinitymachine-music\" title=\"Infinity Machine\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eInfinity Machine\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/infinitymachine-music\/sets\/angelic-ascent-1\" title=\"Angelic Ascent\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eAngelic Ascent\u003c\/a\u003e\n\u003c\/div\u003e","brand":"DFA Direct","offers":[{"title":"Default Title","offer_id":38388901937321,"sku":"DFA2732cd","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2732_PRODUCT_SHOT.jpg?v=1763737381"},{"product_id":"shit-robot-no-cigar","title":"Shit Robot - No Cigar 12\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“No Cigar” is a track that didn’t make it onto 2023’s 5 Songs, which was, technically, five songs, so there wasn’t room. It’s a pokey, plonky bit of dance music from Shit Robot (aka Marcus Lambkin), made with Joe Goddard and Al Doyle at their RAE Studios in London.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt sounded… dubby. Like “what if Adrian Sherwood got his hands on this?” dubby. So we asked. And he said yes!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe b-side is classic Sherwood at the controls—a version that’s not fully exploded, but submerged, warped, a little demented. We’re honored and still hearing crazy new sounds every time we play it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003cp\u003eWritten and produced by Marcus lambkin, Al Doyle, and Joe Goddard\u003cbr\u003eAn RAE production recorded at Relax And Enjoy (London)\u003cbr\u003eEngineered by James Crump\u003cbr\u003eMixed by Korey Richey at DFA (NYC)\u003cbr\u003eMastered by Bob Weston at Chicago Mastering Service\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45955201106089,"sku":"dfa2719lp","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2719-PACKSHOT-SQUARE.jpg?v=1772816803"},{"product_id":"lcd-soundsystem-home-edit","title":"LCD Soundsystem - Home (Tom Sharkett Edit) 12\"","description":"\u003cp\u003eIt wasn’t really hiding, just sitting quietly online. But Tom Sharkett’s edit of “Home” was too good to ignore. Originally a bootleg we first heard played on Flo Dill’s Breakfast Show on NTS, it wormed its way into our hearts and never left. So we made it official. Sometimes the internet actually makes your life better.\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45961088630953,"sku":"DFA2728lp","price":15.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2728_VINYL_PACKSHOT_53846ba4-4c85-4ccf-95e8-a18df769ef7d.png?v=1773082019"},{"product_id":"stickydisc","title":"Various Artists - Shaking Moving Dancing People: The Stickydisc Records Anthology 2xLP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eEric Broucek was the ur-engineer of the most fertile era of DFA Studios, from about 2003 to 2008 (no one knows anything precisely about that time, as it’s all lost in the fog of chaos). His hand was on all of the remixes, LPs, dance 12s. He was there in that over-designed gear dungeon almost every day, recording, mixing, struggling to not roll his eyes at Tim and me. And somewhere in that fog, he quietly dropped limited runs of three 12-inch delayed reaction bombs on his own label Stickydisc Recordings—two under the name Babytalk, and one as Watussi with another DFA regular, Morgan Wiley.\u003c\/p\u003e\n\u003cp\u003eBack in the day, Eric did not want his music released on DFA. He wanted to forge his own identity, which he did, sending out music that wandered from the DFA path with its uniquely wonky, upended and understated power. His music is so unlike everything else of that era, so profoundly singular, that it still sounds completely out of time.\u003c\/p\u003e\n\u003cp\u003eA few years back, I started DJing the tracks again, and saw how the world was still surprised by what Eric had made, and the idea of this compilation was born.\u003c\/p\u003e\n\u003cp\u003eSo, in the end, Eric, we totally got to release your records anyway. We heart you, man.\u003c\/p\u003e\n\u003cp\u003e-James Murphy\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cb\u003eSide \u2028A\u003cbr\u003e\u003c\/b\u003eBabytalk - Keep On Move (Original Mix)\u003cbr\u003eBabytalk - Keep On Move (Six-Leg Friend Mix)\u003cbr\u003eBabytalk - Chance (Original Mix)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSide\u2028 B\u003c\/b\u003e\u003cbr\u003eBabytalk - Chance (Hercules \u0026amp; Love Affair Remix)\u003cbr\u003eBabytalk - Chance (Babytalk Remix)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSide\u2028 C\u003c\/b\u003e\u003cbr\u003eWatussi - If All We Had Was Love\u003cbr\u003eWatussi - Purple Moon\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSide \u2028D\u003c\/b\u003e\u003cbr\u003eWatussi - Purple Moon (MFWiley dubmix)\u003cbr\u003eBabytalk - Enough\u003c\/div\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":46074867056809,"sku":"DFA2721LP","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2721-PACKSHOT.jpg?v=1772816740"},{"product_id":"exek-prove","title":"EXEK - Prove The Mountains Move LP","description":"\u003cp\u003eFor just over a decade, EXEK has very quietly become one of the most hypnotic bands on the planet, mutating and growing from record to record, gradually opening themselves up without ever losing that strange, inscrutable, altogether essential quality that’s made them so great—so EXEK-y.\u003c\/p\u003e\n\u003cp\u003eOn 27 February, the Melbourne post-punk outfit—vocalist and chief architect Albert Wolski, guitarist Jai Morris-Smith, drummer Chris Stephenson, synth specialist Andrew Brocchi, trumpet-brandishing vocalist Valya YL Hooi, and bassist Ben Hepworth—will release Prove The Mountains Move, their seventh album and first for DFA. It is, as Wolski says, “a bit more 'epic’” than anything he’s recorded to date, a lush and unabashedly melodic set of surrealist pop that luxuriates in contradiction. “This record is experimental in its craft,” Wolski says, “but it may not necessarily sound experimental.”\u003c\/p\u003e\n\u003cp\u003eThere’s good reason for that. Work began on a cold afternoon in June of 2023, as Wolski and Stephenson came together at Pelican Refill Studios in Melbourne to track drums—the first thing they always do. From there, Wolski went home on his own and began sifting through the beats and breaks they’d captured, letting the drum sounds guide him towards melodies and basslines, looping and layering and laying foundation for what would become Prove The Mountains Move. “I feel comfortable tinkering away alone like a mad scientist,” he says. “I also enjoyed pressing record with no clear intention. More often than not, that would steer me towards an interesting direction that my conscious mind probably wouldn't have sought out.”\u003c\/p\u003e\n\u003cp\u003eAnd yet, somehow Wolski arrived at his most direct work since he launched the project, newly inspired by the clarity and concision of mainstream pop, the strong and undeniable pull of a simple vocal melody. After Melbourne’s famously stringent COVID lockdowns ended, he found himself wanting to stay out. “Working on new music took a distant backseat to raging with friends,” he says. “And those parties were filled with big bangers as the soundtrack—stuff I didn’t really listen to on my own, stuff I hadn't really encountered since my adolescence. But in the early hours of Sunday morning, ‘Alive’ by Pearl Jam sounds like you’re talking to God. And so does “All I Wanna Do”by Sheryl Crow, and so does “Feel” by Robbie Williams. Krautrock and dub were still in my DNA, but the music that I started to make was perhaps a little more lighthearted, and perhaps a bit more emotional.”\u003c\/p\u003e\n\u003cp\u003eWhich isn’t to say you should expect to hear traces of Eddie Vedder in Wolski’s vocal delivery here, but the stakes feel similar in their own way—this is what it sounds like when EXEK are really going for it. Take, for instance, the levitating synths of opener “Sidestepping” or the mountainous guitars of “Arriverderci Back Pain,” the piano bench pyrotechnics of “Don’t Answer (When They Call)” or the Bowie-like melancholy of “You Have Been Blessed.” The arrangements feel more open, the sonics more focused, the colors more brightly rendered. It’s not hard to believe him when Wolski says he spent time earnestly A-B’ing his mixes of Prove The Mountains Move against some of the most important albums ever recorded, Abbey Road among them.\u003c\/p\u003e\n\u003cp\u003eBut everything is relative. And lyrically, Wolski remains oblique. ”Each song is a vignette into an abstract milieu, whether it’s an experimental chiropractic business at an airport, or scantily clad creatures made from dust at a food court. No matter how wacky, there's themes and motifs throughout the record, both lyrical and musical, that mirror up and reflect each other throughout different songs.” That dissonance—between the direct and indirect, smooth and textured, shadowed and incandescent, zany and deadpan—is the animating force at the heart of these songs, his best yet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Sidestepping\u003cbr\u003e2. You Have Been Blessed\u003cbr\u003e3. Visiting Dust Bunnies\u003cbr\u003e4. Arrivederci Back Pain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e5. Don't Answer (When They Call)\u003cbr\u003e6. Tyres\u003cbr\u003e7. Spotless\u003cbr\u003e8. 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In their first year, they've been dubbed \"London's buzziest band\" by The Guardian, played big shows with LCD Soundsystem and Fcukers and tiny ones in London bars and restaurant basements, and now they finally release a physical single, produced by James Murphy, his first production for another band in over a decade.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"5words\" builds slowly into a euphoric urban epic, sounding equally indebted to the Velvet Underground, Orbital, Echoes-era Rapture, and the Dean Blunt cinematic universe, and, honestly, Nirvana. It sounds like decades collapsing into the present, enabled by frictionless discovery and resolved through the simplest method: four people in a room searching for something new, something great, a good feeling.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe b-side features a remix by none other than Maurice Fulton, his first DFA credit since those Syclops records became instant classics in 2008. Maurice is one of the greatest remixers and producers of his era and architect of a sound so singular and identifiable that even all his pseudonyms can't fool the trainspotters. This one is just the type: thrillingly off-center and unavoidably banging.\u003c\/span\u003e\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":46753536868521,"sku":"DFA2736lp","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2736-PACKSHOT.jpg?v=1772816470"},{"product_id":"get-a-grip-12","title":"Fundido feat. Emma Dufaux - Get A Grip 12\"","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLook, there are a lot of DJ duos in Brooklyn. Most of them are fine. Fundido are the kind who've been doing the good work for 10 years.  What started as euphoric, after-band free-for-alls in the front room at Baby's All Right now takes place in increasingly bigger rooms, further afield, regulars and new faces side by side. It's a music lover's paradise and a responsible adult's worst nightmare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter curating beloved annual edits comps for years, Latane Hughes and Billy Scher are now making their own music with the help of producer Miles Felix and vocalist Emma Dufaux. These guys spent a decade learning what makes people lose themselves and keep coming back. Now they're making the tracks to match.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Get A Grip (Original Mix)\u003cbr\u003e2. Get A Grip (Bliss Mix)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e3. Get A Grip (Make A Dance Remix)\u003cbr\u003e4. 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The record moves across acid house and techno, unified by a clear craft for pressure, pacing, and machine-driven tracks, with moments of restraint that hold up far beyond the dancefloor.\u003c\/p\u003e\n\u003cp\u003eWilson opens the A-side with “Interdimensional Romance,” a science fiction workout that threads together acid echoes of Chicago, Detroit, and New York. “Nightride” follows with a more laid-back approach, rooted in acid yet softer around the edges, with a subtle ’90s pull. On the B-side, Echiverri’s panned synths on “Chaos Terrain” vividly wax and wane across layers of LFOs. “Roche Lobe” closes the record in a more spacious mood—another acid-minded piece, less aimed at peak-time utility than at the late-night afterglow of the club.\u003c\/p\u003e\n\u003cp\u003eTogether, the four tracks understand acid not as a fixed formula, but as a flexible language. These are the songs of the underground clubs on Arrakis. See you at the front of the speakers.\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":47150148059305,"sku":"ACR019LP","price":16.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/acr019-Contours-EP-Artwork2.jpg?v=1780584676"}],"url":"https:\/\/store.dfarecords.com\/collections\/front-page-new\/artist:exek.oembed","provider":"DFA Records","version":"1.0","type":"link"}