{"title":"Front Page","description":"","products":[{"product_id":"angelicascent","title":"Infinity Machine - Angelic Ascent CD","description":"\u003cp\u003eAngelic Ascent is a new collection of recordings from Infinity Machine, the \u003cspan\u003eever-wandering\u003c\/span\u003e psychedelic duo from Juan MacLean and Gee Dee. It’s not quite a proper album (their “debut” will come next year) and more of a side quest in major key new age - it really does sound like its title. We mean this completely sincerely: grab an eye mask and prepare to ascend.\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"90\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2093541798\u0026amp;color=%23bbc873\u0026amp;auto_play=false\u0026amp;hide_related=true\u0026amp;show_comments=false\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=false\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/infinitymachine-music\" title=\"Infinity Machine\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eInfinity Machine\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/infinitymachine-music\/sets\/angelic-ascent-1\" title=\"Angelic Ascent\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eAngelic Ascent\u003c\/a\u003e\n\u003c\/div\u003e","brand":"DFA Direct","offers":[{"title":"Default Title","offer_id":38388901937321,"sku":"DFA2732cd","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2732_PRODUCT_SHOT.jpg?v=1763737381"},{"product_id":"dfa2250","title":"LCD Soundsystem - This Is Happening 2xLP","description":"\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Dance Yrself Clean\u003cbr\u003e2. Drunk Girls\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e3. One Touch\u003cbr\u003e4. All I Want\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e5. I Can Change\u003cbr\u003e6. You Wanted a Hit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e7. Pow Pow\u003cbr\u003e8. Somebody's Calling Me\u003cbr\u003e9. Home\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":40622866432169,"sku":"DFA2250lp","price":37.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/TIH-1.jpg?v=1744132702"},{"product_id":"dfa2164","title":"LCD Soundsystem - Sound of Silver 2xLP","description":"\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e01. Get Innocuous!\u003cbr\u003e02. Time to Get Away\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e03. North American Scum\u003cbr\u003e04. Someone Great\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e05. All My Friends \u003cbr\u003e06. Us v Them\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e07. Watch the Tapes\u003cbr\u003e08. Sound of Silver\u003cbr\u003e09. New York, I Love You but You're Bringing Me Down\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":40622868725929,"sku":"DFA2164lp","price":37.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2164_PACKSHOT.jpg?v=1779813900"},{"product_id":"the-rapture-echoes-lp","title":"The Rapture - Echoes LP","description":"\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Olio\u003cbr\u003e2. Heaven\u003cbr\u003e3. Open Up Your Heart\u003cbr\u003e4. I Need Your Love\u003cbr\u003e5. The Coming of Spring\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e6. House of Jealous Lovers\u003cbr\u003e7. Echoes\u003cbr\u003e8. Killing\u003cbr\u003e9. Sister Saviour\u003cbr\u003e10. Love Is All\u003cbr\u003e11. Infatuation\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Default Title","offer_id":43221152989353,"sku":"DFA2130lp","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/Rapture-2.jpg?v=1741178285"},{"product_id":"jjulius-vol-3-lp-pre-order","title":"JJULIUS - Vol. 3 LP","description":"\u003cp dir=\"ltr\"\u003e1. Brinna ut (feat. Loopsel)\u003cbr\u003e2. Etiopisk hallucination (feat. Julia Bjernelind)\u003cbr\u003e3. Letar efter nya plågor\u003cbr\u003e4. Köpa saker (feat. Clara Flygare)\u003cbr\u003e5. Verkligheten och jag\u003cbr\u003e6. Balladen om elpriset i Augusti 2022 (feat. Loopsel)\u003cbr\u003e7. Coral bass strings (feat. Loopsel, Nathan Roche)\u003cbr\u003e8. Dödsdisco (feat. Clara Flygare)\u003cbr\u003e9. Ringer å ringer\u003cbr\u003e10. Välkommen på intervju (feat. Nathan Roche)\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn the discourse around new albums from singular, world-building artists, the phrase “a big step forward” can often be a blinking red warning sign. You know you’re about to be pulled somewhere new against your will. Inertia is a hell of a thing. It’s nice here. Surely, the party’s not over yet?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJJULIUS’ \u003c\/span\u003e\u003cspan\u003eVol. 3\u003c\/span\u003e\u003cspan\u003e album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. There’s no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of “Brinna ut,” which, in spite of its meaning (“Burn out”), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, \u003c\/span\u003e\u003cspan\u003eVol. 3\u003c\/span\u003e\u003cspan\u003e has charm like a balm.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that they’re titled like compendiums of artifacts. And while\u003c\/span\u003e\u003cspan\u003e Vols. 1\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e carried that notable tinge of darkness, \u003c\/span\u003e\u003cspan\u003eVol. 3\u003c\/span\u003e\u003cspan\u003e has (almost!) cast that shadow, adding elements of disco (“Dödsdisco”) and dream-pop (“Etopisk hallucination”) to his forever favorites Arthur Russell, African Head Charge, and The Fall.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSome of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor Sjödén of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUnless you're Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. “No looking back, no misery, no talking trash, no enemies.”\u003c\/p\u003e\n\u003cp\u003eProduced by JJULIUS with invaluable help from Petter Granberg\u003c\/p\u003e\n\u003cp\u003e\u2028Mixed by Petter Granberg\u003c\/p\u003e\n\u003cp\u003e\u2028Mastered and cut by Bob Weston\u2028\u003c\/p\u003e\n\u003cp\u003eGraphic design by William Jokijärvi Andersson\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePressed at Furnace Record Pressing in Alexandria, VA\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45071880290473,"sku":"DFA2720lp","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/JJULIUS-VINYL-1.jpg?v=1741124010"},{"product_id":"proper-monday-number-high-horse-dfa-dj-edit","title":"Proper Monday Number - High horse (DFA DJ Edit)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a hand-stamped, white label, 1-sided 12\" of Proper Monday Number's \"High horse\" DJ Edit done by Matt Cash and James Murphy.\u003cbr\u003e\u003cbr\u003eLimited run of 500.\u003cbr\u003e\u003cbr\u003eProper Monday Number is Suzi Horn and Christoph.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEdit by Matt Cash and James Murphy.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMastered by Bob Weston.\u003cbr\u003e\u003cbr\u003eEngineered by Pablo Morales.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003ciframe width=\"100%\" height=\"120\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2059936528\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=true\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=false\u0026amp;visual=false\"\u003e\n\u003c\/iframe\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45669090492585,"sku":"DFA2727lp","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2727-PRODUCT-SHOT-TAKE-2.jpg?v=1744734544"},{"product_id":"shit-robot-no-cigar","title":"Shit Robot - No Cigar 12\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“No Cigar” is a track that didn’t make it onto 2023’s 5 Songs, which was, technically, five songs, so there wasn’t room. 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We’re honored and still hearing crazy new sounds every time we play it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003cp\u003eWritten and produced by Marcus lambkin, Al Doyle, and Joe Goddard\u003cbr\u003eAn RAE production recorded at Relax And Enjoy (London)\u003cbr\u003eEngineered by James Crump\u003cbr\u003eMixed by Korey Richey at DFA (NYC)\u003cbr\u003eMastered by Bob Weston at Chicago Mastering Service\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45955201106089,"sku":"dfa2719lp","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2719-PACKSHOT-SQUARE.jpg?v=1772816803"},{"product_id":"lcd-soundsystem-home-edit","title":"LCD Soundsystem - Home (Tom Sharkett Edit) 12\"","description":"\u003cp\u003eIt wasn’t really hiding, just sitting quietly online. But Tom Sharkett’s edit of “Home” was too good to ignore. Originally a bootleg we first heard played on Flo Dill’s Breakfast Show on NTS, it wormed its way into our hearts and never left. So we made it official. Sometimes the internet actually makes your life better.\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":45961088630953,"sku":"DFA2728lp","price":15.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2728_VINYL_PACKSHOT_53846ba4-4c85-4ccf-95e8-a18df769ef7d.png?v=1773082019"},{"product_id":"stickydisc","title":"Various Artists - Shaking Moving Dancing People: The Stickydisc Records Anthology 2xLP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eEric Broucek was the ur-engineer of the most fertile era of DFA Studios, from about 2003 to 2008 (no one knows anything precisely about that time, as it’s all lost in the fog of chaos). His hand was on all of the remixes, LPs, dance 12s. He was there in that over-designed gear dungeon almost every day, recording, mixing, struggling to not roll his eyes at Tim and me. And somewhere in that fog, he quietly dropped limited runs of three 12-inch delayed reaction bombs on his own label Stickydisc Recordings—two under the name Babytalk, and one as Watussi with another DFA regular, Morgan Wiley.\u003c\/p\u003e\n\u003cp\u003eBack in the day, Eric did not want his music released on DFA. He wanted to forge his own identity, which he did, sending out music that wandered from the DFA path with its uniquely wonky, upended and understated power. His music is so unlike everything else of that era, so profoundly singular, that it still sounds completely out of time.\u003c\/p\u003e\n\u003cp\u003eA few years back, I started DJing the tracks again, and saw how the world was still surprised by what Eric had made, and the idea of this compilation was born.\u003c\/p\u003e\n\u003cp\u003eSo, in the end, Eric, we totally got to release your records anyway. 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Andrew Raposo of Midnight Magic drag “céilí” indoors, trading barefoot fields for Big Apple sweatboxes, major chords ringing, everyone slightly feral.\u003c\/p\u003e\n\u003cp\u003eFlip it and there’s Peach’s version of “chaperone,” a burst of rhythm that turns the original’s messy euphoria into house music manna: cold machinery, warm hearts, no sleep.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003ecéilí (Justin Strauss en La Piscina Remix)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide AA\u003c\/strong\u003e\u003cbr\u003echaperone (Peach's 2Good 2Be Remix)\u003c\/p\u003e","brand":"DFA Records","offers":[{"title":"Default Title","offer_id":46497725481129,"sku":"DFA2724lp","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/2493\/2521\/files\/DFA2724_PACKSHOT.png?v=1761075817"},{"product_id":"exek-prove","title":"EXEK - Prove The Mountains Move LP","description":"\u003cp\u003eFor just over a decade, EXEK has very quietly become one of the most hypnotic bands on the planet, mutating and growing from record to record, gradually opening themselves up without ever losing that strange, inscrutable, altogether essential quality that’s made them so great—so EXEK-y.\u003c\/p\u003e\n\u003cp\u003eOn 27 February, the Melbourne post-punk outfit—vocalist and chief architect Albert Wolski, guitarist Jai Morris-Smith, drummer Chris Stephenson, synth specialist Andrew Brocchi, trumpet-brandishing vocalist Valya YL Hooi, and bassist Ben Hepworth—will release Prove The Mountains Move, their seventh album and first for DFA. It is, as Wolski says, “a bit more 'epic’” than anything he’s recorded to date, a lush and unabashedly melodic set of surrealist pop that luxuriates in contradiction. “This record is experimental in its craft,” Wolski says, “but it may not necessarily sound experimental.”\u003c\/p\u003e\n\u003cp\u003eThere’s good reason for that. Work began on a cold afternoon in June of 2023, as Wolski and Stephenson came together at Pelican Refill Studios in Melbourne to track drums—the first thing they always do. From there, Wolski went home on his own and began sifting through the beats and breaks they’d captured, letting the drum sounds guide him towards melodies and basslines, looping and layering and laying foundation for what would become Prove The Mountains Move. “I feel comfortable tinkering away alone like a mad scientist,” he says. “I also enjoyed pressing record with no clear intention. 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Krautrock and dub were still in my DNA, but the music that I started to make was perhaps a little more lighthearted, and perhaps a bit more emotional.”\u003c\/p\u003e\n\u003cp\u003eWhich isn’t to say you should expect to hear traces of Eddie Vedder in Wolski’s vocal delivery here, but the stakes feel similar in their own way—this is what it sounds like when EXEK are really going for it. Take, for instance, the levitating synths of opener “Sidestepping” or the mountainous guitars of “Arriverderci Back Pain,” the piano bench pyrotechnics of “Don’t Answer (When They Call)” or the Bowie-like melancholy of “You Have Been Blessed.” The arrangements feel more open, the sonics more focused, the colors more brightly rendered. It’s not hard to believe him when Wolski says he spent time earnestly A-B’ing his mixes of Prove The Mountains Move against some of the most important albums ever recorded, Abbey Road among them.\u003c\/p\u003e\n\u003cp\u003eBut everything is relative. And lyrically, Wolski remains oblique. ”Each song is a vignette into an abstract milieu, whether it’s an experimental chiropractic business at an airport, or scantily clad creatures made from dust at a food court. No matter how wacky, there's themes and motifs throughout the record, both lyrical and musical, that mirror up and reflect each other throughout different songs.” That dissonance—between the direct and indirect, smooth and textured, shadowed and incandescent, zany and deadpan—is the animating force at the heart of these songs, his best yet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Sidestepping\u003cbr\u003e2. You Have Been Blessed\u003cbr\u003e3. Visiting Dust Bunnies\u003cbr\u003e4. Arrivederci Back Pain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e5. Don't Answer (When They Call)\u003cbr\u003e6. Tyres\u003cbr\u003e7. Spotless\u003cbr\u003e8. 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