Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples)
Limited editon of 1000 hand-stamped and numbered copies, assembled at DFA in NYC.
DFA is proud to release a long-gestating 12” single of wild interprations of Eric Copeland’s 2013 album “Joke In The Hole”. The Black Dice member received universal acclaim for the record, “Fringe though Copeland may be, this album is a serious coup for DFA—he walks the line between complete nuttiness and outright accessibility, and ends up with one of his best records to date.” (XLR8R) Starting us off is Panda Bear, who adds his trademark falsetto vocals and shuffling percussion, sweetening Eric’s black coffee beats. DFA’s own sonic collagist Larry Gus blends Eric’s mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub’s Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left ‘em out in the rear window of your car on a sunny day. You know what we mean.
12" Vinyl EP in a picture sleeve featuring collaged artwork by Eric Copeland himself.
Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric’s return to DFA after the release of an acclaimed single on Ron Morelli’s underground dance juggernaut L.I.E.S., which followed his beloved 2013 album “Joke In The Hole”, his solo debut for DFA.
The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric’s outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.
“If Copeland is interested in the conventions of clubland, it’s at the point where someone’s puking on their shoes outside the venue, a distant throb of bass beating into their brain through the brickwork.” - Pitchfork
“The rhythms might be recognisably house or hip-hop, but Copeland pulls and squeezes their structures like accordions.” - Resident Advisor
“Though constantly teetering on a knife’s edge - to be expected in such mental, syncopated mashups - this is wildly colourful and knowingly absurd music.” - The Quietus
Eric Copeland presents his latest book Shit Talk - a collection of public comments, pulled word for word from YouTube, all focused on Black Dice, the divisive band he co-founded almost 2 decades ago.
112 pages of plain text comments showcase both the passion and the frustration of Black Dice’s fanbase. You'll find casual observations, ardent rants, stoned diatribes, and lots of name calling. Emerging through it all is a detailed narrative of noise and experimental music, DIY scene politics, and an archive of passionate fandom.
The book is dedicated to “all the know-it-alls, naysayers, haters and baiters…the big mouths and big fans, comedians and aliens. Thank you!'
All Comments compiled by Eric Copeland Cover Art by Bjorn Copeland Available in an edition of 40 in the DFA store. Now shipping.
Tracklist: 1) Mateo 2) 321 Contact 3) Electric Mud 4) Heads 5) Build-A-Brain 6) Fresco 7) Hugo
In the first part of a two-volume release, Eric Copeland (Black Dice) delivers Trogg Modal Vol. 1. It has been one year since releasing Goofballs and Eric has doubled down on his unique approach to crafting dance music, pushing a sort of 'Freakbeat 4/4' agenda even further than before. Where Goofballs was the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, Trogg Modal Vol. 1 is a bit less serious and more carefree, with tracks that are propelled forward by a singular, frenzied energy.
Chunky percussive layers, hard steady kicks, and tweaked loopy vocals create a playful vibe that is best described as a tropical-industrial hybrid. The final product comes together via seven succinct, self-described “rippers,” music created both deliberately and accidentally, and always with a sense of humor that bubbles over and out through the speakers. With Trogg Modal Vol. 2 out in early 2019, this two-part release pulls into focus a vivid and unfamiliar new direction for Eric Copeland.