$13.00
Losing My Edge backed with Beat Connection. This is the 2012 Remastered version cut super loud by Bob Weston. And it doesn't skip anymore! Yay.
$15.00
$13.00
*IN STOCK, shipment begins August 6th!
2019 repress of the revered 2004 single YEAH. This pressing comes in a sturdier heavyweight sleeve, heavier vinyl, same great artwork by Mike Vadino.
tracklist:
a: yeah (crass version)
aa: yeah (pretentious version)
$13.00
Incredible remixes of LCD Soundsystem, from the album American Dream.
This 12" features the song I Used To, remixed by Dixon.
The B Side is a 13 minute tweaked out space disco odyssey, originally appearing as a pre-American Dream bonus track.
a1) i used to (dixon retouch)
b1) pulse (v.1)
$13.00
Prinzhorn Dance School’s spartan sonics have often lead to some hand-wringing when trying to play out their records ‘in the club’. In the first 7 years of their existance, there was a sole club-friendly remix in their entire catalog. It is for these reasons that we’re really stoked to announce that we now have a second.
DFA veteran Shit Robot takes the track “Reign” from their imminently released third album “Home Economics” and turns it into a deep, dark floor-filler. The band’s pleading vocals dive in and out of a throbbing bassline, with new robotic percussion seamlessly blending with the band’s original bangs and clangs.
The flip features that previously alluded to Optimo (Espaco) mix of You Are The Space Invader - previously only available commercially in digital form, this is the
first (slightly) wider vinyl release of this classic remix. An edition of 500 hand-stamped and numbered white label copies, not to be pressed again for another 7 years or so. Probably.
Tracklist:
A - Reign (Shit Robot Remix)
$7.00
With his Familiar Five EP, London-based producer Marcus Marr has taken his darkest and most thrillingly outré turn yet. Recorded through the long dark nights in the splendid isolation of his Brixton studio, lead single “Familiar Five” is a tale of bizarre transformation that points up the fragile boundaries between dreams and reality.
“Familiar Five” feels like an outsider anthem. “It’s about being a freak and accepting it – being happy to be a freak,” notes Marr. He narrates the song with his finest deadpan lip-curl, managing to make the lyrics sound suggestive, malevolent and wildly empowering all at once. “It was sounding quite sinister as I was making it, and I thought a voice would sound good on it,” recalls Marr. “I was reading Dr Jekyll and Mr Hyde and Kafka’s Metamorphosis as well,” he remembers. Other diverse influences setting the track’s fabulously unnerving tone include Marr’s readings about “familiar spirits” – the occult animals believed to assist medieval witches in their nefarious deeds.
The other songs featured on the Familiar Five EP include “Love Release,” which taps into the energy and live power of his DJ sets; “High Times,” a track that’s influenced by his love of early 80’s dance music (“I was definitely thinking of Nile Rodgers in 1979, 1980, there... I have a bit of a thing for that period at the beginning of the ‘80s before drum machines took control of dance music.”); and previous single “Rocketship.”
Marr is no stranger to collaboration, working with Australian musician Chet Faker on 2015’s Work EP. Work yielded two hit singles, “Birthday Card” (Annie Mac’s BBC Radio 1 first play, #1 Hype Machine) and “The Trouble with Us” (#1 Hype Machine). The Familiar Five EP, however, shows him in his individual element, an artist and performer who understands just how to make superb music for both man and machine.
A regular at Berlin’s famed nightclub Berghain/Panorama Bar since 2014, Marcus Marr recently toured in North America with The Juan Maclean. He has previously toured with the likes of Hot Chip, Floating Points, Jacques Greene and Optimo, and has performed at the highly-regarded MoMa PS1 Warm Up series, Day For Night Festival, and Art Basel Miami. Marcus has also contributed mixes to Beats in Space and Boiler Room.
Tracklist:
1) Familiar Five
2) Love Release
3) High Times
4) Rocketship
$7.00
$13.00
Incredible remixes of LCD Soundsystem, from the album American Dream.
This 12" features 2 versions of Oh Baby, remixed by Lovefingers.
**THIS IS A VINYL-ONLY RELEASE** Digital files for this 12" are not available from DFA.
a1) oh baby (lovefingers remix)
b1) oh baby (lovefingers dub)
$10.00
Back in our store for the first time in years. Confusing both critics and fans upon initial release, The Juan's first 12" is backed by "The more raucous" 41 Small Stars (aka Ad Rock!) version and rare instrumental TG-3X.
A1: By The Time I Get To Venus
A2: By The Time I Get To Venus (41 Small Stars Version)
B: TG-3X
$13.00
Two DFA classics, one great price.
The only way to get a 45RPM version of killing.
A. The Rapture - Killing
B. The Juan Maclean - Give Me Every Little Thing
$13.00
This track is basically the benchmark whenever we have a good chat around the office about a "classic DFA 12". Features a remix of Endless Happiness by EYE of The Boredoms on the flip.
Tracklisting:
$10.00
Oh, the jokes we had with the title of this song. Well, there's only one. "Juan Day". Anyway. The followup to Happy House, features Alex Frankel on backing vox. Includes an instant digital copy.
Tracklist
A1 - One Day
A2 - One Day (Marc Romboy Remix)
B1 - One Day (The Emperor Machine Remix)
B2 - One Day (Surkin Remix)
$7.00
A music obsessive all his life, Londoner Marcus Marr’s first encounters with dance music were acid house records which augmented his vinyl collection of rock and soul, and attending all night parties under Brixton’s St Matthews church. Traveling to the south of England to watch DJ Harvey play a lengthy set, he saw the kind of power a DJ can wield over a willing crowd.
“The Music”, was featured prominently in the 2012 film “Pusher”, starring Richard Coyle and Agyness Dean. The single’s B-Side “Pleasure Moon” was used to open the 2014 Versace show in Milan. Additionally, it was placed at #3 in Spin Magazine’s “The 40 Best Dance Tracks of 2013”, bested only by Daft Punk and Todd Terje.
Marcus has the following to say about these two new tracks:
Brown Sauce: “Depending on the vibe of the night, if you come and see me DJ it’s likely you’re going to hear some futuristic music, as well as some disco, house and so on. I want people to be warned about that so I made “Brown Sauce”. I’ve been playing it all over the place for a good while now and it never lets me down.”
Peacemakers : “This one has features me on my bass guitar. I'ts a Fender Jazz and its usually there somewhere on most of my tunes. I bought it off a clueless Brummie punk years ago. He wanted only £90 for it - i was sure there was a catch but no, it was the genuine article.”
These two tracks are a taste of what we can expect in the future from Marcus Marr, who will be releasing his debut album on DFA in 2015.
Track List:
$7.00
TRACKLIST:
A) Mental Dive (14:57)
B The Lagoon (11:35)
On his DFA debut, German experimental techno producer Edward largely departs from the 4/4 grid he frequents and blurs the focus towards a more slippery, improvisational vibe. Fans of his Desert Sky alias, as well as his work reshaping classic tracks by Harmonia & Eno and Rolf Trostel of Tangerine Dream, will be quite pleased with Underwater Jams. These two new songs unfold at their leisure, going off on whizzing, kosmiche-influenced tangents, all the while guided by the hand drums of percussionist Geronimo Dehler. On A-side “The Lagoon,” the freedom of the long-form composition allows Edward to go deeper and more mesmeric, while the restrained stomp of B-side “Mental Dive” allows for an introspective dance floor moment.
$13.00
DFA / Rekids 12" / dfa 2204 / 2008
A. Brooklyn Club Jam
B. Brooklyn Club Jam (Brennan Green's Version)
$13.00
DFA EMI UK 12" / dfaemi 2189 / 2007
A1. You Are The Space Invader
A2. Wheat For The Locust
B. You Are The Space Invader (An Optimo (Espacio) Mix)
$30.00
Originally conceived as a series of 3x12" singles, the first blast of Black Meteoric Star tracks ended up coming together on a self-titled "album" in 2009. It being 2009 and all, the collection only came out digitally and on CD (?). It never got a proper vinyl release.
So, this is the next best thing: all three original BMS twelves, purchasable as a unit, at a special bundled price.
$10 $11.99
$10.00 $11.99
2x12" single of Juan's breakout classic "Tito's Way", featuring a massive 11-plus minute remix from Linstrøm + Prins Thomas, plus additional edits from Reverso 68, and Booka Shade.
Tracklist
Tito's Way (Album Version)
Titos Way (Lindstrom & Prins Thomas Remix)
Tito's Way (Booka Shade Remix)
Tito's Way (Reverso 68 Remix)
$13.00
Pixeltan's latest effort – their first release in five years, and long overdue – is a 4 song EP that solidifies a sound that has been slowly (very slowly) been developing over the course of almost a decade now, and also manages to completely redefine what these 3 are capable of. The new tracks are both referential and reverential, while still being wholly of this time, modern, fun and very funky indeed.
On their new four-song EP, the band takes inspiration from a number of sources. On "Yamerarena-I," Pixeltan builds atop Afro percussion with steady bass and guitar lines, and Yoneta's matter-of-fact vocals, which veer from Japanese to English (Yamerarena means "can't stop" in Japanese). "Scatter" and "No More Delay" take a page – or at least a few notes – from Larry Levan's Paradise Garage disco songbook, while "I Told You So" shows an appreciation for ESG, but adds layers of dynamic percussive elements and showcases Yoneta's vocal ability to go from sweetly menacing to raw-throated screams within the song's mere four minutes. ("I told you so," she spits, before adding, as if to ward off any remaining doubts, "I told you so...bitch.")
The eclecticism of Pixeltan’s sounds is a natural byproduct of the musical experience each member brings to the trio: drummer Hisham Bharoocha formerly played with both Black Dice and Lightning Bolt; bass player Devin Flynn and singer Mika Yoneta are ex-members of Plate Tectonics. The Brooklyn-based threesome originally formed in 1998, and released their self-titled EP in 2001. The same year, they collaborated with DFA on a remix of their song "Get Up/Say What," which the public didn't hear until 2004. The resulting track – a throbbing mix of jittery bass, dancefloor beckoning handclaps, and Yoneta's alternately seductive and screeching banshee vocals – invoked an immediacy that resonated instantly with listeners.
- Kali Holloway
Tracklisting:
$10.00
Black Meteoric Star is the latest project by longtime DFA alumni Gavin Russom. The project is inspired equal parts Euro-disco, wonky early electronic body music from America's Midwest and an always present fascination with the outer reaches of global psychedelic rock. Gavin Russom began the recordings for Black Meteoric Star sometime in 2006. It was at this time that Carl Craig remixed Delia Gonzalez & Gavin Russom's single "Relevee", making it one of the years biggest dance club anthems. Three vinyl 12" singles by Black Meteoric Star will be released on DFA Records with extended original versions in 2009 along with a full self-titled CD that edits and compiles all six singles. There will be an edition of 100 of each 12" hand stamped and accompanied by a series of posters also designed by Russom. These releases will follow a narrative line and the six pieces of music tell a story of clubbing and the long journey through the night and into the next day.
In this project, Russom carries his ability to create rich sonic landscapes to the dance floor using minimal but intense arrangements and high-energy repetition. The third and final chapter is "Dream Catcher / Dawn". In "Dream Catcher" it becomes clear that neither the masculine nor the feminine side can win. They have to coexist, and can, when each side acknowledges its own strengths and resolves to use them toward a mutual end. In terms of the club land metaphor this is the point in the night where people hook up. As the longest of the six tracks its story is about total surrender. For me it evokes both lovers surrendering to each other and the devotee surrendering to his God. At this moment we acknowledge that there is no way out but through. "Dawn" comes. The bass line echoes the melody of "Death Tunnel", signaling return. Although we are beginning again everything looks, sounds and feels different. We are much stronger now. As the sun comes up and edges begin to become clear again, we drive slowly through the still sleeping city. Rhode Island native Gavin Russom now lives and works in Berlin. He has produced many remixes recently, including a new single by Croatian techno artist Petar Dundov, New York's avant garde duo Palms and a remix featured on the upcoming soundtrack for the remake of the movie Tron.
Tracklist
A - Dreamcatcher
B - Dawn
$9.99
OG 12" from 2003 by The Juan Maclean
Two hot tracks of electro goodness from JUAN MACLEAN (SIX FINGER SATELLITE). The title track features female vocals from NANCY WHANG, while the B-side gets you an electro lullaby in the "sad robot" genre. Both tracks produced and mixed by JAMES MURPHY & TIM GOLDSWORTHY
A - You Can't Have It Both Ways (Live)
B - My Time Is Running Out
$10.00
$7.00
Limited editon of 1000 hand-stamped and numbered copies, assembled at DFA in NYC.
DFA is proud to release a long-gestating 12” single of wild interprations of Eric Copeland’s 2013 album “Joke In The Hole”. The Black Dice member received universal acclaim for the record, “Fringe though Copeland may be, this album is a serious coup for DFA—he walks the line between complete nuttiness and outright accessibility, and ends up with one of his best records to date.” (XLR8R) Starting us off is Panda Bear, who adds his trademark falsetto vocals and shuffling percussion, sweetening Eric’s black coffee beats. DFA’s own sonic collagist Larry Gus blends Eric’s mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub’s Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left ‘em out in the rear window of your car on a sunny day. You know what we mean.
Tracklisting:
$14.00
"Hermaphrodite" is a solo record comprised of samples, field recordings, vocal loops and drums that transform your brain from mellow to engaged to confused to greatly pleased. Tribal rhythms and noises that get you feeling slightly stoned, in a good way. CD version released on Paw Tracks. Eric Copeland is a super nice guy who is always pushing sounds in BD and on his own and "Hermaphrodite" is a testament to his ever pressing need to push audio boundaries. text taken from Post Present Medium
TRACKLISTING
1. Hermaphrodite
2. La Booly Boo
3. Oreo
4. Green Burrito
5. Wash Up
6. Spacehead
7. Tree Aliens
8. Scum Pipe
9. Dinca
10. Mouthhole
11. Fkd
12. Scraps
$15.00
dfa 2179 / 2007
Still Going are Eric Duncan (Dr Dunks / Rub N Tug) and Liv Spencer
A. Still Going Theme
B. On And On
$50.00
Death From Abroad was a DFA sub-label dedicated to making awesome music from international artists available at home in the US. These were records we found whilst traveling, DJing, shopping and meeting wonderful people the world over. (This was in 2007 - before YouTube, streaming, and the rise of online vinyl sales rendered endeavors such as this relatively moot.)
We have but a few sets of the original twelves available. Cop 'em here for the nice bundled price.
$13.00
Al Anon concludes Eric Copeland’s two part album entitled Alien In A Garbage Dump (available on CD from Paw Tracks). Where the first half offered a discombobulated collection of radio cross-signaling, here the alien finds its groove for a minute and tidies up the frequencies. There is still something outsiderish here, but with more of an effort to get inside, to play by the rules even? Or maybe the motivation is to sneak something subversive into the norms’ hideout?
Since Al Anon was recorded at the same time as two Black Dice albums, there are obvious parallels in the results; an uncompromised sonic landscape. But outside the group setting, Copeland has found places one can only find alone: small inner dialogues and isolated mind caves where an idea may only last a moment. He captures and tweaks these ideas into fragments of many memories; a déjà vu record déjà vu record. Funny characters drop in and out. Songs come and go. Al Anonproves to be a strangely curated time capsule of OUR time right NOW; music where birds beat-box with car-stereo subwoofers and the neighbors’ Espanol sings on top the Sabbath siren. With all this going on, Copeland sometimes disappears into the anonymity, playing a ‘behind-the-scenes’ role, pushing cords and pulling buttons, laughing because the batteries are dying. Here the familiar becomes mysterious and the unknown feels normal and we can listen to this one all day trying to make those distinctions.
Edition of 500 copies with jaw-droppingly amazing black and white collage artwork by Copeland, screenprinted by VG Kids.
$7.00
$13.00
Features remixes by The DFA, Luomo, and ZZ Pot.
Double vinyl in a picture sleeve. Last remaining stock!
A1. Smiling Off (DFA Remix)
A2. Smiling Off (Luomo Remix)
B1. Smiling Off (ZZ Pot)
B2. Smiling Off (Album Version)
$10.00
$13.00
Another slamming version of Simple Things (Work It Out) featuring a remix from Mr. Todd Terje. The credits say "More Cowbell by Todd Terje", need we say more?
A) Simple Things (Work It Out) (Main Mix)
B) Simple Things (Work It Out) (Todd Terje Version)
$13.00
$13.00
Tracklist:
1) Earth (8:58)
2) Corps Étranger (6:08)
3) Earth (Passarani HiNRG Mix) (8:49)
Montreal duo Essaie pas return to DFA with a 12-inch that picks up where their 2018 album New Path left off. "Earth" is a blistering ride through the rave, an amalgamation of techno and trance. The galloping bassline is the backbone of the song, and Marie Davidson’s vocals climb to new heights against synth stabs. "Corps Étranger," with its stuttering percussion, is a slow burner in comparison. For the remix of "Earth," Marco Passarani of Tiger & Woods (Running Back, Numbers) doubles down on the Italo disco angle and doesn’t shy away from the more anthemic moments of the original, managing to rework it into something akin to a celebration of this "shithole" we call Earth.
$13.00
The lost "5th Track" from the Delia & Gavin "Days of Mars" album sessions.
Comes in a beautiful picture sleeve and features a remix by Ame.
**PLEASE NOTE all remaining stock of this title is slightly worn / imperfect. The cost has been adjusted to reflect this.
Tracklisting:
$13.00
The debut 12" from The Crystal Ark
Features the original and extended instrumental.
Track List:
$15.00
The debut vinyl release by Surahn on DFA Records is the standout track from his 2012 EP, "Watching The World", given the Diskomiks treatment by Prins Thomas.
Tracklisting:
$7.00
DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.
This one (DFA2432) consists of remixes from the acclaimed Daniel Avery (Phantasy) and DFA alumni Invisible Conga People, who recorded a 12" for DFA in 2011 and have not been heard from since (until now).
$13.00
Black Meteoric Star is the latest project by longtime DFA alumni Gavin Russom. The project is inspired equal parts Euro-disco, wonky early electronic body music from America's Midwest and an always present fascination with the outer reaches of global psychedelic rock. Gavin Russom began the recordings for Black Meteoric Star sometime in 2006. It was at this time that Carl Craig remixed Delia Gonzalez & Gavin Russom's single "Relevee", making it one of the years biggest dance club anthems. Three vinyl 12" singles by Black Meteoric Star will be released on DFA Records with extended original versions in 2009 along with a full self-titled CD that edits and compiles all six singles. There will be an edition of 100 of each 12" hand stamped and accompanied by a series of posters also designed by Russom. These releases will follow a narrative line and the six pieces of music tell a story of clubbing and the long journey through the night and into the next day. In this project, Russom carries his ability to create rich sonic landscapes to the dance floor using minimal but intense arrangements and high-energy repetition.
The second single "Dominatron / Anthem" takes place after midnight. The animal energy encountered in "World Eater" is released and splits itself into female and male parts. This 12" is the story of their struggle for power over one another. "Dominatron" is the feminine side and "Anthem" is the masculine side. As in a possession ritual, each side appears and does its dance. Rhode Island native Gavin Russom now lives and works in Berlin. He has produced many remixes recently, including a new single by Croatian techno artist Petar Dundov, New York's avant garde duo Palms and a remix featured on the upcoming soundtrack for the remake of the movie Tron.
Tracklist
A - Dominatron
B - Anthem
$13.00
Black Meteoric Star is the latest project by longtime DFA alumni Gavin Russom. The project is inspired equal parts Euro-disco, wonky early electronic body music from America's Midwest and an always present fascination with the outer reaches of global psychedelic rock. Gavin Russom began the recordings for Black Meteoric Star sometime in 2006. It was at this time that Carl Craig remixed Delia Gonzalez & Gavin Russom's single "Relevee", making it one of the years biggest dance club anthems. Three vinyl 12" singles by Black Meteoric Star will be released on DFA Records with extended original versions in 2009 along with a full self-titled CD that edits and compiles all six singles. There will be an edition of 100 of each 12" hand stamped and accompanied by a series of posters also designed by Russom. These releases will follow a narrative line and the six pieces of music tell a story of clubbing and the long journey through the night and into the next day. In this project, Russom carries his ability to create rich sonic landscapes to the dance floor using minimal but intense arrangements and high-energy repetition.
$15.00
DFA + Bitches Brew UK / BITCH 025 / 2012
Limited edition HAND NUMBERED of 300!
Track originally found on 'In The Grace Of Your Love' LP
A. Children (DarkStarr Diskotek Remix)
B. Children (Ashley Beedle's Heavy Disco Joint)
$9.99
12" featuring the original and instrumental version.
Track List:
$13.00
Ninos Du Brasil are Nicolò Fortuni and Nico Vascellari, an Italian percussion duo with a background in visual art. Through their aptitude with drumming, they are masters at fusing the seemingly disparate influences of punk, tribal techno, and batacuda, emerging with a sound that is truly singular. The project takes its rhythmic backbone from Brazilian carnival music, and the duo injects each track with the frothy attitude of punk and the shuffling dancefloor domination of techno.
Nico Vascellari had the following to say of these two tracks: “These two songs are meant to be poisonous and malignant, As if somebody had the idea of inviting us to a party between the bushes of Queimada Grande (Snake Island, Brazil.)”
“... it’s unclear who’s doing what. Some of the elements belong together, according to tradition, and some of them don’t; there’s a little thrill in the friction.” - New York Times
“It bears no baggage, no symbolism, no risky appropriation or titles, just a refined, focused dimension and a riveting set of textures that showcase the group’s intricate techniques, all of it imbued with their own menacing panache.” - Tiny Mix Tapes
“...humid, vibrant and intoxicating on one hand, dark, nightmarish and unforgiving on the other.” - Juno Download
Track List:
$13.00
12" Vinyl EP in a picture sleeve featuring collaged artwork by Eric Copeland himself.
Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric’s return to DFA after the release of an acclaimed single on Ron Morelli’s underground dance juggernaut L.I.E.S., which followed his beloved 2013 album “Joke In The Hole”, his solo debut for DFA.
The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric’s outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.
“If Copeland is interested in the conventions of clubland, it’s at the point where someone’s puking on their shoes outside the venue, a distant throb of bass beating into their brain through the brickwork.” - Pitchfork
“The rhythms might be recognisably house or hip-hop, but Copeland pulls and squeezes their structures like accordions.” - Resident Advisor
“Though constantly teetering on a knife’s edge - to be expected in such mental, syncopated mashups - this is wildly colourful and knowingly absurd music.” - The Quietus
Tracklisting:
$7.00
Eventually compiled on the Paw Tracks LP "Load Blown", these tracks originally appeared on this Black Dice release, Manoman.
**Includes a 24x24 poster designed by Bjorn Copeland. It's got a zebra on it.
Tracklisting:
$13.00
Shit Robot and DFA are psyched to release “Where It’s At” another in a long-running series of collaborations with the singer/comedian/television star Reggie Watts. Reggie Watts’ vocal performance runs the gamut of Chicago dance music history - from the gloom and melodrama of iconic label Wax Trax, to the jubilant choruses of Frankie Knuckles’ house anthems. But let’s not de-emphasize the solid instrumentation provided by Mr. Marcus ‘Shit Robot’ Lambkin – we’ve got that classic DFA bassline, claps, and bleeps and bloops aplenty – mixed and manipulated by none other than our own James Murphy. The flip features a remix by London producer Johnny Aux, who turns the track into a staticy, stripped down, raw Deep House banger, with hissing glimmers of icy cymbals peeking through the smog.
Tracklist
1. Where It's At
2. Where It's At (Johnny Aux Remix)
$13.00
$13.00
Limited edition of 500 blue label hand-stamped singles featuring two wildly left-field remixes of two wildly left-field DFA artists. MP3s will arrive when these tracks are released digitally, at some point in the future.
Tracklist
A - Bobby Strong (Anthony Naples Remix)
B - The Night Patrols (A Man Asleep)(Bookworms Remix)
$7.00
DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.
This one (DFA2438) features a remix by Gunnar Haslam, who released a striking debut album last year on L.I.E.S., as well as a lean percussive house 12” single on Chicago’s Argot Records. The flip consists of a remix from Helena Hauff, who released her debut 12” single on Werkdiscs last year and quickly followed it up a new single under the alias Black Sites.
Tracklist
A1 - How You Say (Gunnar Haslam Remix)
A2 - How You Say (Helena Hauff Remix)
