Products

Each Other - Be Nice To Each Other 12"
Each Other - Be Nice To Each Other 12"

Each Other - Be Nice To Each Other 12"

$14.98

Side A: Same As It Never Was / Burn It Down
Side B: Six Weeks
Justin Strauss and Max Pask have joined up to form a new project called Each Other, with their playful self-titled EP ‘Be Nice To Each Other’.

The EP finds Each Other creating an eclectic range of sounds in the space of just three tracks. The opener ‘Same As It Never Was’ is the most immediate of the set, becoming more hypnotic as the minimalist topline buries itself into your subconscious. The downtempo ‘Burn It Down’ then darkens the mood, feeling closer to a dystopian sci-fi soundtrack than an underground club classic, before the playful and progressive ‘Six Weeks’ up the energy with jittering beats, sparkling synths and a cooly understated vocal.
released February 7, 2020

Recorded, Produced and Mixed at DEEWEE
Art Direction & Photography by Ill-Studio
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Edward - Underwater Jams 12"
Edward - Underwater Jams 12"
Edward - Underwater Jams 12"
Edward - Underwater Jams 12"
Edward - Underwater Jams 12"
Edward - Underwater Jams 12"
Edward - Underwater Jams 12"

Edward - Underwater Jams 12"

$14.98

TRACKLIST: 


A) Mental Dive (14:57)
B The Lagoon (11:35)

On his DFA debut, German experimental techno producer Edward largely departs from the 4/4 grid he frequents and blurs the focus towards a more slippery, improvisational vibe. Fans of his Desert Sky alias, as well as his work reshaping classic tracks by Harmonia & Eno and Rolf Trostel of Tangerine Dream, will be quite pleased with Underwater Jams. These two new songs unfold at their leisure, going off on whizzing, kosmiche-influenced tangents, all the while guided by the hand drums of percussionist Geronimo Dehler. On A-side “The Lagoon,” the freedom of the long-form composition allows Edward to go deeper and more mesmeric, while the restrained stomp of B-side “Mental Dive” allows for an introspective dance floor moment.

Though he’s been releasing music for the past decade, Edward has always been a bit enigmatic, with a majority of his discography only available on vinyl. He remains as prolific as ever – in the last year alone, Edward has toured all over the world, playing esteemed clubs from Berghain to Fabric, and splitting bills with artists like Ricardo Villalobos and Oskar Offermann. His numerous releases on Giegling, Die Orakel, and White demonstrate his penchant for combining the psychedelic and the locked-in groove, but it’s the sprawling sense of adventure that makes this release one of the more idiosyncratic in Edward’s catalog.

Limited heavyweight vinyl with matte finish jacket and picture sleeve, rainbox gradient center label. Ships with bolt stickers. 
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Eric Copeland (Anthony Naples Remix) + Larry Gus (Boookworms Remix) Split 12"
Eric Copeland (Anthony Naples Remix) + Larry Gus (Boookworms Remix) Split 12"
Eric Copeland (Anthony Naples Remix) + Larry Gus (Boookworms Remix) Split 12"
Eric Copeland (Anthony Naples Remix) + Larry Gus (Boookworms Remix) Split 12"

Eric Copeland (Anthony Naples Remix) + Larry Gus (Boookworms Remix) Split 12"

$14.98

 

Limited edition of 500 blue label hand-stamped singles featuring two wildly left-field remixes of two wildly left-field DFA artists. MP3s will arrive when these tracks are released digitally, at some point in the future.

Tracklist

A - Bobby Strong (Anthony Naples Remix)

B - The Night Patrols (A Man Asleep)(Bookworms Remix)

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Eric Copeland - Black Bubblegum
Eric Copeland - Black Bubblegum

Eric Copeland - Black Bubblegum

$5.00

Black Bubblegum is on black vinyl

Black Bubblegum is the newest LP from Eric Copeland, and we are not kidding when we emphasize it sounds like nothing he has done in the past. The title of the record says it all: chewy, sticky pop that doesn’t taste quite like any chewy, sticky pop you’ve had before.

 
Recorded at Copeland’s old practice space in South Williamsburg, Black Bubblegumcontains songs with more conventional sounds and songwriting than any of his previous releases. While there are similarities with Copeland’s earlier work in the drum patterns, major scales and vocals, Black Bubblegum moves away from his trademark psychedelic dub towards strange and fantastical pop. Wanting to take a more “hands-on” approach to these recordings, Copeland exchanged sample-driven tech and hardware for keyboards, guitars and effect pedals, creating a new sound that is oddly easy to digest despite its rejection of melody in favour of discord and dissonance. While there are similarities with Copeland’s earlier work in the drum patterns, major scales and vocals, Black Bubblegum moves away from his trademark psychedelic dub towards strange and fantastical pop; imagine Arthur Russell going into the studio with The Ramones.
 
For a long time, Copeland considered this collection of songs to be recordings which would never be heard. This invariably influenced certain decisions made during the creation of Black Bubblegum, blessing Copeland with the unique freedom that comes from making music never intended to be heard, let alone released.
 
When asked to please jot down what influenced this new album and sound, Eric replied”glam holes, glitter dreams, money troubles, apocalypse paranoia, one hit wonders, manifest destiny, my family's westward migration, body troubles (was passing kidney stones almost the entire time), LGBT disco parties, Jonathan Richman, Missing Foundation, Neil Diamond, New Orleans, poverty, getting pushed out of another Brooklyn neighbourhood... No Beach Boys, no Beatles, no Buddha...  More Bad News Bears.”
 
Eric Copeland has been sound clashing at full volume for over twenty years, first carving out a named for himself as one third of the legendary NY-via-Providence band Black Dice. A wildly prolific solo artist, Copeland has played shit houses, party palaces and seemingly everything in between all over the world.
 
A long time Brooklyn, resident, Eric recently relocated to where the L Train does not run - Palma de Mallorca, Spain. While maintaining a relatively humble and low key presence in a highly competitive musical world, he has releases a prolific amount of music every year through indie labels such as L.I.E.S., Escho (Iceage), PPM (No Age), Paw Tracks (Animal Collective) and DFA.

Tracklist:

  1. Kids In A Coma
  2. Rip It
  3. Fuck It Up
  4. Honorable Mentions
  5. Blue Honey
  6. On
  7. Cannibal World
  8. Don't Beat Your Baby
  9. Radio Weapons
  10. Get My Own
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Eric Copeland - Goofballs
Eric Copeland - Goofballs

Eric Copeland - Goofballs

$5.00

Eric Copeland (Black Dice) returns to DFA with a brand-new set of hyper & hectic leftfield club music. Goofballs places its emphasis on playful melodies, ear worm hooks & vocals mixed with trademark machine funk rhythms that hit hard and land off-balance. Any other way would be too obvious for an artist like Eric. Perhaps he even invented a new dance genre: ‘Goofstep’. We’ll see if that one sticks…

Eric explained the creation of this new LP to us via email from his home on an island in lovely Balearic Palma Spain:

“i made it here in Palma at my studio, this is the first full record i’ve made entirely here since moving. some of this material was road tested September 2016 on tour supporting Animal Collective. This album was the result of real isolation here, countless hours, focused only on this. The whole recording & writing was a fast process. I focused most on the bass groove. I had a very minimal gear setup: 90’s drum machine, cheap bass machine and a sampler. But most important was a homemade ‘drum brain’ that Barry’s London custom made for me. Barry was in the Van Pelt Soldiers of Fortune & Oneida. That piece of gear was a big part of this record and informed the direction it took the most.”

Eric Copeland is a founding member of Black Dice as well as a prolific solo artist. Besides DFA, he has released albums on L.I.E.S., Post Present Medium & Paw Tracks.

Goofballs was mixed by Rusty Santos (who has mixed everyone from DJ Rashad to Panda Bear to Owen Pallett) and mastered by Joe Lambert. It is Eric’s third solo album for DFA Records.

Tracklist: 
1) Boogieman
2) Neckbone
3) Disco Ball
4) Bibbidi Bobbidi Boo
5) Mixer Shredder
6) Close Encounters
7) Smearjob
8) Do Whatcha Wah Wah

COMPACT DISC AVAILABLE ON DFA BANDCAMP

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Eric Copeland - Hermaphrodite 12"
Eric Copeland - Hermaphrodite 12"
Eric Copeland - Hermaphrodite 12"
Eric Copeland - Hermaphrodite 12"
Eric Copeland - Hermaphrodite 12"

Eric Copeland - Hermaphrodite 12"

$14.98

"Hermaphrodite" is a solo record comprised of samples, field recordings, vocal loops and drums that transform your brain from mellow to engaged to confused to greatly pleased. Tribal rhythms and noises that get you feeling slightly stoned, in a good way. CD version released on Paw Tracks. Eric Copeland is a super nice guy who is always pushing sounds in BD and on his own and "Hermaphrodite" is a testament to his ever pressing need to push audio boundaries. text taken from Post Present Medium

TRACKLISTING
1. Hermaphrodite
2. La Booly Boo
3. Oreo
4. Green Burrito
5. Wash Up
6. Spacehead
7. Tree Aliens
8. Scum Pipe
9. Dinca
10. Mouthhole
11. Fkd
12. Scraps

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Eric Copeland - Joke In The Hole 2xLP
Eric Copeland - Joke In The Hole 2xLP

Eric Copeland - Joke In The Hole 2xLP

$32.98

Eric Copeland's debut album as a solo artist on DFA.

The double vinyl is covered inside and out with collages by Eric himself. Double heavyweight vinyl with a download card.

Tracklisting:

  1. Rokzi
  2. Grapes
  3. Tinkerbell
  4. Flushing Meats
  5. Babes In The Woods
  6. Bobby Strong
  7. Shoo Rah
  8. Cheap Treat
  9. Kash Donation
  10. A Little Tit
  11. New Leather Boogie
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Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book
Eric Copeland - Loaded Slogan Book

Eric Copeland - Loaded Slogan Book

$19.98

 

Loaded Slogan is a new book of t-shirt texts by Eric Copeland of Black Dice. 

Across 112 pages of lists, Copeland presents every slogan t-shirt he observed for one year, starting in March  2017. The resulting text reads as a poetic display of deranged musings, fashionable phrases, grammatical gaffes, and crude oddities.

The slogans were collected under the pretense that the shirts were not to feature any logos, mottos, brands, titles, teams, or bands.

"further adventures in the twisted, funny, and profound reappropriations Eric has brought us for years through his music and through his past books "Pidgin Coup" and "C&B in Palma" - Aeon Books

 

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Eric Copeland - Mixbone
Eric Copeland - Mixbone

Eric Copeland - Mixbone

$12.98

2x12" EP on heavyweight black vinyl, limited to 300 copies. 

Tracklist:
1) Mixer Shredder (LNS Remix)
2) Neckbone (NHK yx Koyxen Remix)
3) Mixer Shredder (Physical Therapy's Tegel Mix)
4) Neckbone (Cooper Saver Remix)
5) Mixer Shredder (Machine Woman Remix)
6) Neckbone (Machine Woman Remix)
7) Mixer Shredder (Physical Therapy's Gatwick Mix) 

On the 
Mixbone EP, two tracks from Eric Copeland’s 2017 record Goofballs get reworked by five of leftfield electronic music’s heaviest hitters. The Goofballs LP finds the Black Dice founding member conducting hectic, dancefloor-oriented experiments; The Vinyl Factory called it a “mangled, spangled journey into the fringes of industrial disco and hallucinatory club tackle.”Mixbone capitalizes on this direction with remixes that recontextualize and reshape the propulsive energy of the original songs into wholly different forms.

New York techno powerhouse and Allergy Season boss Physical Therapy contributes two aptly named takes on “Mixer Shredder” – the “Tegel Mix” churns with industrial EBM low-end, and the breakbeat and wubby bassline make the “Gatwick Mix” unmistakably English. NHK yx Koyxen remixes Eric for the second time, with a jittery and woozy electro interpretation of “Neckbone.”Cooper Saver, best known for his Far Away parties in Los Angeles, turns in one of the most unexpected remixes, keeping it 4/4 and creating what sounds like Shep Pettibone making acid house.
 
Coming off of her 2017 EP on Technicolour/Ninja Tune, Machine Woman decided to remix both tracks. With “Neckbone,” she adds a barely-discernible robotic narrative vocal, allegedly about Ryan Gosling. “Mixer Shredder,” on the other hand, travels from hissy lo-fi techno into something quite tranquil and beautiful. And with previous releases on 1080p, Freakout Cult, and Wania, Vancouver’s LNS channels the melodic electro tones of classic Bleep-era Warp, like a lost track from LFO or Drexciya.
 
“Danceable” might not be the first word one thinks of when describing Eric Copeland’s solo releases. But in a manner not dissimilar to the way Black Dice shaped the parameters of experimental music, the remixes here expand the limits of what the club can and should look like.

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Eric Copeland - Ms Pretzel 12"
Eric Copeland - Ms Pretzel 12"

Eric Copeland - Ms Pretzel 12"

$12.98

12" Vinyl EP in a picture sleeve featuring collaged artwork by Eric Copeland himself. 

Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric’s return to DFA after the release of an acclaimed single on Ron Morelli’s underground dance juggernaut L.I.E.S., which followed his beloved 2013 album “Joke In The Hole”, his solo debut for DFA.

The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric’s outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.

“If Copeland is interested in the conventions of clubland, it’s at the point where someone’s puking on their shoes outside the venue, a distant throb of bass beating into their brain through the brickwork.” - Pitchfork

“The rhythms might be recognisably house or hip-hop, but Copeland pulls and squeezes their structures like accordions.” - Resident Advisor

“Though constantly teetering on a knife’s edge - to be expected in such mental, syncopated mashups - this is wildly colourful and knowingly absurd music.” - The Quietus

 

Tracklisting:

  1. Ms Pretzel
  2. SXIXO
  3. Scum of the Cream
  4. A1EZOK
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Eric Copeland - Pidgin Coup Book
Eric Copeland - Pidgin Coup Book
Eric Copeland - Pidgin Coup Book
Eric Copeland - Pidgin Coup Book

Eric Copeland - Pidgin Coup Book

$19.98

A psychedelic and strange cut n' paste novel from Eric Copeland of Black Dice. Assembled and written entirely from cutout words and phrases sourced from a biography on Judy Garland. This 120 page book was published by YA Reach and is limited to fifteen copies in the DFA store. 

"Eric Copeland, fascinated by 21st century subliminal messages, used a biography on Judy Garland, “godmother of mind control”, to cut out letters from the second half of the book to include in the first. Thus creating sentences filled with toilet humor, slang, pop references and mind controlling instructions. Giving a sense of the underlying corrupted, over consumeristic world our society lives in today." (Copy via Printed Matter)
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Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples) 12"
Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples) 12"

Eric Copeland - Remixes (Panda Bear, Larry Gus, Fhloston Paradigm, Anthony Naples) 12"

$19.98

Limited editon of 1000 hand-stamped and numbered copies, assembled at DFA in NYC. 

DFA is proud to release a long-gestating 12” single of wild interprations of Eric Copeland’s 2013 album “Joke In The Hole”. The Black Dice member received universal acclaim for the record, “Fringe though Copeland may be, this album is a serious coup for DFA—he walks the line between complete nuttiness and outright accessibility, and ends up with one of his best records to date.” (XLR8R) Starting us off is Panda Bear, who adds his trademark falsetto vocals and shuffling percussion, sweetening Eric’s black coffee beats. DFA’s own sonic collagist Larry Gus blends Eric’s mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub’s Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left ‘em out in the rear window of your car on a sunny day. You know what we mean. 

Tracklisting:

  1. Cheap Treat (Panda Bear Version)
  2. Grapes (Larry Gus Remix)
  3. Cheap Treat (Fhloston Paradigm Remix)
  4. Bobby Strong (Anthony Naples Remix)

 

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Eric Copeland - Shit Talk Book
Eric Copeland - Shit Talk Book
Eric Copeland - Shit Talk Book
Eric Copeland - Shit Talk Book
Eric Copeland - Shit Talk Book

Eric Copeland - Shit Talk Book

$19.98

Eric Copeland presents his latest book Shit Talk -  a collection of public comments, pulled word for word from YouTube, all focused on Black Dice, the divisive band he co-founded almost 2 decades ago.  

112 pages of plain text comments showcase both the passion and the frustration of Black Dice’s fanbase. You'll find casual observations, ardent rants, stoned diatribes, and lots of name calling. Emerging through it all is a detailed narrative of noise and experimental music, DIY scene politics, and an archive of passionate fandom.
 
The book is dedicated to “all the know-it-alls, naysayers, haters and baiters…the big mouths and big fans, comedians and aliens. Thank you!' 

All Comments compiled by Eric Copeland
Cover Art by Bjorn Copeland
Available in an edition of 40 in the DFA store.  
Now shipping.  

 

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Eric Copeland - Trogg Modal Vol. 1
Eric Copeland - Trogg Modal Vol. 1
Eric Copeland - Trogg Modal Vol. 1
Eric Copeland - Trogg Modal Vol. 1
Eric Copeland - Trogg Modal Vol. 1

Eric Copeland - Trogg Modal Vol. 1

$5.00


Tracklist:

1) Mateo
 
2) 321 Contact
3) Electric Mud
4) Heads
5) Build-A-Brain
6) Fresco
7) Hugo


In the first part of a two-volume release, Eric Copeland (Black Dice) delivers Trogg Modal Vol. 1. It has been one year since releasing Goofballs and Eric has doubled down on his unique approach to crafting dance music, pushing a sort of 'Freakbeat 4/4' agenda even further than before. Where Goofballs was the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, Trogg Modal Vol. 1 is a bit less serious and more carefree, with tracks that are propelled forward by a singular, frenzied energy. 


Chunky percussive layers, hard steady kicks, and tweaked loopy vocals create a playful vibe that is best described as a tropical-industrial hybrid. The final product comes together via seven succinct, self-described “rippers,” music created both deliberately and accidentally, and always with a sense of humor that bubbles over and out through the speakers. With Trogg Modal Vol. 2 out in early 2019, this two-part release pulls into focus a vivid and unfamiliar new direction for Eric Copeland.

 

 

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Eric Copeland - Trogg Modal Vol. 1 (Remixes) 12"
Eric Copeland - Trogg Modal Vol. 1 (Remixes) 12"

Eric Copeland - Trogg Modal Vol. 1 (Remixes) 12"

$19.98

*PRE-ORDER this item ships end of April and is released Friday, May 3rd.

Tracklist:
1) Eric Copeland - Heads (Parris Remix) 
2) Eric Copeland - Heads (RAMZi Remix)
3) Eric Copeland - 321 Contact (Lokier Remix)
4) Eric Copeland - Electric Mud (Gerry Read Remix)

After the success of last year’s Mixbone EP, we once again invite four dance music experimentalists to remix Eric Copeland. Where 2017’s Goofballs was the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, last fall’s Trogg Modal Vol. 1 pushed his 'Freakbeat 4/4' agenda even further, with a sense of humor that bubbles over and out through the speakers. Rife with chunky percussive layers and tweaked loopy vocals, these frenzied, self-described “rippers” are practically designed to be remixed. 

Parris (Trilogy Tapes, Hemlock) and RAMZi (RVNG, 12th Isle) both take on the singsongy rhythms of “Heads.” Parris’ take pares down the track, giving it room to glisten and expand, while RAMZi’s paddles along in a characteristically murky, laid-back manner. Lokier (Days Of Being Wild, Spirits) goes in for the jugular with an acidic rework of “321 Contact,” repurposing vocal samples as spooky EBM. Closing out the record is Gerry Read (Aus, Accidental Jnr), who pits the heavy stomp of “Electric Mud” against whizzing frequencies. Newfangled interpretations of tracks that were already out there to begin with.

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Eric Copeland - Trogg Modal Vol. 2
Eric Copeland - Trogg Modal Vol. 2

Eric Copeland - Trogg Modal Vol. 2

$5.00

**Pre-Order, all orders ship the week of March 18th

Tracklist: 
1) Beat It
2) High score Zed
3) United Banana
4) Payoff
5) BS Dropout 
6) Light Fantastic
7) Blazin
8) Falo

On March 29, Eric Copeland delivers Trogg Modal Vol. 2, the counterpart to last October’s Vol. 1. The former Black Dice member’s 'Freakbeat 4/4' agenda gets further refined here – Vol. 2 is more laid-back than the first, but still highly danceable. Self-described as “late Night Flight proto tekno,” the tracks pulse with thick layers of percussion, melodic fever dreams, and riffs wrung through a taffy puller. Eric’s textured, off-the-cuff approach to dance music adds a refreshing element of spontaneity and ‘jamming’ to a climate of uncanny smoothness and polish.    

Where Vol. 1 was composed of “rippers,” Vol. 2 travels at its own pace, continuing to showcase Eric’s ability to recontextualize 4/4 tracks as psychedelic contortions, from the squelchy vibrations of “BS Dropout” to the blithe, video arcade soundtrack “High Score Zed.” Taken together, the two volumes of Trogg Modal showcase the versatility of one of the most continuously exciting experimental artists of the past twenty years – arriving in 2019 with his mischievous sense of adventure firmly intact.

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Eric Copeland ‎– Al Anon 12"
Eric Copeland ‎– Al Anon 12"

Eric Copeland ‎– Al Anon 12"

$12.98

Al Anon concludes Eric Copeland’s two part album entitled Alien In A Garbage Dump (available on CD from Paw Tracks). Where the first half offered a discombobulated collection of radio cross-signaling, here the alien finds its groove for a minute and tidies up the frequencies. There is still something outsiderish here, but with more of an effort to get inside, to play by the rules even? Or maybe the motivation is to sneak something subversive into the norms’ hideout? 

Since Al Anon was recorded at the same time as two Black Dice albums, there are obvious parallels in the results; an uncompromised sonic landscape. But outside the group setting, Copeland has found places one can only find alone: small inner dialogues and isolated mind caves where an idea may only last a moment. He captures and tweaks these ideas into fragments of many memories; a déjà vu record déjà vu record. Funny characters drop in and out. Songs come and go. Al Anonproves to be a strangely curated time capsule of OUR time right NOW; music where birds beat-box with car-stereo subwoofers and the neighbors’ Espanol sings on top the Sabbath siren. With all this going on, Copeland sometimes disappears into the anonymity, playing a ‘behind-the-scenes’ role, pushing cords and pulling buttons, laughing because the batteries are dying. Here the familiar becomes mysterious and the unknown feels normal and we can listen to this one all day trying to make those distinctions.

Edition of 500 copies with jaw-droppingly amazing black and white collage artwork by Copeland, screenprinted by VG Kids.

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Eric Copeland ‎– Limbo
Eric Copeland ‎– Limbo

Eric Copeland ‎– Limbo

$22.98

Limbo extends his ouvre of layered, pitched, and all-out fucked sounds toward an easier place, a more familiar musical terrain. More fleshed out than his earlier work, Limbo’s six parts give it a capacious feel of action. Well organized and having an undeniable rhythm, the album is an excellent progression from the concepts explored within throughout his body of work.


LP comes with giant poster!!!!!


1. Double Reverse Psychology
2. Louie, Louie, Louie
3. Muckaluk
4. Fiesta Muerta
5. Tarzan and the Dizzy Devils
6. Lemons
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Essaie pas - Demain est une autre nuit
Essaie pas - Demain est une autre nuit

Essaie pas - Demain est une autre nuit

$5.00

Montreal-based electronic duo Essaie pas is comprised of Marie Davidson and Pierre Guerineau. Both are respected musicians in their own right - Marie having released two acclaimed solo records, with Pierre being best known for production work on underground Canadian musicians such as Dirty Beaches and Femminielli. Essaie pas was born on a hot summer night in 2010, releasing some ultra-limited singles which culminated in their debut LP, Nuit de noce (Teenage Menopause Records) in 2013. The mix of drawling guitars, français mumbles, and minimal electronics caught the ear of DFA Records, who booked the pair to open for Factory Floor on their first North American tour.

 The origin story of -Demain est une autre nuit- begins when the band returned from their first European tour to find that they had lost both their studio space and apartment. La Brique, their studio, practice space and renowned underground music institution, had fallen victim to the city’s rapid gentrification and closed permanently. Conflicts with their wacky landlord had also left them without an apartment, leading them to return to Montreal’s winter without many prospects. They lucked into a temporary practice space during the off-hours at the offices of Le Filles Electriques, an independent interdisciplinary festival producer. This space soon became Pierre’s new studio, and Marie’s new home. The many corridors of the empty industrial building also provided a way for Marie to work out in the frigid Montreal winter nights, running “everywhere possible, listening to techno, acid, and italo disco, being mutually inspired by the space and the sounds.” About eight months later, Demain est une autre nuit (“tomorrow is another night”) was born. “This environment influenced our music,” says Pierre, “The sounds are more clear and open, the production has more depth, on a full frequency range.” Their living conditions on tour were another major influence, “Staying at different people’s places around the world for a whole year accentuates the feeling of being a stranger wherever you go, even in your own town, but also creates a feeling of being part of an international community, opposed to a scene that exists only in one city.” 

Essaie pas’ music can not be tied to a specific genre It is a document of the encounter of two human beings mutually experimenting with music and sounds, and eventually falling in love while doing so. They are constantly pushing the boundaries of their comfort zone with new methods and technique, aiming to communicate that which is unspeakable.Their musical language is vibrant and varied - comparisons range from Film Soundtracks, Electronic Body Music, Disco, and Techno, with sensually-delivered lyrics exploring the themes of fantasies, obsessions, and the feeling of “The Void”. Marie explains, “The title comes from a joke we made when going to bed one morning, talking about our plans for the next evening.” Pierre adds, “Night is a place of freedom, a place where fantasies and obsessions are not tied by moral constraints. It’s also a time where the feeling of loneliness is stronger and when emotions and memories arise, whether you are facing it or running away from it. I think the tension and sense of urgency on the record comes from that dichotomy.”

Facing The Music is an excellent demonstration of this dichotomy - its throbbing electronic percussion and sawmill synths racing towards a seemingly-inevitable climax, only to disintegrate in an instant. Similar in tone, Retox begins with an air-raid siren that explodes into electronic pulses and spiralling handclaps, with Pierre’s solemnly spoken vocals countering Marie’s sensual cadence. Lead single Le port du masque is a frenetic ode to obsession, about a man being obsessed with the ghost of an impossible relationship. Pierre explains - “I already had some of the lyrics and the idea of a woman’s mantra but months later, while I was jamming a motorik beat with a TR-505 through a delay pedal, I found the perfect foundation for it.” The band’s first composition, Carcajou appears here for the third time in an entirely different incarnation - Marie’s vocals alternately yearn and taunt, diving into and out of layers of drum machines and analog synthesizers. Closing track La Chute is the band at their most Angelo Badalamenti, with mournful organ and wheezing gasps giving way to what sounds like gentle applause, but in actuality is the last frames being fed through a film projector.

  1. Demain est une autre nuit
  2. Depassee
  3. Retox
  4. Carcajou 3
  5. Le port du masque est de rigeur
  6. Facing The Music
  7. Lights Out
  8. La chute

 

 

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Essaie pas - Earth 12"
Essaie pas - Earth 12"
Essaie pas - Earth 12"
Essaie pas - Earth 12"
Essaie pas - Earth 12"
Essaie pas - Earth 12"

Essaie pas - Earth 12"

$12.98

Tracklist:
1) Earth (8:58)
2) Corps Étranger (6:08)
3) Earth (Passarani HiNRG Mix) (8:49)

Montreal duo Essaie pas return to DFA with a 12-inch that picks up where their 2018 album New Path left off. "Earth" is a blistering ride through the rave, an amalgamation of techno and trance. The galloping bassline is the backbone of the song, and Marie Davidson’s vocals climb to new heights against synth stabs. "Corps Étranger," with its stuttering percussion, is a slow burner in comparison. For the remix of "Earth," Marco Passarani of Tiger & Woods (Running Back, Numbers) doubles down on the Italo disco angle and doesn’t shy away from the more anthemic moments of the original, managing to rework it into something akin to a celebration of this "shithole" we call Earth.

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Essaie pas - New Path
Essaie pas - New Path
Essaie pas - New Path
Essaie pas - New Path

Essaie pas - New Path

$5.00

Tracklist:

1) Les Aphides
2) Futur Parlé
3) Complet Brouillé
4) Les agents des stups
5) Substance M
6) New Path


Essaie Pas
always seek out fresh challenges. Emerging from Montreal’s sprawling electronic scene, the duo - Marie Davidson and Pierre Guerineau – feel completely free to express themselves, to sketch out hitherto unmapped musical regions.

Essaie Pas has always been about exploring new territories” explains Pierre. “From the very first tapes, to the last one. We don’t want to do the same thing over and over again, – we just need to keep it exciting and to challenge ourselves. Take those experiences, open new boxes and see what happens.”

Forthcoming album ‘New Path’ takes this one step further. The duo’s fifth album to date – and second on powerhouse label DFA Records –is loosely based on Philip K. Dick’s A Scanner Darkly, a classic of dystopian science fiction.

“I read the book a long time ago, maybe 15 years ago, and it had a strong impression on me,” explains Pierre. “In our previous work we always looked to music as inspiration in our lives, but this time we felt the desire to try something different, that’s not based on ourselves but on someone else’s universe. It was going to be more conceptual, more political.”

‘New Path’ touches on personal ground, on addiction, loss, and the lingering strength of identity within late capitalism’s mass media paranoia. It pins down the central character’s destructive addiction, using this as a metaphor to explore the dichotomous rupture between our inner lives and our social environment, one that is often fed and soothed by drug abuse, social media, or any kind of dependence.

“I think it touches us on many levels,” Pierre continues. “We can talk about drug addiction issues, we can talk about the mass surveillance world we live in, but there’s also the experience of loss, of grief. I was surprised by how the book felt so modern and accurate to the time we live in right now. Dick’s visions of surveillance are the reality of social control today.”

It’s a record that continually ties itself in knots, a puzzle that is outwardly beguiling while the solutions remain inherently allusive. As Pierre points out, it’s even present in the title. “I like the fact that it sounds optimistic, but in the book it’s actually an illusion,” he explains. “This new path is actually going nowhere.”

But it’s a challenge met with humour, picking up on the wry elements of Philip K. Dick’s own writing – witness the subtle wit of songs such as ‘Complet Brouillé’, ‘Les Agents Des Stups’ or as in ‘Futur Parlé’s tripped-out lyrics, offsetting intense themes with something a little more playful. 

The conceptual nature of ‘New Path’ belies the subtle personal shifts within the band. A husband and wife duo, Essaie Pas thrive on freedom, on parting to focus on outside projects in Montreal and Berlin before returning renewed, flushed with fresh inspiration.

“Both personally and for Essaie Pas it’s good that both of us have separate projects,” he explains. “Marie has been constantly touring solo for the last year. On my side I’ve been producing other people’s music (Bernardino Femminielli, Pelada or Sleazy to name a few). Collaborating in the studio with talented people with unique aesthetics and different creative processes is always refreshing as an artist.”

The complexity of the project mirrors the complexities within Essaie Pas’ career to date – forever unpredictable, their wiry, individual sound offers a tangled vision of tomorrow’s aesthetics. “I think this was the main challenge,” muses Pierre. “To adapt what we’ve been doing live thru the last 2 years, which before was always changing, and corner it, make it cohesive”.

Although the duo is continually reinventing themselves, exploring new concepts or addressing political issues, emotions stays the essential aspect of their work. This is cold music for cold times, yet beneath this lies a continual search for the humane.

As they conclude “Ultimately we hope we can reach out to people, in a compassionate way, this is what we aim for with this album."

 

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Extra Credit - It's Over 12"
Extra Credit - It's Over 12"

Extra Credit - It's Over 12"

$14.98

Side A: It’s Over
Side B: Drive Me

Extra Credit is the project of three of electronic music’s greatest exponents; legendary NYC DJ and producer Justin Strauss, London DJ and producer Marcus Marr and Hot Chip’s Joe Goddard; one of dance music’s greatest polymaths.

The AA single “It’s Over/Drive Me” is out now on DEEWEE, the label from David and Stephen Dewaele AKA Soulwax.

“Upon hearing the mixes of the songs that Dave & Steph had worked their magic on, there was no doubt this was a superb collaboration between Extra Credit and the Dewaele brothers.” – Justin Strauss

Recorded and produced at Sounds and Sons, DEEWEE
Mixed at DEEWEE
Art Direction & photography: Ill-Studio

 

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Factory Floor - 25 25
Factory Floor - 25 25
Factory Floor - 25 25
Factory Floor - 25 25
Factory Floor - 25 25

Factory Floor - 25 25

$5.00

Blue Bag Version - originally made for Rough Trade shops worldwide. 2 copies remain in the DFA store....

Tracklist:

  1. Meet Me At The End
  2. Relay
  3. Slow Listen
  4. 25 25
  5. Dial Me In
  6. Wave
  7. Ya
  8. Upper Left

Factory Floor return in 2016 with 25 25, their second album and the follow up to their acclaimed 2013 self-titled debut. With their music stripped to a mesmerising dance of percussion, fragmented voice and melody, it captures the next vital stage in the evolution of one of the UK’s most restless and exploratory groups.

The dazzlingly sharp, dubbed-out acid disco of ‘Meet Me At The End’ opens 25 25 in a surge of raw momentum. Both Factory Floor’s sparsest and most overtly club-centred track to date, it sets the tone for the rest of the album. Written and recorded by Gabriel Gurnsey and Nik Colk Void in late 2015 and early 2016, it’s the product of the last three years of intensive musical activity — non-stop live performances, artistic collaborations, writing new music and reconfiguring the limits of their sound.

Inspired by playing a growing number of late night club shows, the pair’s music gradually evolved into the sound captured on their second album and in their current live incarnation: a stark, ultra-minimalist and eerily soulful dancefloor pulse, yet one that still bears Factory Floor’s unmistakable hallmarks of hypnotic repetition and jagged, punkish intensity.

That their second album is as distinct from its predecessor as their debut was from their earliest singles is unsurprising — a desire to explore, to push their own boundaries, is hardwired into Factory Floor at DNA level. Emerging in 2009 the group gained a reputation for their stunning live shows, which pummeled audiences with waves of electro-shocked rhythm. From the death-rattle of early single ‘A Wooden Box’ through their debut’s convulsive singles ‘Two Different Ways’ and ‘Fall Back’ and into 25 25’s skeletal ‘Wave’ and ‘Dial Me In’, their music has continued to forge links between industrial, post-punk and the UK’s post-acid house dance lineages.

The close friendships and collaborations they’ve established along the way attest to those connections, among them Chris Carter and Cosey Fanni Tutti of Throbbing Gristle/Chris & Cosey, Perc, Optimo, New Order and Simon Fisher Turner.

Mixed with razor precision by David Wrench (FKA twigs, Caribou), the results are all the more forceful for that newfound space. ‘Relay’ is a spooked vocal house anthem, with Void’s voice processed into a thrillingly metallic chant. ‘Wave’ and ‘Slow Listen’ are deadly, perpetual motion machine dance tracks infused with the frontier spirit of Sheffield bleep and industrial techno. And the title track itself sums up the duo in 2016; its jarring repetitions and disorienting melodic motifs are somehow classic Factory Floor, yet shot into sparse, strangely moving new spaces. “You get into your own world and use your own vision,” says Void of the process of writing 25 25. “This really is probably the most ‘me’ record that I’ve ever done.

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Factory Floor - Digital Download
Factory Floor - Digital Download

Factory Floor - Factory Floor

$5.00 $27.99

Yellow jacket + Black vinyl edition. 

At long last, Factory Floor presents their highly anticipated self-titled debut album. A vivid snapshot of a progressive band smashing through yet another ceiling, it’s the first full-length statement from the group that earned a powerful reputation on the strength of the “Fall Back” and “Two Different Ways” singles for DFA—not to mention early releases for Optimo Music and Blast First Petite. Leading up to the release of Factory Floor, the band will play select European festival dates this summer.  

Produced and recorded by the group in their North London warehouse space on a vintage mixing desk originally used by Dave Stewart three decades ago to record all the Eurythmics’ early hits, Factory Floor is a visceral trip through the band’s repertoire. The record opens with “Turn It Up,” their most minimal track to date, mixed in astonishing detail by Timothy “Q” Wiles (VCMG, Afrika Bambaataa). “Here Again” is almost (but not quite) their pop song, replete with cascading arpeggios counterbalanced by bubbly synth melody lines and plaintive vocals. 

Factory Floor also contains the definitive version of “Two Different Ways,” followed by the muscular and sleek “Fall Back.” “How You Say” finds the band channelling New York’s dance underground—think ESG and Delta Five. “Work Out” is anything but; despite the desultory title, it is in fact sinister street-sound electro. The album closes out with “Breathe In,” a funkified acid disco classic. 

Perhaps the most unlikely aspect of Factory Floor’s rise to notoriety is their versatility. Even their most ardent of fans describe their sound as punishing, yet they are equally at home playing raves, alternative festivals, art galleries, cinemas, nightclubs and rock shows; on top of that they’re as likely to collaborate with members of Throbbing Gristle and New Order (not to mention Richard H. Kirk of Cabaret Voltaire, Simon Fisher Turner and Peter Gordon) as they are with contemporary artists such as Haroon Mirza and Hannah Sawtell.

Tracklisting:

  1. Turn It Up
  2. Here Again
  3. One
  4. Fall Back
  5. Two
  6. How You Say
  7. Two Different Ways
  8. Three
  9. Work Out
  10. Breathe In
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Factory Floor - How You Say (Bookworms Remixes) (White Label 12")
Factory Floor - How You Say (Bookworms Remixes) (White Label 12")

Factory Floor - How You Say (Bookworms Remixes) (White Label 12")

$12.98

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2439) features two unique remixes by Bookworms (L.I.E.S. / Confused House), which marks his return to DFA following an anxious remix of The Night Patrols by Larry Gus in 2013. It reinforces the deep and dark acidic sounds he has become so well known for, taking this hypnotic single and tweaking it out for maximum impact.  

Tracklist

A1 - How You Say (Bookworms Remix)

A2 - How You Say (Bookworms Remix 2)

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Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes) (White Label 12")
Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes) (White Label 12")

Factory Floor - How You Say (Daniel Avery + Invisible Conga People Remixes) (White Label 12")

$12.98

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2432) consists of remixes from the acclaimed Daniel Avery (Phantasy) and DFA alumni Invisible Conga People, who recorded a 12" for DFA in 2011 and have not been heard from since (until now). 

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Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes) (White Label 12")
Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes) (White Label 12")

Factory Floor - How You Say (Gunnar Haslam + Helena Hauff Remixes) (White Label 12")

$12.98

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2438) features a remix by Gunnar Haslam, who released a striking debut album last year on L.I.E.S., as well as a lean percussive house 12” single on Chicago’s Argot Records. The flip consists of a remix from Helena Hauff, who released her debut 12” single on Werkdiscs last year and quickly followed it up a new single under the alias Black Sites. 

Tracklist

A1 - How You Say (Gunnar Haslam Remix)

A2 - How You Say (Helena Hauff Remix)

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Factory Floor Album Bundle
Factory Floor Album Bundle
Factory Floor Album Bundle
Factory Floor Album Bundle

Factory Floor Album Bundle

$39.98

This package includes both Factory Floor 2xLP albums at a special bundled price.

"Factory Floor" (DFA2392)

"2525" (DFA2525)

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Free Blood - Parangatang w/ Remixes (White Label 12")
Free Blood - Parangatang w/ Remixes (White Label 12")
Free Blood - Parangatang w/ Remixes (White Label 12")
Free Blood - Parangatang w/ Remixes (White Label 12")

Free Blood - Parangatang w/ Remixes (White Label 12")

$12.98

Hand stamped white label promo in plain sleeve.


(DFA / RONG DFARONG 06 / 2008)

 

A1. Parangatang

A2. Parangatang (Tim 'Love' Lee Mix)

B1. Weekend Condition

B2. Weekend Condition (Scotty Coats & Wes 'The' Mes Mix)

 

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Free Energy - Free Energy (White Label 7")
Free Energy - Free Energy (White Label 7")
Free Energy - Free Energy (White Label 7")
Free Energy - Free Energy (White Label 7")

Free Energy - Free Energy (White Label 7")

$6.98

Free Energy's debut single on DFA forever immortalized in 7" form. 45 cutout center with adapter included. 

A1) Free Energy
B1) Something In Common

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Gavilán Rayna Russom - Trans-Verberation Cassette
Gavilán Rayna Russom - Trans-Verberation Cassette
Gavilán Rayna Russom - Trans-Verberation Cassette
Gavilán Rayna Russom - Trans-Verberation Cassette

Gavilán Rayna Russom - Trans-Verberation Cassette

$10.00

DFA is thrilled to now offer releases from Voluminous Arts, the new label from Gavilán Rayna Russom, in our online store. Rayna has released a ton of music on DFA under aliases like Gavin Russom, Delia and Gavin, Black Meteoric Star and The Crystal Ark, and she's also been a member of LCD Soundsystem. She's since released music on a bunch of other labels (all of it very good!) and started Voluminous Arts in 2017.

Learn more about Voluminous Arts here.

Official blurb below...

Digital download codes to be provided after purchase.

**

Long ago, in the days before Rayna quit drinking, one of her favorite cocktails was something of her own invention called a “Saint Teresa”; iced chamomile tea and gin, usually Crystal Palace brand. To call it a cocktail is ridiculous, considering her technique was to mix it in an old orange juice bottle and carry that around all night. Something about the botanicals used in distilling the gin and mixing the chamomile leaves and flowers produced a mildly psychedelic effect before the inevitable blackout. The drink’s name came from the fascination-bordering-on-obsession Rayna developed for the story and writings of Saint Teresa of Ávila. She sought these out after being shown Bernini’s sculptural rendering of St Teresa’s experience of being penetrated by the Holy Spirit in an art history class in the early 90’s. She often spent most of that class sitting next to her girlfriend so they could fondle each other in the darkened lecture hall; the mix of religious ecstasy, sexuality and attention to detail in the sculpture lodged deeply in her consciousness. As a deeply spiritual and often extremely solitary and private person, her love of the story that animated Bernini’s hand has continued to grow throughout her life, especially after multiple visits in the late 90’s and early 2000’s to the chapel of Santa Maria de la Vittoria in Rome where the sculpture is currently kept. Transverberation sees her returning to that story as a sober woman in her mid 40’s, initiated into several spiritual traditions that specifically work with the energy of saints. The 9 works that comprise this release are also informed by her experiences of quarantine and social distancing. In an environment of enforced solitude and ramping collective horniness, the idea and practice of sexual intimacy with god became deep, complex and necessary.

As a sober person with much experience of the psychedelic, Rayna’s connection with and development of spirituality as an expansive, living energy has been vital. The idea that intimacy with god could have a sexual dimension, or could even be contextualized by sexuality has been an important component of this connection and development, one that sets the experiences of the divine she sonically describes on Transverberation very far from the staunch conservatism of Chistinaity in its colonial forms. Rayna’s spirituality affirms the body and all of its desires and fantasies, and it was for this reason that St Teresa’s writing, and the fantastical and erotic webs it weaves spoke to her and continues to be a reference point. When she no longer had the ecstatic effects of drugs and alcohol to draw on for a sense of connectedness, she found that her body’s demands for connection through channels of sexuality increased, and that a simplistic understanding of sexuality was no longer sustainable. In the isolation of quarantine, this imperative to shift sexuality from the rigid and compartmentalized definitions that its commodification in our shame based culture has created to an expansive method of connection with the creative energies of the universe increased.

It became a method of survival and sustainability. While this connection sometimes took the form of engagement with other individuals and their bodies or with the images and descriptions of them as transmitted via text messages, voice notes, pictures or webcam feeds, its anchor was in the connection to a sustainability affirming divine source. Engagement with another individual, although welcomed, was not necessary to experience connection with this source. It was simply one manifestation of it. At the center, anchoring her during this time, which continues to unfold, was the knowing that her creator could be as near to her as she was willing to have that energy be, and that included both its admission into her body and the opening of that energy force to her body’s deepest sexual desires.

Transverberation describes an embodied and self-determined spirituality, one that embraces and entwines with rich and creative sexualities rather than compartmentalizing them. This avenue of spiritual experience connects with the lives of the Saints, especially St. Teresa, not through the gateway guarded by the church but directly through the vinculum of the ecstatic. Its sonically immersive descriptions map a spirituality that reclaims ritual and resides within the sexual as a communion with divine creative forces and their residues that manifest in nature, resistance and the spirit world. As both a digital album with tracks separated and discreet, or as a cassette tape where they blend together into a contiguous landscape on each side, the album unfolds itself like a rosary, reminiscent of St Teresa’s concept of the interior castle in which deepening experiences of prayer lead one through a complex of mansions where increasingly profound modes of connection become possible. Sounds, more spun than woven, evoke echoing hallways, intimate breaths, silent faces and disembodied voices. In ringing tones one hears and feels not only the reverberant bell but the wand that strikes it and the grip of the hand that holds the wand. There are moments of wailing, mourning, screaming, bleeding, cumming, dying and birthing. This passionate energy, although it celebrates the fluidity of sexuality, does not pursue transgression as much as it proposes that the strictures that religion, in collusion with capital and the state, put on sexuality are themselves transgressions against the body. Through sound, composed in time, Transverberation constructs another type of interior architecture, one in which the supervision and punitive prudishness of colonialism are absent, and an unconditionally loving, gorgeous, horny and perverse divine power is palpably present.

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Guerilla Toss - Eraser Stargazer
Guerilla Toss - Eraser Stargazer

Guerilla Toss - Eraser Stargazer

$5.00

Ecstatic, vital, and brilliantly unhinged, Guerilla Toss promotes positive energy and twisted spirituality through the less-traveled path of brutal, intelligent, live rock and roll dance music. Like a hurricane of healing bliss, a Guerilla Toss concert is more of a ritual than a performance. It is the unique pairing of musical voices and backgrounds that makes Guerilla Toss such a special party band. But they are more than that – GT gets real when you pay close attention. Their music is inspired by both tragedy and beauty, drug addiction/mental illness and the re-birth of the soul through spiritual practice and psychedelic drug healing - helping the listener overcome these mind-fuck hardships.

GT had a productive 2015, releasing their acclaimed DFA debut Flood Dosed, which cemented support from folks ranging from punk icon Henry Rollins to Busy P of Justice’s Ed Banger Records. The band also relocated from Boston to NYC. “We felt like it was time to move closer to our favorite active bands and artists and they all just so happen to live in NYC!” This didn’t slow the pace of their live performances - between road trips to universities and DIY Festivals, they have a de-facto residency at Brooklyn’s premiere underground venue Palisades and scored opening slots for The Juan Maclean and Mission of Burma.

Eraser Stargazer was written and recorded in 6 weeks of winter isolation in upstate New York. Fans of the group will hear all of the beloved hallmarks of the Guerilla Toss sound - solid bass grooves, squealing guitars, and kitchen sink percussion. Each instrument now occupies its own part of the audio spectrum, with vocalist/poet Kassie Carlson’s spirited incantations brought into focus. Album centerpiece Grass Shack is a perfect example of this leaner, yet tougher Toss. It traverses nearly seven minutes of game- show-winner keyboard stabs, mutant funk basslines, and time signature changes - all grounded by Peter Negroponte’s virtuosic drumming. Carlson describes the themes of the song as “A deep analytical depiction of a small unit of time, with heightened senses, Ripping yourself out of bed even though it might be harsh and overwhelming. Seeing patterns in the little things that make life beautiful.” Heavy subject matter permeates the rest of the record - but that doesn’t mean it’s a downer. Lead single Diamond Girls casts Carlson as a no-wave cheerleader over instrumentation reminiscent of DFA alumni Black Dice and The Rapture, culminating in the group’s catchiest chorus yet. Album closer Doll Face On The Calico Highway is the perfect summation - angular guitars, bells, and low-end vibrations interject and decompose as quickly as they appear, until a hissing cymbal is all that remains.

Eraser Stargazer is released by DFA on March 4th, 2016. The initial pressing is limited to 1000 copies on green vinyl.

Tracklisting: 

  1. Multibeast TV
  2. Diamond Girls
  3. Grass Shack
  4. Color Picture
  5. Eraser Stargazer Forever
  6. Perfume
  7. Big Brick
  8. Doll Face On The Calico Highway

 

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Guerilla Toss - Flood Dosed EP
Guerilla Toss - Flood Dosed EP

Guerilla Toss - Flood Dosed EP

$14.98

Long-awaited vinyl version of Guerilla Toss' FLOOD DOSED, now on wax instead of magnetic tape. 

Cut incredibly loud at 45RPM, Featuring a new (bonus track) from the same recording session, "Teacher Speaks".

Ships in early March. 

  1. Realistic Rabbit
  2. Polly's Crystal
  3. Ritual In Light
  4. Teacher Speaks

 

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Guerilla Toss - GT ULTRA
Guerilla Toss - GT ULTRA

Guerilla Toss - GT ULTRA

$22.98

GT Ultra is the second full length album by Guerilla Toss on DFA Records. The album demonstrates a remarkable shift in sound, musicianship and songwriting, without ever giving up the unhinged quality that made their earlier recordings so exciting.  


The album title GT Ultra is a clever nod to ‘Project MK Ultra’, the government sponsored experiments using new experimental drugs to explore mind control, torture and forced confessions, often with LSD as their drug of choice. These tests lasted from the mid 1950’s-1960’s, but with a new administration in the white house, government sponsored torture is fresh again on many minds.

The songs on the album ricochet back and forth between hyper bouncy pop and deeper darker longer, more nuanced tracks. Peter Negroponte’s drumming, always a major highlight for the band, are in full force once again, this time bringing a Nassau/Compass Point feel to many tracks, like the classic recordings of Grace Jones and Talking Heads. 

Kassie’s vocals and lyrics are both more personal and more cryptic than ever. But you can hear every word this time, and there is a lyric sheet. As preferred, the meaning is within the listener. It is a dream state record for sure, meant to take you along on a similar vibe that the band has been tripping on these past few years, filled with an insistence to “hydrate, gyrate, think straight, no weight”, all the while under the influence of golden beams of orange sunshine, glimmering glitter and kaleidoscopic bursts.

It is no mistake the album is wrapped in vintage blotter acid, created by legendary LSD archivist and artist Mark McCloud and The Institute of Illegal Images, based out of San Francisco.

    1. Betty Dreams Of Green Men
    2. Can I Get The Real Stuff
    3. Crystal Run
    4. TV Do Tell
    5. The String Game
    6. Skull Pop
    7. Dog In The Mirror
    8. Dose Rate

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    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"
    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"

    Guerilla Toss - Jay Glass Dubs Vs. Guerilla Toss 12"

    $12.98

    Now on vinyl for the first time!

    DFA Records and Bokeh Versions have teamed up for a joint release - a reworking of the freaky post-punk stylings of Guerilla Toss by Athens, Greece-based musician and producer Dimitris Papadatos, a.k.a. Jay Glass Dubs.

    The EP comes on the heels of the former’s latest record, GT Ultra. Jay Glass Dubs vs Guerilla Toss turns the hyper-bouncy pop and deeper, darker tracks of GT Ultra into four, stripped-down dub ruminations, each one spacier and weirder than the last.

    The frenetic, zany tempos of songs like “Skull Pop” and “Can I Get The Real Stuff?” are transformed into slow, viscous existential crises that focus in on Kassie Carlson’s echoing vocals. Jay Glass Dubs works headphone magic with reverberating percussion and slinky basslines, as always keeping one foot in dub’s past but both eyes on its horizon.

    Artist in demand and Bokeh-affiliate Patrick Savile’s artwork eloquently articulates the ethos of the EP – speedy, psychedelic textures are blurred and made malleable, gracefully reflecting the sounds of original album through a hazy prism.

    Tracklist

    A1 - Skull Dub
    A2 - String Dub
    B1 - TV Do Dub
    B2 - Can I Get The Real Dub
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    Guerilla Toss - Live In Nashville
    Guerilla Toss - Live In Nashville

    Guerilla Toss - Live In Nashville

    $22.98

    A live one from Guerilla Toss, experience the madness from the comfort of your home! 

    Live In Nashville finds G-Toss playing a decadent array of tracks across a variety of earlier releases, as well as tracks from their breakout 2016 LP "Eraser Stargazer". This limited 12" features cover art by Keith Rankin, and is pressed on heavyweight black vinyl. All orders ship with DFA stickers. 

    Tracklist: 
    1) Polly's Crystal (Live)
    2) 367 Equalizer (Live)
    3) Drip Decay (Live)
    4) Eraser Stargazer Forever (Live)
    5) Operate (Live) 
    6) TV Spell (Live)
    7) Operate (Reprise) (Live)
    8) Diamond Girls (Live)

    RECORDED MARCH 11 2016 AT "THE END" IN NASHVILLE TN

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    Guerilla Toss - Twisted Crystal
    Guerilla Toss - Twisted Crystal

    Guerilla Toss - Twisted Crystal

    $22.98

    TRACKLIST: 
    1) Magic Is Easy
    2) Jesus Rabbit
    3) Meteorological
    4) Hacking Machine
    5) Retreat
    6) Come Up With Me
    7) Unicorn Cigarette (Vinyl Only)
    8) Walls Of The Universe
    9) Jackie's Daughter
    10) Green Apple

    Analog synthesizers give tangible life to the works of
    Guerilla Toss. Whether it be the sound of a rocket ship, a kitten-with-a-wah, distorted dolphins, or a clavichord made out of honey-baked ham, the band consistently finds new ways to bring together the many ideas that combine to shape each new batch of art-rock puzzle pieces.  

    Twisted Crystal, Guerilla Toss’ new LP, feels more personal than ever for the band.  Angular yet irresistibly catchy, this collection of pop songs pulls influence from powerful groups like The Slits, ESG, Gina X, and early Madonna, with sing-speak vocals from Kassie Carlson nodding to legendary artists like Laurie Anderson, Grace Jones, and Lizzy Mercier Descloux – combining this all into a twisted, crystalline concoction.  

    Oracles and enigmatic egos are common lyrical themes, but charismatic instrumentality springs the listener back to extraterrestrial comfort. Old favorite sounds ring true from the trusty Sequential Circuits Six Track Synthesizer and Clavia Drum Machine. New, more refined sounds are molded and polished by drummer/producer Peter Negroponte, whose passion for perfection and creation goes far beyond an all-consuming Tetris effect.  Peter has truly excelled on this new recording, creating a complex networks of beats and sound that become easily intertwined with the rhythmic fabric of life.  

    Raised in a devoutly religious family, vocalist Kassie Carlson started performing at the age of five. She often participated in large pastoral choral performances, as well as her family’s four-part harmony gospel quartet, making her no stranger to the stage. Growing up under the fear of God leaves a distinct footprint on your perception. An omnipresent male dictates not only your present waking life but also the rest of your eternity. Discovering a rock band was more than self-expression for Kassie, it was a manifestation of a self-healing temple, a personal pipeline for power. What better way to part the waters of toxic sludge than a matriarchal shout? 

    Arian Shafiee, Guerilla Toss’ resident textural-guitar guru, is inspired by aspects of non-Western tuning and extended techniques. He designs moments of dense, glistening, pitch-shifted harmony and measured strumming that link classical impressionism to no-wave and early minimal music. His recent solo work truly comes through on this new record, as he tethers fantastical surreality to noise rock to deconstructed Middle Eastern pop music.

    Keyboardist Sam Lisabeth paws the keys with distinct virtuosity and expressive sass. A new member, Stephen Cooper (of the band Cloud Becomes Your Hand), binds the group with an urgent, disciplined, and melodic style. The hypnotic, ostinato-like basslines and up front rhythm tracks guide and grip each song like gravity, keeping the listener from swirling off into the cosmos.

    In albums past, Kassie’s performances resembled more of a manic, possessed high priestess; humming at the gates of hell, hacking telepathy and tugging the strings of every audience member. Twisted Crystal goes beyond this familiar darkness, leading us into a rhythmically calming charm with deep wisdom, serenity, and understanding. What is a twisted crystal? And who told you it would heal?

    At times the listener wanders through mazes of dizzying, alternately pulsing time signatures, but the roads always bounce, meet and magically snap back together. That meditative groove, both live and in the studio, has become signature for Guerilla Toss, drawing deep influence from 70s krautrock and experimental rock music like Tom Tom Club, Talking Heads, Brian Eno, Neu!, Cluster, Todd Rundgren, and La Dusseldorf.

    A constantly evolving, living breathing entity, the band now presents the album Twisted Crystal.  Enjoy the same surrealistic, kinetic healing energy of live Guerilla Toss, today in your own home.

    “Magic is Easy. Hypnotize yourself well.”

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    Hercules & Love Affair - Hercules & Love Affair CD
    Hercules & Love Affair - Hercules & Love Affair CD

    Hercules & Love Affair - Hercules & Love Affair CD

    $5.00

    CD version of the debut album from Hercules & Love Affair

    Tracklist: 
    1) Time Will
    2) Hercules Theme
    3) You Belong
    4) Athene
    5) Blind
    6) Iris
    7) Easy
    8) This Is My Love
    9) Raise Me Up
    10) True/False, Fake/Real
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    Infinity Machine - 001 Cassette
    Infinity Machine - 001 Cassette
    Infinity Machine - 001 Cassette
    Infinity Machine - 001 Cassette
    Infinity Machine - 001 Cassette
    Infinity Machine - 001 Cassette

    Infinity Machine - 001 Cassette

    $13.98

    LIMITED TO 150 COPIES WORLDWIDE.

    THIS PRODUCT IS JUST THE 001 CASSETTE. VIEW ALL INFINITY MACHINE RELEASES HERE.

    Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1/3 of the Earth Beat DJ troupe.

    The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees.

    These events, billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! - and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds.

    After awhile, there was literally three albums worth of material, each of them a voyage into the warm space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 - available from DFA digitally and on a very limited run of cassettes (150 each!) - but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.

    INFINITY MACHINE - 001 TRACK LIST:

    Side A

    Welcome To The Ceremony
    Sleep In The Stars
    COEX System

    Side B

    Golden Teachers
    Contemplating The Void

    View product
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle
    Infinity Machine - 001, 002, 003 Cassette Bundle

    Infinity Machine - 001, 002, 003 Cassette Bundle

    $35.98

    EACH CASSETTE IS LIMITED TO 150 COPIES WORLDWIDE.

    THIS IS A BUNDLE OF ALL THREE INFINITY MACHINE CASSETTES.

    INDIVIDUAL CASSETTES CAN BE PURCHASED HERE.

    Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1/3 of the Earth Beat DJ troupe.

    The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees.

    These events, billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! - and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds.

    After awhile, there was literally three albums worth of material, each of them a voyage into the warm space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 - available from DFA digitally and on a very limited run of cassettes (150 each!) - but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.

    INFINITY MACHINE - 001 TRACK LIST:

    Side A

    Welcome To The Ceremony
    Sleep In The Stars
    COEX System

    Side B

    Golden Teachers
    Contemplating The Void

    INFINITY MACHINE - 002 TRACK LIST:

    Side A

    Calling The Spirits
    Flesh Of The Gods
    Positive Energy
    The Lost Flute

    Side B

    When I’m Gone
    Gather The Tribe

    INFINITY MACHINE - 003 TRACK LIST:

    Side A

    Free From The Bad Paths
    Mother Earth
    Hummingbird Spirit
    The Black Flute
    Luminous Body

    Side B

    Desert Sky
    Demons Will Fear Me
    Red River, Blue Mountain
    Magicians Of The Gods

    View product
    Infinity Machine - 002 Cassette
    Infinity Machine - 002 Cassette
    Infinity Machine - 002 Cassette
    Infinity Machine - 002 Cassette
    Infinity Machine - 002 Cassette
    Infinity Machine - 002 Cassette

    Infinity Machine - 002 Cassette

    $13.98

    LIMITED TO 150 COPIES WORLDWIDE.

    THIS PRODUCT IS JUST THE 002 CASSETTE. VIEW ALL INFINITY MACHINE RELEASES HERE.

    Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1/3 of the Earth Beat DJ troupe.

    The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees.

    These events, billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! - and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds.

    After awhile, there was literally three albums worth of material, each of them a voyage into the warm space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 - available from DFA digitally and on a very limited run of cassettes (150 each!) - but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.

    INFINITY MACHINE - 002 TRACK LIST:

    Side A

    Calling The Spirits
    Flesh Of The Gods
    Positive Energy
    The Lost Flute

    Side B

    When I’m Gone
    Gather The Tribe
    View product
    Infinity Machine - 003 Cassette
    Infinity Machine - 003 Cassette
    Infinity Machine - 003 Cassette
    Infinity Machine - 003 Cassette
    Infinity Machine - 003 Cassette
    Infinity Machine - 003 Cassette

    Infinity Machine - 003 Cassette

    $13.98

     THIS IS JUST A SINGLE CASSETTE IN THE SERIES.

    VIEW ALL INFINITY MACHINE RELEASES HERE.

    Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1/3 of the Earth Beat DJ troupe.

    The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees.

    These events, billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! - and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds.

    After awhile, there was literally three albums worth of material, each of them a voyage into the warm space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 - available from DFA digitally and on a very limited run of cassettes (150 each!) - but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.

    INFINITY MACHINE - 003 TRACK LIST:

    Side A

    Free From The Bad Paths
    Mother Earth
    Hummingbird Spirit
    The Black Flute
    Luminous Body

    Side B

    Desert Sky
    Demons Will Fear Me
    Red River, Blue Mountain
    Magicians Of The Gods
    View product
    Infinity Machine T-Shirt
    Infinity Machine T-Shirt
    Infinity Machine T-Shirt
    Infinity Machine T-Shirt

    Infinity Machine T-Shirt

    $34.98

    A small handful of leftovers from the album release ceremony at Public Records on March 9.

    Designed by Drew Litowitz using elements from his incredible cassette designs (and some of our choice promo copy.)

    Printed on Comfort Colors 1717 blanks.

    View product
    Iñigo Vontier & Thomass Jackson - Calypso Cult II EP
    Iñigo Vontier & Thomass Jackson - Calypso Cult II EP
    Iñigo Vontier & Thomass Jackson - Calypso Cult II EP
    Iñigo Vontier & Thomass Jackson - Calypso Cult II EP

    Iñigo Vontier & Thomass Jackson - Calypso Cult II EP

    $13.00

    Limited pressing of 500 uniquely marbled twelves.

    Multi Culti conjure Calypso Cult once again with this split ep from Iñigo Vontier & Thomass Jackson.

    Fresh off back-to-back seasons of Tuluminati rituals, these two well-worn chug warriors of dark disco have kept Mexico dancing throughout the pandemic, maintaining a prolific release schedule on top of a world-leadingly busy calendar of gigs.

    Thomass Jackson turns in a pair of wonky eyes-closed bangers with the modular-flecked ‘Big Plastic Room,’ and the restrained ecstatic power of ‘Slow Train.’ Iñigo fires back with the twerky, tribal madness of ‘Jungle Tungle’ and the meandering mushroom-inspired-madness of ‘Hipocampos.’

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    J.O.Y. - Sunplus 12"
    J.O.Y. - Sunplus 12"
    J.O.Y. - Sunplus 12"
    J.O.Y. - Sunplus 12"

    J.O.Y. - Sunplus 12"

    $12.98

    The debut single from the kick-ass Japanese duo of K.U.D.O. (MAJOR FORCE WEST, SKYLAB, UNKLE) and KAN TAKAGI (Major Force). Joined by YOSHIMI P-WE (BOREDOMS, OOIOO), the group delivers some of the most off-beat, drum-heavy pop heard in some time on the track "Sunplus." Backed with a classic DFA version.

    Tracklist:

    1. Sunplus

    2. Sunplus (DFA Version)

    View product
    Jacob Yates - The Hare. The Moon. The Drone. LP
    Jacob Yates - The Hare. The Moon. The Drone. LP

    Jacob Yates - The Hare. The Moon. The Drone. LP

    $23.00

    Optimo Music is thrilled to release the new album from Jacob Yates. Not only is he one of our all-time favourite artists from Glasgow, but he is one of our favourite artists from anywhere. Criminally unknown except to a few who have been long transfixed by his recordings and performances, we hope this release will open a few more ears to his wondrous musical world.

    “The Hare, The Moon, The Drone” is the third album from Jacob Yates. This recording finds the band exploring dark hawthorn hedged lanes, moors and suburban, new build estates. There's something more earthy about the songs but the menace and darkness remains. Musically there is a big shift on this album, a field recording of a folk band from a dark, pine filled glen. The opener, The Car sets the scene for the rural side of the album, dank and stone cold. The tracks then shift through the woods, people turn into animals, we pass a sunlit glade, do you hear a love song? Cassie Ezeji closes the side sweetly lamenting in Gaelic as the snow falls.

    Side two is a more urban affair opening with despair in a bedroom in Belgium, we visit a faith healer and drop in on your lonely mother. Lovatt recounts the story of a karaoke addicted murderer before we finally go home to our new build just outside of town where the pylons tower over Michael and his sister Rachel. It's a journey you can go on, looking out of the window of the bus, glimpses of lives glide by, cards on seats promise to help you. Ding! It's time to get off.
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    James Righton - Jim I'm Still Here LP
    James Righton - Jim I'm Still Here LP

    James Righton - Jim I'm Still Here LP

    $24.99

    In 2022 James Righton is reinventing himself, via the stunning synth sounds of 'Jim, I’m Still Here' [DEEWEE062], the new album made in collaboration with David & Stephen Dewaele (Soulwax) was released on July 8. The 12-track album features the 2021 released single 'Release Party' and a guest feature from ABBA’s Benny Andersson. On this third post-Klaxons release Righton downs his family man tools to embody a lavish, rockstar alter ego; Jim…..

    The vinyl is housed in a UV Gloss Sleeve with a printed inner.

    Creative direction by Ill-Studio. Photography by Julian Klincewicz


    Track list:

    A1 Livestream Superstar
    A2 Pause
    A3 Touch
    A4 Release Party
    A5 Real World Park
    A6 Never Give Up On The City

    B1 A Day At The Races
    B2 I Want To Live
    B3 Lover Boy
    B4 Empty Rooms ft. Benny Andersson
    B5 Playing To Win
    B6 Farewell Superstar
    View product
    James Righton - The Performer LP
    James Righton - The Performer LP

    James Righton - The Performer LP

    $24.99

    SIDE A: THE PERFORMER / EDIE / SEE THE MONSTER / DEVIL IS LOOSE

    SIDE B: LESSONS IN DREAMLAND PT 1 / START / ARE YOU WITH ME? / HEAVY HEART / LESSONS IN DREAMLAND PT 2

    James Righton's ‘The Performer’ LP, stands in stark contrast to the electro-hedonism of Righton’s work with Klaxons. Instead, it spins through various points from 1970 onwards. It touches on the suave art-lounge of Roxy Music, the jangly grooves of R.E.M., the sumptuous psychedelia of latter day Beach Boys, and the songwriting gift of Nick Lowe.

    Produced, arranged, written and all vocals by James Righton. Mixed at DEEWEE.
    Art Direction : Ill-Studio. Photography : Raffaele Cariou

    View product