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Please welcome back to the program Museum Of Love, the erstwhile duo of Pat Mahoney and Dennis McNany who have returned to the DFA fold with a perfect 7”, two songs like two sides of a coin.

"After Us" is a simple, buoyant pop song heavily tempered by warnings of a bleak future. The old "sugar with the medicine" approach. 

"Look Of Disgust" is its perfect foil. A notty, almost industrial sounding wind up that ends just like a slap in the face.

Both songs were mixed by Nick Millhiser and mastered by Bob Weston. Purple vinyl pressed at Third Man Pressing in Detroit, MI.

Fernando Pulichino's slinky, syrupy dance floor records have been cycling through DFA DJ bags for years, so it was only a matter of time until he made an official appearance on company letterhead. The OG version of "I Got, She's Got" which appears here on B2 is a romping, howl-at-the-moon burner, but it's the remix that really goes and notched the A1 placement at 45RPM. Between the two, is another bomb, "She's Playing With Fire." All three tracks are weapons, trust us.

Mastered and cut by Bob Weston and pressed at Furnace Record Pressing in Alexandria, VA.

From the depths of the DFA vault (really just an assortment of poorly organized hard drives of varying vintages), we found this gem, a version of “pow pow” made all squirrely by master squirrels the Idjut Boys.

Why we kept this a secret for 14 years will forever remain a mystery. It’s a distant cousin of the original - vocals gone, drums looped out, squelch and delay coming down like rain. A real chugger.

What better to pair it with, then, than Rub-N-Tug’s remix of “too much love,” long out of print from its original pressing in 2005 and still a complete monster meant for dark rooms and cranked up smoke machines. It lives on wax once again, now with a likeminded buddy.

Both tracks were recut at 45RPM by Bob Weston and pressed with care by the good humans at Third Man Pressing in Detroit, MI. Hand-stamped here at DFA and limited to 1000 pieces.

"A merciless triumph" - The Wire

You must surrender. Because if you’ve followed Naum Gabo over the past 15 years - across various 12-inches, styles, and notable labels - and you’re listening to “F. Lux,” their first proper album, then you’re probably wondering how you wound up here, all the way down, barely able to see through the brain-clogging atmosphere and towering low-end.

“F. Lux” is deep, enthralling listen, alternating between moments of pounding, world-ending techno (“Schinokapsala” and “This 1¨º∆”) and sharply imagined, surrealist scenes painted with metallic machines ("Aora" and "Haerstag"). There is light to be found in the darkness, but the only way out is through.

Naum Gabo are Glasgow’s Jonnie Wilkes (also known as one-half of DJ duo Optimo) and James Savage (prolific mastering engineer). F. Lux was written and produced entirely by them at their Glasgow Hottrax Studios and mastered by James Savage. The album's front cover artwork is a painting by cherished Scottish painter, Andrew Cranston. The vinyl was pressed at MPO in France using lacquers cut by Bob Weston in Chicago.

1. Aora
2. Tols
3. Schinokapsala
4. Hebust Cometh
5. Haerstag
6. This 1¨º∆
7. Nothing In My Hand
8. Parasymptofelia