All

Tracklist: 
1) High Tide
2) High Tide (Secret Circuit)
3) High Tide (Dr. Dunks) 

Christened High Tide after the sudden rising of the LA River basin during a particularly epic and rare rainfall, this cosmic slop funk jam was born from the minds of Devin Flynn (Pixeltan) and Eddie Ruscha (Secret Circuit), two individuals with a deep connection to Los Angeles tap water sources. While traipsing through the aisles of an Atwater Village bodega, the two mustered up a plan to create a rhythmic piece so delectable as to turn peoples’ heads inside out and pummel the senses with a wobbly Jah Wobble bass sound and a toy drum machine “no toy” style back beat. They figured if they laced it up with enough electronic scuzz, the masses would be sure to want to sip from its nectar. 

When DFA got wind, it was all systems go, and from then on, all relevant parties knew that they should sit on the track for at least five years before it was released, otherwise the world at large would not be ready for it. The remixes are by Eddie himself, as Secret Circuit, and Dr. Dunks, AKA Eric Duncan, a fellow Angeleno (at least at heart). Eric and Devin rolled through the streets as small children, shredding curbs and tagging local ice cream trucks, so it was inevitable they would reconnect and jam on High Tide. 

Devin Flynn is an animator, musician and teacher who has worked on projects like Gary Panter's web series Pink Donkey and the Fly and MTV2’s Wonder Showzen. He has previously released on DFA with Pixeltan, a trio—Flynn, Hisham Bharoocha of Black Dice, and singer Mika Yoneta—that recorded with The DFA at the label’s inception, creating two seminal singles. Eddie Ruscha is another DFA veteran, having remixed artists including Wolfram and Museum of Love. He has been making music for decades, as Secret Circuit and with a myriad of other aliases and collaborators, in addition to recording under his own name. He has released on labels like Beats in Space and Emotional Response, among others.

dfa 2289 / 2011 / Picture sleeve

A. Night Sky (Original Version)

B. Night Sky (Mutant Beat Dance Adjustment) (aka Traxx / Melvin Oliphant III)

Larry Gus releases another single from his DFA debut LP “Years Not Living”. This time it is the album’s  lead-off track, entitled “With All Your Eyes Look”. 

If approaching the song from it’s literary roots and inspiration (Georges Perec’s “Life: A User’s Manual”) is all too much, the post modern take on straight up driving urgent & dramatic psychedelic rock music should be just sufficient. The song is a perfect summation of all the talents that make Larry Gus such a unique talent. The mathematical layering of musical elements both grandiose and minuscule combine to make one of the most engaging singles of the summer.

The single has been remixed by three quite diverse artists and producers: Cut Hands (William Bennett of White House fame), Black Deer (aka Willie Burns) & Tuff Sherm (aka Dro Carey). All tracks lean on the percussive and manic syncopations of the original track but spin it out into very unique and surprising directions.

Tracklisting:

1. With All Your Eyes Look
2. With All Your Eyes Look (Tuff Sherm Remix)
3. With All Your Eyes Look (Black Deer Remix)
4. With All Your Eyes Look (Cut Hands Remix)

Two A-sides, “Kerkis (Judas-Tree)” and “Foreign Steps,” from the same recording sessions as Subservient. The lyrics to “Kerkis (Judas-Tree)” were written by Efthimis Filippou, an award-winning screenwriter known for his work with director Yorgos Lanthimos on films like Dogtooth, The Lobster, and The Killing of a Sacred Deer. The 7-inch precedes an upcoming audio play, written by Efthimis and scored by Larry, to be produced with the Onassis Stegi (AKA Cultural Center) sometime next year. The audio play will be released on DFA in 2020. 

Tracklist

The Crystal Ark - We Came To w/ poster, LTD to 50.  

Classic bangers from 2012, mixed at the DFA studios, produced by Rayna Russom, engineered by Matt Thornley (LCD Soundsystem)

A) We Came To (House Mix) 8:49

B) We Came To (Dub Mix) 9:29

Original text:

"The Crystal Ark Returns! We Came To is the fourth single by The Crystal Ark and the third release in the DFA Direct series of exclusive 12" singles. The House and Dub versions featured on this 12" were mixed alongside the Album Version and are totally awesome. We promise.

Orders from the DFA Direct store get a copy of the record stamped with custom logotypes designed by Gavin Russom and Viva Ruiz and an exclusive 12x18 sleeve/poster.

Limited and numbered edition of 50. Move quickly!"

DFA EMI UK 12" / dfaemi 2172 / 2007

A. Smoke Screen (The Glimmers Beyond The Smoke Edit)

B. Smoke Screen (Twelve Inches And A Bit More By The Glimmers)

DFA2212 / 2009

 A1. I'll Keep On Loving You

B1. Living Without Your Love

B2. Living Without Your Love (Instrumental Workout)

DFA UK / JUANDJ 01 / 2005 / CD in card sleeve / promotional only

we sell stuff and now your loved ones can buy it using digital plastic money

TRACKLIST:
1) Every Killer Needs A Friend
2) Here On Earth
3) Make Up
4) Turnaround
5) Walls
6) Take It All Away
7) Long Time Dead
8) Echo Loves Narcissus 
9) Robots

European pressing from Public Possession. Limited to 300 copies worldwide.

a1. Automatic (feat. Peaches) [Dub]
b1. Automatic (feat. Peaches) [Rex The Dog Remix Instrumental]
b2. Automatic (feat. Peaches) [Cable Toy Remix]

A. Babylon By Car

B. Tragedy Symphony

Limited to 300 copies worldwide.

The Pacific Northwest musician John Greek originally released “I’m Hot For Your Body” as a limited private press 12” single in 1979 - rumors abound that only 100 copies were ever made, though much about this record feels apocryphal. 

Across six minutes of sordid, primal disco-blues, Mr. Greek slowly yields to the power of desire, chasing swirling string synths around the shadows like they’re ghosts, dousing everything in flange it’s lighter fluid. It is both terrifying and undeniable.

With permission from Mr. Greek’s estate, we’ve remastered the original and presented it alongside a even-more-unhinged version from Velvet Season & The Hearts Of Gold, the duo of Gerry Rooney (co-founder of the legendary Black Cock edits label) and Joel Martin (of Quiet Village).

Not for the faint of heart, this.

Remastered and cut by Bob Weston at Chicago Mastering Service.

Pressed by the good humans at Furnace Record Pressing in Alexandria, VA.

LIMITED TO 150 COPIES WORLDWIDE.

THIS PRODUCT IS JUST THE 001 CASSETTE. VIEW ALL INFINITY MACHINE RELEASES HERE.

Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1/3 of the Earth Beat DJ troupe.

The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees.

These events, billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! - and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds.

After awhile, there was literally three albums worth of material, each of them a voyage into the warm space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 - available from DFA digitally and on a very limited run of cassettes (150 each!) - but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.

INFINITY MACHINE - 001 TRACK LIST:

Side A

Welcome To The Ceremony
Sleep In The Stars
COEX System

Side B

Golden Teachers
Contemplating The Void

DFA is thrilled to now offer releases from Voluminous Arts, the new label from Gavilán Rayna Russom, in our online store. Rayna has released a ton of music on DFA under aliases like Gavin Russom, Delia and Gavin, Black Meteoric Star and The Crystal Ark, and she's also been a member of LCD Soundsystem. She's since released music on a bunch of other labels (all of it very good!) and started Voluminous Arts in 2017.

Learn more about Voluminous Arts here.

Official blurb below...

Digital download codes to be provided after purchase.

**

Jamaica Queens born artist Rat Porridge’s work is layered, complex and presents multiple entry points from which one can absorb its potent combination of intensities. One of these is the translucent green of the cassette tape and cover artwork that hold her inaugural release on Voluminous Arts in physical form. Another is the title of this debut album, Live from the Plant. Together these two creative choices already present an interwoven set of meanings and associations that allow entry to the depths that lie within her surging condensations of sonic information. The color green evokes both effusive botanical growth and the toxic sludge produced by manufacturing, while the words “Live” and “Plant” evoke similar associations through language. In her own words, “it’s very multi-meaning, the ‘plant’ is the organic plant of earth, and then there’s the ‘plant’ of the industrial plant. The plant could be a lot of different things, and it’s all those things.”

On Live from the Plant, Rat Porridge uses the permeable and malleable properties of sound to engage the relationships between these multiple meanings in ways that orient themselves towards healing and towards ancestral time, rather than colonial models of binary opposition and categorization. Space and its relationship to the body is a core concept connecting multiple threads of meanings in Rat’s work. Her songs are permeated by field recordings, gathered from spaces, such as shuttered shopping areas, within her environment that have been left empty of commerce and full of possibility after outliving their use to extractive commodity-based market interests. They also reverberate with the physical spaces in which they were recorded; bedroom and basement, critical and traditional sites of underground artistic exploration and community building. Her voice resonates from within the space of her physical body and echoes back from the rooms she works in, creating one of many cumulative forms of repetition present in the work. Repetition also plays a role in her lyrics, which repeat enough times to give listeners added meaning with each engagement. This awareness of space, and of one’s place and power within it grows from her engagement with performance art, activism and the communities she is a part of. As one listens to the album, it becomes a transcription of these interrelated activities, one that charts a trajectory of both individual and collective healing as she ecstatically expands on the rhythmic cycling present in both dance floor oriented music and what mental health practitioners refer to as “circular thinking”. 

With repetition and a circular continuity at their pulsing core, Rat Porridge’s works on Live from the Plant unleash a regimentation-shattering energy that is saturated with multiple temporalities, locations and emotions. Rat’s music, with all of its texture and performance, subverts expectations of what healing art should be: “I feel like there’s an association with so-called ‘healing’ music that it should only be soft, ambient or like easy listening or something like that… relaxing… I listen to things like that, and it's not like I’m not using some of those sounds… but there’s something with just like addressing the brokenness, or addressing the really difficult parts as well, that is like, a step towards the deeper healing.... I’m opening up and so is the art.”

The debut 12" from The Crystal Ark

Features the original and extended instrumental.

Track List: 

1. The City Never Sleeps (5:00)
2. The City Never Sleeps (Instrumental) (12:21)

Eventually compiled on the Paw Tracks LP "Load Blown", these tracks originally appeared on this Black Dice release, Manoman.

**Includes a 24x24 poster designed by Bjorn Copeland. It's got a zebra on it.

Tracklisting:

1. Manoman
2. Gore
3. Toka Toka

Limited edition of 500 blue label hand-stamped singles featuring two wildly left-field remixes of two wildly left-field DFA artists. MP3s will arrive when these tracks are released digitally, at some point in the future.

Tracklist

A - Bobby Strong (Anthony Naples Remix)

B - The Night Patrols (A Man Asleep)(Bookworms Remix)

DFA is pleased to announce three 12" vinyl singles, consisting of remixes of "How You Say" from Factory Floor's self-titled debut LP.

This one (DFA2432) consists of remixes from the acclaimed Daniel Avery (Phantasy) and DFA alumni Invisible Conga People, who recorded a 12" for DFA in 2011 and have not been heard from since (until now). 

Limited vinyl edition of two previously digital-only singles by Berlin singer, songwriter, and producer. Dan Bodan, hailed by Pitchfork as "an expression of the storied NYC dance label's more oddball tastes." First up is "Anonymous", a poignant portrait of yearning for the post-Facebook generation. The A side is rounded out with a remix by DJ Richard (1/2 White Material with Young Male) that manages to drag the track to even deeper depths of anxiety. 

The flip features 2013 single "Hunger Games", a widescreen epic of a track that will be stripped down to the bare minimum on Dan's forthcoming LP. It features production by left-field dance geniuses Physical Therapy and Ville Haimala of Renaissance Man. Also featured is the acclaimed Stadium Remix. Comes in a custom spineless picture sleeve featuring an illustration by Julien Ceccaldi.

Tracklisting:

1. Anonymous
2. Anonymous (DJ Richard Remix)
3. Hunger Games
4. Hunger Games (Stadium Remix)

Black Meteoric Star is the latest project by longtime DFA alumni Gavin Russom. The project is inspired equal parts Euro-disco, wonky early electronic body music from America's Midwest and an always present fascination with the outer reaches of global psychedelic rock. Gavin Russom began the recordings for Black Meteoric Star sometime in 2006. It was at this time that Carl Craig remixed Delia Gonzalez & Gavin Russom's single "Relevee", making it one of the years biggest dance club anthems. Three vinyl 12" singles by Black Meteoric Star will be released on DFA Records with extended original versions in 2009 along with a full self-titled CD that edits and compiles all six singles. There will be an edition of 100 of each 12" hand stamped and accompanied by a series of posters also designed by Russom. These releases will follow a narrative line and the six pieces of music tell a story of clubbing and the long journey through the night and into the next day. In this project, Russom carries his ability to create rich sonic landscapes to the dance floor using minimal but intense arrangements and high-energy repetition. 

Drawing influences from the far corners of planet Earth and beyond, Australia's Canyons strikes a balance between psych and acid house, pop and disco, fiction and fact. Leo Holiday and Ryan Sea-mist have been producing their distinctly boundary-less modern cacophony for a couple of years now, attracting interest from fans of eclectic, irreverent dance music everywhere. The duo has remixed tracks for Empire of the Sun and Ladyhawke, and also runs the Hole in the Sky label. Fire Eyes is Canyons' first release for DFA Records and follows recent compilation appearances on Modular, Lo Recordings, and Cosmo Vitelli's I'm a Cliche, among others. Their debut album is in the making and will be out on Modular in late '09 / early '10. With the odd remix in the pipelines, Canyons are also piecing together a full live band to take their musical healing on the road and to the people. 

"Leo Holiday and Ryan Sea-mist are the dynamos behind Australia's Canyons, offering tantalizing disco-meets-acid-house treats with a touch of pop for easy dancing pleasure...." --Urb Magazine  

"... deep, grinding house that sounds like [Canyons] has been listening to Art Ensemble of Chicago and/or Popo." --The Fader

Tracklisting:

1. Fire Eyes
2. Dancing On Silk
3. Fire Eyes (Jacques Renault's Living In The Jungle Mix)

“Echo”, the first album for DFA from acclaimed Norwegian avant garde pop vocalist Nils Bech. It is set for release on October 14th.

A busy stage actor and singer already well known in his native Norway for three albums released on Oslo’s Fysisk Format, “Echo” marks a pivotal turning point for Bech, and something of a radical sonic departure too. The keys to the seachange lie with Bech’s new collaborator, the young underground DJ, producer and beat maker Drippin’, known for his work with American rap artists such as LE1F and Cakes Da Killa. As a result, where his previous work was strange, ethereal and otherworldly – completely and utterly unique - “Echo” throbs with a renewed sense of vigour and urgency, without losing any of the idiosyncratic beauty which marked Bech’s work out before.

The sound created here is strange and immediate. Stuttering sharp bass kicks combine with clanging 5-alarm snare drums made of glass, orchestra stabs and melancholy piano lines jump in and out of the arrangements. These new elements and ideas are married to the already singular voice of Nils Bech, with “Echo” becoming something new, exciting and 100% Norwegian - homegrown and ready for the world. Just listen to new track “Waiting” for evidence of his truly inimitable vision, as martial drums anchor Bech’s floating, weightless vocals, to create something swoonsome, beguiling and defiantly its own creature.

The music comes to full fruition when performed live, as proven at two packed performances at the 2016 By Larm Festival where Nils was joined onstage by both Drippin’ & Øyvind Mathisen, who also produced, arranged and played on the album alongside Bech. Make sure not to miss the completely original and striking sound of Nils Bech.

Tracklist:

1. Waiting
2. Too Little Too Late
3. Glimpse Of Hope
4. Please Stay
5. Drip, Drip
6. Let Go
7. Echo
8. Jealousy
9. A Sudden Sickness

black vinyl edition and CD feature a full color art inner sleeve. 

Exit Entrance is the DFA debut for Kohei Matsunaga aka NHK yx Koyxen. 

Kohei has been making / releasing music since 1997 and has recorded for such iconic labels as Mille Plateaux, Important, Pan & Diagonal. His latest recordings explore intricate drum programming, lush melodies & sparkling arrangements. Touchstones include the legendary Clicks & Cuts compilations from the 1990’s as well as Aphex Twin & Autechre. RA called his music “bombastic techno funk….unpredictable but rarely disappointing.” 

Exit Entrance is a collection of new songs that snap and flicker unlike anything Kohei has done in the past. There is a clarity and beauty to these tracks that bursts out of the speakers in a three dimensional way, matching the 3D glasses that the artist wears during all his live performances. The elegant arrangements and crisp drum breaks match the concise song titles – Kohei foregoes the typical impenetrable track names made up of numbers and shorthand, and opts for a more direct emotional sincerity through the sonic themes of the record. 

Not all the music here falls into the same exact formula. As the album heads towards a close, after several tracks of harmonious beauty, we get “Outset (for Mika Vainio),” a somber hushed techno tune, dedicated to his late friend and musical collaborator, who unexpectedly passed away earlier this year as the record was being completed. What follows after this track is perhaps the real catharsis, as “Dented” ominously kicks off with acidic stabs and rolls into a tumultuous dirge of gritty techno. 

In this regard, Exit Entrance can play out like a life cycle, a mini opera of birth and beauty, of sorrow and mourning. It is one of the most direct and honest records Kohei has ever made, and DFA is beyond proud to present this work from such an esteemed creative force in the electronic avant-garde world of music.

Track Listing:
1) Meeting
2) Finding
3) Intention
4) Dignity
5) Notice
6) Mutually
7) Outset (for Mika Vainio)
8) Dented

 COMPACT DISC AVAILABLE ON DFA BANDCAMP 

Tracklist:
1) Eric Copeland - Heads (Parris Remix) 
2) Eric Copeland - Heads (RAMZi Remix)
3) Eric Copeland - 321 Contact (Lokier Remix)
4) Eric Copeland - Electric Mud (Gerry Read Remix)

After the success of last year’s Mixbone EP, we once again invite four dance music experimentalists to remix Eric Copeland. Where 2017’s Goofballs was the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, last fall’s Trogg Modal Vol. 1 pushed his 'Freakbeat 4/4' agenda even further, with a sense of humor that bubbles over and out through the speakers. Rife with chunky percussive layers and tweaked loopy vocals, these frenzied, self-described “rippers” are practically designed to be remixed. 

Parris (Trilogy Tapes, Hemlock) and RAMZi (RVNG, 12th Isle) both take on the singsongy rhythms of “Heads.” Parris’ take pares down the track, giving it room to glisten and expand, while RAMZi’s paddles along in a characteristically murky, laid-back manner. Lokier (Days Of Being Wild, Spirits) goes in for the jugular with an acidic rework of “321 Contact,” repurposing vocal samples as spooky EBM. Closing out the record is Gerry Read (Aus, Accidental Jnr), who pits the heavy stomp of “Electric Mud” against whizzing frequencies. Newfangled interpretations of tracks that were already out there to begin with.

DFA EMI UK 7" / dfaemi  2174 / 2007 / Picture sleeve

A. Victims

B. April / May

DFA 7" / dfa 2255 / 2010 / picture sleeve

A. Seed, Crop, Harvest

B. Off The Radar, Off The System

A1. End Of The World

A2. Go To Sleep (Deerhunter Remix)

B1. Go To Sleep

B2. Go To Sleep (Eluvium Remix)

dfa 2132 / 2004 

A. El Monte

B. Rise (DFA Remix)

dfa 2205 / 2008

A. Underwater

B. Underwater (Alternative Dub Mix)

DFA2210 / 2009

A. Space Fortress

B1. Showdown

B2. Sorcerer

DFA2433 / 2014 

DFA debut. Vocals by Andrew Butler of Hercules & Love Affair 

A. Talking To You (Feat. Andrew Butler of Hercules & Love Affair)) [Club Mix}

B1. Can't Remember (Jacques Renault & Mark Verbos Remix)

B2. Can't Remember (Secret Circuit Remix)

Black Meteoric Star is the latest project by longtime DFA alumni Gavin Russom. The project is inspired equal parts Euro-disco, wonky early electronic body music from America's Midwest and an always present fascination with the outer reaches of global psychedelic rock. Gavin Russom began the recordings for Black Meteoric Star sometime in 2006. It was at this time that Carl Craig remixed Delia Gonzalez & Gavin Russom's single "Relevee", making it one of the years biggest dance club anthems. Three vinyl 12" singles by Black Meteoric Star will be released on DFA Records with extended original versions in 2009 along with a full self-titled CD that edits and compiles all six singles. There will be an edition of 100 of each 12" hand stamped and accompanied by a series of posters also designed by Russom. These releases will follow a narrative line and the six pieces of music tell a story of clubbing and the long journey through the night and into the next day. In this project, Russom carries his ability to create rich sonic landscapes to the dance floor using minimal but intense arrangements and high-energy repetition. 

The second single "Dominatron / Anthem" takes place after midnight. The animal energy encountered in "World Eater" is released and splits itself into female and male parts. This 12" is the story of their struggle for power over one another. "Dominatron" is the feminine side and "Anthem" is the masculine side. As in a possession ritual, each side appears and does its dance. Rhode Island native Gavin Russom now lives and works in Berlin. He has produced many remixes recently, including a new single by Croatian techno artist Petar Dundov, New York's avant garde duo Palms and a remix featured on the upcoming soundtrack for the remake of the movie Tron.

Tracklist

A - Dominatron

B - Anthem

A. Television Train

B. Suburban

 A1.  Acarpenter

A2. Lord A Mercy

B.  Acarpenter (Joakim Remix)

DFA EMI UK 7" / dfaemi  2175 / 2007 / Picture sleeve

A. The Narrator

B. Dressed To Please

DFA 2279 / 2011 / Picture sleeve

A. Deerhunter - Cool (cover version)

B. Pylon - Yo-Yo (Remix by Calvinist)

(Calvinist = Clem Waldmann (UI) / Sasha Frere-Jones (UI) / vocals by Alexis Krause (Sleigh Bells))

Optimo (like DFA!) is many things. A party? Yes. A pair of DJs and a record label, too. But it’s also an impish spirit, a focus on community and a dedication to new sounds in old forms. They’ve been part of the extended DFA family for eons - Johnnie Wilkes and JD Twitch played James’ residency at APT back when dinosaurs roamed Manhattan, and their now-retired weekly party in Glasgow hosted many DFA acts during its run.

In the spirit of having more music from our trusted friends and family on these digital record shelves, we have a selection of releases from their label, Optimo Music, available. More on this one straight from the source below...

**

Optimo Music is delighted to present our 2nd Peter Zummo release, this time featuring all new music. This release is a mini album containing 30 minutes of music cut at 45rpm. It is a suite of songs based around this amazing track, "The Tape Is Chill".

Some words from Mr. Zummo -

In this project for Optimo, the listener can hear that my musical food pyramid has musicians at top, or maybe they are at the bottom. In any case, they are important. That is why, from track to track, I selected segments in which one player or another is featured in the take. Some may think that we musicians do multiple takes to get the perfect performance, but I like to find the special interactions lurking in each excursion. Different players came forward in each of the takes, which were recorded in the studios Seaside Lounge and Headroom, in Brooklyn, and live in performances at Cube Cinema, in Bristol, U.K., as well as in Long Island City and on Staten Island, New York.

In order to escape the tyranny of the lyric, I am exploring in this release the possibilities of nonsensical and non-emotional lyrics. These kinds of lyrics bring the singing voices into the mix without an overweening message. The tracks include open-form compositions in which the duration was not specified.